Palimpsest Press

Ceaseless Rain is a meditation on grief. It is a carnival ride where the floor drops out, it is a ghost apple, it is the bones left in the birdbath by crows. This is where the redemptive power of rain streams down in an eclectic mix of images, revealing the daily routines of a hospice residential home. Written in both free verse and halibun, the poems combine to create an intimate portrait of love and humour at the end-of life journey. This is a collection to hold close to the heart.

Do you believe in angels?

When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene’s mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film. And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way.

Everything Affects Everyone, is a novel about listening, about how women speak to one another, and about the power of the question.

Would you return to the landscape you watched burn as a child, especially if you and everyone else believed that the manic, wind-fuelled, merciless fire was your fault?

Set in a fictional version of the real Main-à-Dieu, Nova Scotia, where a 1976 wildfire caused catastrophic devastation, Fire Monster, tells the tale of a skilled oil sands worker who returns to the Cape Breton fishing village where, as a child, he was blamed for causing the fire that tore through the local community, consuming bush, trees, houses, boats, cars, animals and the century-old gothic church. At once a poetry collection, a story inspired by true events, and a visually stunning comic-book adventure, Fire Monsters is a mixed genre story for the ages that explores the aftermath of tragedy, the frayed bonds of friendship and family, and redemptive power.

2010 John Hirsch Award for most Promising Manitoba Writer

Winner 2011 Aqua Books Lansdowne Poetry Prize

Finalist 2011 ReLit Award

Hump is a mash-up of pregnancy-and-mothering poems and urban/nature/love poems that functions as an anti-sentiment manifesto from Winnipeg writer Ariel Gordon. Month by month, stanza by stanza, Gordon attempts to adequately represent the wonder and devilment of being-with-child. Hump is a love poem written simultaneously to a father and child, to a lover and the glimmer in his eye, and to a city that is gritty, faded, but still greener-than-most.

Praise for Hump

Gordon channels Adrienne Rich’s dichotomy of love and frustration.—Winnipeg Free Press

Ariel Gordon’s writing allows the reader access to the essence of a place and time. Her command of language brings an importance to moments both fateful and seemingly insignificant. Her work displays a surprising combination of ease and conviction, of playfulness tempered with insight, and evokes a vivid sense of the word in its studied context, the image in its rightful place.—Jury for Hirsh Award

Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.—Robert Kroetsch

The focus of Hump is the rich experience of motherhood and marriage on the one hand, and of city life in the integrated context of the natural world, which is everywhere engaging, fierce, beautiful, and unstoppable. This is capable, exuberant writing, at once passionate and meticulous. Hump is a worthy first book indeed.—Michael Harris, Kenneth Meadwell, and Serge Patrice Thibodeau, jurors for the Aqua Books Lansdowne Prize for Poetry

Brimming with finely crafted poems that thrum with life and love, Hump is indeed a very promising debut.—CV2

Hartley Addison is the nicest guy in Port D’Espere, Ontario. Everybody loves him, even when they disagree with him. He’s never officially run for mayor of his small lakeside town but he keeps getting elected anyway. The town has been a major environmental dumpsite for decades and most of his constituents prefer to look the other way and accept the government line: There is no problem. At home, his wife is slowly disappearing before his eyes, and the young reporter he’s taken under his wing is out on the lake every night doing something downright mysterious. When the media circus comes to town chasing a runaway story about Boyd Banta, an escapee from the local poultry plant, Hart wants to believe that help has arrived at last. Will he finally get some much-needed national attention and possibly a little justice for his contrary citizenry, whether they want it or not? King of Hope brings Southern Ontario Gothic with an environmental twist, through the lens of a small town that’s been facing radical environmental uncertainty for generations.

Praise for King of Hope

Kim Conklin has written an important story for our times with repercussions and relevance reaching far beyond the town of Port D’Espere, Ontario where the story is set. First-rate storytelling keeps the pages turning. Bravo.—Terry Fallis, two-time winner of the Stephen Leacock Medal for Humour.

Port Despere thinks of itself as a “great place to grow” but behind its picturesque façade, something sinister lurks. Kim Conklin has created a memorable cast of characters who try to make sense of their lives in their own distinct and often quirky way. Before they can make sense of their present, however, each character must first come to understand their town and the hold it has on them.—Heidi L.M. Jacobs, author of Molly of the Mall, 2020 Winner of the Stephen Laycock Medal for Humour

Everyone has a dog story, from the salesman at Home Depot to the passenger on a plane who confesses about the scar on his face. The poems in Mahoney’s third collection explore the concepts of identity and ownership through rich linguistic textures and voices. From a boy’s fascination with Tom Terrific and Mighty Manfred to uniquely imagined Biblical dogs, Off Leash delves into the anguish of dogs loved and lost, and the joy of homecoming.

Poetry is Queer is a kaleidoscope of sexual outlaws, gay icons, Sapphic poets, and great lovers—real and imagined—conjured like gateway drugs to a queer world. Claiming the word “queer” for those who self-proclaim the authority of their own bodies in defiance of church and state, Kirby pays tribute to gay touchstones while embodying both their work and joy. From gazing upon street boys with constant companion C.P. Cavafy, to end of day observances with Frank O’Hara, to mowing Walt Whitman’s grass, Poetry Is Queer is a hybrid-genre memoir like no other.

Praise for Kirby:

“Kirby teaches us to explore the parts of ourselves the world wants to render impossible, to deny, dismiss, or even destroy, and to do so with the various voices and connections, protests and ecstasies, poetry makes possible.”— Daniel Scott Tysdal

“These poems [This is Where I Get Off] make radiant the particular pain of gay lust in a world that denies its existence. Love is not obscene, bodies are beauty, and belonging can be found even in the back row of an adult cinema. “Can you imagine all she’s lived through?” Kirby questions, then answers by blowing open all closets, tossing skeletons aside to two-step on the bones.”— Roxanna Bennett

From the bestselling author of Rumi and the Red Handbag comes a new collection of essays about the intersection of poetry, painting, photography and beauty. Inspired by the words of Virginia Woolf and Gertrude Stein and the art of Irving Penn and Georgia O'Keeffe, Lemay welcomes you into her home, her art and her life as a poet and photographer of the every day. Lemay shares visits to the museum with her daughter, the beauty in an average workday at the library, and encourages the budding writer. Take a long walk through the fragrance, the colours, the beauty and the simplicity Lemay brings to this pocket-sized collection of essays punctuated by moments of flowering. Make an appointment with flowers, and an appointment with life.

Winner 2022 Griffin Poetry Prize

Winner 2021 Governor General Literary Award for Poetry

Longlisted 2022 Gerald Lampert Award

Longlisted 2022 Raymond Souster Award

Personal, primordial, and pulsing with syncopated language, Tolu Oloruntoba’s poetic debut, The Junta of Happenstance, is a compendium of dis-ease. This includes disease in the traditional sense, as informed by the poet’s time as a physician, and dis-ease as a primer for family dysfunction, the (im)migrant experience, and urban / corporate anxiety. In the face of struggles against social injustice, Oloruntoba navigates the contemporary moment with empathy and intelligence, finding beauty in chaos, and strength in suffering. The Junta of Happenstance is an important and assured debut.

Praise for The Junta of Happenstance

Tolu Oloruntoba uses a “safecracker ear” (“Child at Sleep”) to perceive both the subtle and overt mechanics of human interactions and to explore the interlocking parts of past and present, individual and community, and the here and there.—Samantha Jones, ARC Poetry magazine

The Junta of Happenstance, Tolu Oloruntoba’s dazzling debut collection, collides the language of revolution with the landscapes of the body. These poems go beyond the desire to ward off death. They emerge out of a life intimate with death’s randomness. Like the vicissitudes of war, Oloruntoba’s poems make peace with accident and fate. They bring breath to survival.  ‘If the timeline ahead is/ infinitely longer than the/ knives behind, perhaps/ as we set to mending/ we can heal more/ than we ever undid./ But we, too,/ would like a piece of the plunder.’ These exquisite poems leave an imprint both violent and terrifyingly beautiful.—Judges’ Citation, 2022 Griffin Poetry Prize

Tolu Oloruntoba’s voice in The Junta of Happenstance is at once thoughtful and authoritative, metaphorically rich and lyrically surprising. Oloruntoba’s language travels through history and myth to speak to today and engage with a future transformed by new understanding. The combination of craft and spirit cuts a fine place for this debut work, expanding our literary view.—2021 Governor General Literary Award Peer assessment committee: Kaie Kellough, George Murray and Anna Marie Sewell