Books

OVER 1 MILLION COPIES SOLD WORLDWIDE • *WINNER OF THE NED KELLY AWARD FOR BEST INTERNATIONAL CRIME FICTION* • *SHORTLISTED FOR THE EDGAR ALLAN POE BEST NOVEL AWARD* • INSTANT #1 NATIONAL BESTSELLER • #1 NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • CITYLINE BOOK CLUB PICK • “A twist-and-turn whodunit, set in a five-star hotel, from the perspective of the maid who finds the body. Think Clue. Think page-turner.”—Glamour

NEW YORK TIMES EDITORS’ CHOICE • ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Glamour, W magazine, PopSugar, The Rumpus, Book Riot, CrimeReads, She Reads, Daily Hive, The Globe and Mail, Chatelaine, Stylist, Canadian Living

“An endearing debut. . . . The reader comes to understand Molly’s worldview, and to sympathize with her longing to be accepted—a quest that gives The Maid real emotional heft.” —The New York Times

“The Maid is a masterful, charming mystery that will touch your heart in ways you could never expect. . . . This is the smart, quirky, uplifting read we need.” —Ashley Audrain, #1 bestselling author of The Push


A dead body is one mess she can’t clean up on her own.

Molly Gray is not like everyone else. She struggles with social skills and misreads the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by.

Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.

But Molly’s orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what’s happening, Molly’s unusual demeanour has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black. But will they be able to find the real killer before it’s too late?

Both a Clue-like, locked-room mystery and a heartwarming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.

"The emergence of our true selves is all of our life's work. Pageboy helps chart the course." ―Jamie Lee Curtis

"Searing, deeply moving, and incredibly poignant... This isn’t simply a book on what it means to be trans, it’s about what it means to be human." ―Alok Vaid-Menon

NAMED A MOST ANTICIPATED BOOK by Salon, The Week, Elle, Bustle, and more.

Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.

As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough.

The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame ― and stepping into who we truly are with strength, joy and connection.

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

Starting in late November as the bees are settling in for winter Jenna Butler takes us through a year of beekeeping on her small piece of the boreal forest. She considers the impact of crop sprays, and debates the impact of introduced flowers versus native flowers, the effect of colony collapse disorder and the protection of natural environments for wild bees. But this is also the story of women and bees and how beekeeping became Butler's personal survival story.

Frank, funny, and sympathetic, this fitness book offers realistic tips, encouragement, and dozens of activity ideas for times when exercise is the only thing that will help—and the last thing you want to do.

Exercise is the most reliable way to improve mental health. But if you're depressed, anxious, burned out, or struggling, it may feel impossible to get started, get serious, or even get up.

Written by an neurodivergent exercise professional, Work It Out busts myths about fitness while providing clear, actionable advice on how to:

• Incorporate exercise into your daily life
• Build an adjustable workout plan for both good and bad mental health days
• Shake off the messages that say you're never doing enough
• Set up a workout log that motivates you in exactly the way you need
• Celebrate all your achievements, including getting out of bed
• But also get a little exercise in bed, if that's where you are today

INSTANT BESTSELLER
FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION

From a leading scholar on the politics of race comes a work of family history, memoir, and insight gained from a unique journey across the continent, on what it is to be Black in North America.

When Debra Thompson moved to the United States in 2010, she felt like she was returning to the land of her ancestors, those who had escaped to Canada via the Underground Railroad. But her decade-long journey across Canada and the US transformed her relationship to both countries, and to the very idea of home.

In The Long Road Home, Thompson follows the roots of Black identities in North America and the routes taken by those who have crisscrossed the world’s longest undefended border in search of freedom and belonging. She begins in Shrewsbury, Ontario, one of the termini of the Underground Railroad and the place where members of her own family found freedom. More than a century later, Thompson still feels the echoes and intergenerational trauma of North American slavery. She was often the Only One—the only Black person in so many white spaces—in a country that perpetuates the national mythology of multiculturalism.

Then she revisits her four American homes, each of which reveals something peculiar about the relationship between American racism and democracy: Boston, Massachusetts, the birthplace of the American Revolution; Athens, Ohio, where the white working class and the white liberal meet; Chicago, Illinois, the great Black metropolis; and Eugene, Oregon, the western frontier. She then moves across the border and settles in Montreal, a unique city with a long history of transnational Black activism, but one that does not easily accept the unfamiliar and the foreign into the fold.

The Long Road Home is a moving personal story and a vital examination of the nuances of racism in the United States and Canada. Above all, it is about the power of freedom and the dreams that link and inspire Black people across borders from the perspective of one who has deep ties to, critiques of, and hope for both countries.

Now two groups are after them—the law, in the form of veteran state investigator Kirk Stevens and hotshot young FBI agent Carla Windermere, and an organized crime outfit looking for payback. As they crisscross the country in a series of increasingly explosive confrontations, each of them is ultimately forced to recognize the truth: The real professionals, cop or criminal, are those who are willing to sacrifice everything.

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Owen Laukkanen is the author of the Stevens and Windermere series, beginning with The Professionals, which was nominated for the Anthony Award, Barry Award, Spinetingler Magazine Best Novel: New Voices Award, and the International Thriller Writers’ Thriller Award for best first novel. His follow-up, Criminal Enterprise, was nominated for the ITW Thriller Award for best novel. A resident of Vancouver, British Columbia, he is now at work on the next book featuring Stevens and Windermere.

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Miriam Toews is the author of seven bestselling novels: Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, and Irma Voth, and one work of non-fiction, Swing Low: A Life.  She is a winner of the Governor General’s Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers’ Trust Fiction Prize, and the Writers Trust Marian Engel/Timothy Findley Award. She lives in Toronto. 

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LINDSAY WONG is the author of the critically acclaimed, award-winning, and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019. She has written a YA novel entitled My Summer of Love and Misfortune. Wong holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. She currently teaches creative writing at the University of Winnipeg. Follow her on Twitter @LindsayMWong, Instagram @Lindsaywong.M, or visit www.lindsaywongwriter.com.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD

ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. 

Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.  

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Imbued with longing, erudition and hard-earned wisdom, Heartbroken dares to delve into a universal ordeal—perhaps the one that makes us the most human of all.

When Laura Pratt’s long-distance partner of six years tells her “it’s over” at a busy downtown train station, she is sent reeling, the breakup coming out of the blue. He, meanwhile, closes himself off, refusing to acknowledge Laura and her requests for explanation.

In the following days, months, and then years, Laura struggles to make sense of this sudden ending, alone and filled with questions. A journalist, she seeks to understand the freefall that is heartbreak and how so many before her survived it, drawing on forces across time and form, and uncovers literary, philosophical, scientific and psychological accounts of the mysterious alchemy of how we human beings fall in love in the first place, and why, when it ends, some of us take longer to get over it, or never do. She weaves this background of cultural history with her own bracing story of passionate love and its loss, and offers some hope for arriving—changed, broadened, grateful—on the other side.

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LAURA PRATT is a long-time journalist, writer and editor. She writes for Canadian magazines and edits books. Her first memoir, The Fleeting Years, was published in 2004. She lives in Toronto with whichever of her kids and dogs she can corral to join her. She’s a 2020 graduate of the University of King’s College’s creative nonfiction MFA. She won an honourable mention in Prairie Fire’s 2020 CNF contest and was shortlisted for The Fiddlehead’s 2019 CNF contest. She has served as a judge at the National Magazine Awards for several years.

A sparkling, reader-favourite rom-com for fans of You’ve Got Mail, set in competing halal restaurants  

“A novel of wit, heart, substance and depth—a love story that explores the challenging issues of our times.” —Ausma Zehanat Khan 

“Readers won’t be able to put this Own Voices Muslim romance down.” —Library Journal (starred review) 

Sales are slow at Three Sisters Biryani Poutine, the only halal restaurant in the close-knit Golden Crescent neighbourhood. Hana waitresses there part-time, but what she really wants is to tell stories on the radio. If she can just outshine her fellow intern at the city radio station, she may have a chance at landing a job. In the meantime, Hana pours her thoughts and dreams into a podcast, where she forms a lively relationship with one of her listeners. But soon she’ll need all the support she can get: a new competing restaurant, a more upscale halal place, is about to open in the Golden Crescent, threatening Three Sisters.

When her mysterious aunt and teenage cousin arrive from India for a surprise visit, they draw Hana into a long-buried family secret. A hate-motivated attack on their neighbourhood complicates the situation further, as does Hana’s growing attraction for Aydin, the young owner of the rival restaurant—who might not be a complete stranger after all.

As life on the Golden Crescent unravels, Hana must learn to use her voice, draw on the strength of her community and decide what her future should be. 

Uzma Jalaluddin

Biography

UZMA JALALUDDIN is the bestselling author of Ayesha at Last and Hana Khan Carries On, both of which have been optioned for film, the latter by Mindy Kaling. A high school English teacher, Jalaluddin is also a contributor to the Toronto Star and the Atlantic. She lives near Toronto with her family.

Critical Praise

Jalaluddin portrays a swoon-worthy romance as skilfully as she captures the heart of a community. A novel of wit, heart, substance, and depth—a love story that explores the challenging issues of our times.  — Ausma Zehanat Khan, author of A Deadly Divide

A sweet and satisfying retelling of “You’ve Got Mail” and absolutely irresistible. I read the whole book in one sitting and cannot wait for more from Uzma Jalaluddin!  — Sonya Lalli, author of Serena Singh Flips the Script

Hana Khan Carries On serves us all the ingredients of a delicious tale: a dynamic setting, vibrant characters, a romantic problem of wires-crossed proportions, and a lead you’ll find yourself rooting for until the end. Truly a burst of joy!   — S.K. Ali, author of Love from A to Z

A grand celebration of a novel: big, noisy, and joyous. Jalaluddin’s new book is a wholly original romantic comedy for our times, with irresistible banter, near-misses, ulterior motives, and an all-out Bollywood-style climax. I loved it. — Kate Hilton, author of Better Luck Next Time

Cute, emotional, and ultimately joyful. A romance with a warm heart, one wrapped in the bonds of family and friendship, this book left me with a delighted smile on my face. — Nalini Singh, New York Times bestselling author

"Jalaluddin follows Ayesha at Last with another charming contemporary romance, which maintains a fun, energetic mood while tackling serious themes of prejudice." — Publishers Weekly

"The clever and independent protagonist, large cast of vivid characters, strong family ties, and satisfying enemies-to-lovers trope all have the feel of a classic remake and will thoroughly delight readers looking for modern Indian Muslim representation in a love story that hits real-life issues on the way to a very satisfying conclusion." — Booklist

"Packed with emotion, this romance is also a beautifully written coming-of-age story about a first-generation immigrant. Hana is a relatable, flawed narrator, and the other characters are complex, nuanced, and well-developed. The story is intricately plotted, with dramatic, often heartwrenching scenes that build to a satisfying, realistic conclusion.... Readers won’t be able to put this Own Voices Muslim romance down." — Library Journal (starred review)

"A delicious treat filled with South Asian fervor and Canadian heart." — Kirkus Reviews

“Jalaluddin cleverly illustrates the social pressures facing young Indian-Muslim adults...a highly entertaining tale of family, community, and romance.” — Publishers Weekly (starred review)

"A delicious and entertaining novel.” — Kirkus Reviews (starred review)

“Come for Darcy reimagined as a hyper-conservative young man and Elizabeth Bennet as a wannabe poet frustrated by family obligation; stay for Uzma Jalaluddin’s warm portrait of life for twentysomething Muslims in suburban Toronto struggling to honor their heritage while pursuing their dreams.” — The Globe and Mail

"'Ayesha at Last' is light and incandescent and deeply pleasurable from start to finish." — Christian Science Monitor

"There’s an overabundance of Pride and Prejudice retellings, but few are as thoughtful and creative as this stellar debut from an author to watch." — Library Journal (starred review)

"Jalaluddin constructs a timely and enlightening narrative that validates the experiences of many South Asians and Muslims today, while weaving in universal themes of identity, class, and discrimination....Ayesha at Last's fictional universe acts as a microcosm of a diverse and oft-misunderstood community, and Jalaluddin's compassionate and sensitive writing about it radiates off the page." — NPR

“Ayesha At Last is a beautiful testament to the power of family, kindness, and getting out of one’s own way.” — Entertainment Weekly

“[An] irresistible debut.” — Goodreads

“This sweet debut novel ticks all the boxes for one of summer’s best reads: it’s smart, witty, romantic and utterly charming.” — Canadian Living

"Ayesha at Last is a delight from the first word to the last. Rich with cultural texture, replete with social nuance, and brimming with humor, it is one of the best retellings of Austen’s Pride & Prejudice.”  — Frolic

“An uproarious romp, filled with farcical cases of mistaken identity, disastrous proposals and a big Bollywood wedding.” — Toronto Life

“This is the book I’ve been waiting for since my long-running Jane Austen obsession. Move over Darcy, Khalid’s in town.” — S. K. Ali, author of Morris Award finalist, Saints and Misfits

“Uzma Jalaluddin blazes a brilliant new trail with Ayesha At Last, a captivating romance set in the Muslim community, brimming with humour and heart. You will fall in love with Ayesha and Khalid—an Elizabeth and Darcy for our times.” — Ausma Zehanat Khan, author of A Dangerous Crossing

“Ayesha At Last is the modern Pride & Prejudice retelling I never knew I needed. Warm, witty, romantic, and relatable. Honestly, Darcy who? Khalid is everything.” — Alisha Rai, award-winning author