Books

Galdorwide is a sprawling, magical kingdom, home to a host of mythical creatures. It is also a kingdom in grave danger. The king has been murdered, and his daughter, Bella, stands to inherit the throne. But the king has other ideas. His ghost is haunting Galdorwide with a secret purpose, one which threatens to destroy the fragile peace of the land.

The Galdorians, meanwhile, are racing to uncover the dead king's evil plot. Along the way, they battle trolls and vampires while investigating mysterious events which point to a conspiracy to unleash a deadly force. The children of Galdorwide struggle to harness newly discovered magical powers in a bid to help save Galdorwide, but their parents have bigger problems. Who can they trust? Who is on their side, and who is secretly allied with the king? Their journey is a perilous one - will they win the race against time to save Galdorwide?

A Pocket Guide to Pronouns is here to answer questions about pronouns, pronoun etiquette, and steps toward allyship and inclusiveness! With activities, short stories, and exercises to practice throughout, this pocket guide includes the following: - Different pronouns used within the rainbow community - Pronoun etiquette, misgendering, and corrections - Exercises for allyship and inclusive language - Resources for further learning For anyone at any stage of 2SLGBTQIA+ education — ally, member, and everything in between — this guide offers a starting point for those who want to create safer spaces for trans folks.

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Sydney Brouillard-Coyle (Ney/Nem/Nir) is a nonbinary, transgender, queer, asexual person with a deep passion for social justice. As of May 2023, ney hold a Bachelor of Music (Honours) as well as a Bachelor of Arts in Women & Gender Studies (Honours) from the University of Windsor. Ney currently reside in southwestern Ontario with nir cat, Natasha (She/Her). Sydney lives by the motto “be the change you wish to see.” A long-time activist and former candidate for Windsor’s City Council, ney are particularly passionate about issues relating to equity, trans and queer rights, mental health, food and housing insecurity, the environment, and youth voices. As an educator, ney provide inclusivity training and keynotes through the company ney founded, Rainbow Allyship. To stay up-to-date on Sydney's activism, advocacy, and future works, check out nir social media: @sydneybcoyle

If you could travel through time, who would you want to meet?

This boxed set brings together the first four titles in the beloved and bestselling Ice Chips series, by acclaimed authors Roy MacGregor and Kerry MacGregor and illustrator Kim Smith. The books feature a vibrant and inclusive cast of characters and inspiring hockey greats.

Including The Ice Chips and the Magical Rink, The Ice Chips and the Haunted Hurricane, The Ice Chips and the Invisible Puck and The Ice Chips and the Stolen Cup, this set scores a hat trick for hockey time-travel adventure!

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. 

Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin’s advice just to endure, where living with the struggle and the pointlessness of writing is the point.

Praise for On Writing and Failure

“The Canadian novelist and essayist describes the defining role rejection has played in his career and reflects on its importance in the lives of notable writers, from Ovid to Dostoyevsky and Baldwin.”
—New York Times

“I want to buy up a big lot of Marche’s contribution and hand them out to anyone struggling to write”
—Vanity Fair

“[Marche’s] writing style is buoyant and funny. […] When the stars are aligned, someone writes a work as provocative, informed and droll as On Writing and Failure.”
—Maureen Corrigan, NPR

“While writing starts with one person, an empty page and an urge to say something, it ends with another person reading your words, digesting them and making a judgment. In the process the reader owns your words and makes something of them […] That’s why I’m keeping On Writing and Failure on my desk—for encouragement—which I am guessing is Marche’s true purpose in writing the book.”
—Globe and Mail

“On Writing and Failure romps through a series of anecdotes about the thwarted aspirations of authors so as to instruct a ‘kid writer’ not to hope for anything.”
—Literary Review of Canada

“In On Writing and Failure, Marche attempts to reset the way we talk about such struggles. He stomps Freytag’s Pyramid flat. […] Marche’s book isn’t a pep talk, but it’s not intended to cut you off at the knees. His sole prescription is stubbornness. ‘You have to write.'”
—Washington Post

“Marche reaches something deeper when he reminds us that many of these famous literary figures couldn’t make a living wage with their writing […] The book is endlessly quotable, and at times very funny.”
—Winnipeg Free Press

“Marche’s purpose is not to discourage young tyros from taking up the pen but to inform them—via repeated commands of ‘no whining’—that writing is not the path to success, riches or even, often, respect; writers write in spite of failure.”
—The New Statesman

“Marche is reluctant to give generalized advice, but what he does offer cuts right through the bullshit.”
—Broken Pencil

“On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer must be considered essential reading for anyone seeking to write for a living, be it as a novelist, essayist, poet, columnist, or any other writing genre. Itself exceptionally well written.”
—Midwest Book Review

“On Writing and Failure is a slim little truth bomb I wish had been written when I first harboured notions of writing to be published.”
—Policy Magazine

“Marche’s advice to writers, then, is to ‘keep throwing yourself at the door.’ Keep racking up rejections, keep amassing failures. Endure long enough, and eventually there will be a breakthrough, however arbitrary, however fleeting. On Writing and Failure is thus both a dark glimpse into the trials of creativity—and a comfort, a consolation.”
—Lean Out with Tara Henley

“Not only could I brave it; I managed to relish it.”
—Miramichi Reader

“On Writing and Failure is less about writing and more about perseverance. Reading it reminded me of all the things I thought impossible before I tried them and now find impossible to live without. Writing is one of those things.”
—Compulsive Reader

“A sparkling cocktail of bittersweet jokes and fizzing truth bombs.”
—Jonathan Coe, author of Bournville

“Number 6 in the Biblioasis Field Notes Series. A tiny book that holds enough to be a repeated reference. Any writer will benefit from having this honest exposure to the importance of failing. It is a harsh, and still kind, reminder that the effort is more important than the result—because without the effort there isn’t a chance of anything at all.”
—Carrie Koepke (Skylark Books), The Columbia Daily Tribune

“A paean to persistence, a celebration of art for its own sake, and my favorite entry yet in the excellent Field Notes series from Biblioasis.”
—James Crossley, Madison Books

“A central (perhaps the central) paradox of the writing life is this: in order to churn out the freest, most generous, truest work possible, the writer must embrace the utter and complete futility of the task of writing. As a writer at the beginning of a new project, I couldn’t ask for a better companion to carry me through the coming, inevitable, necessary days of failure, joy, and frustration. Marche’s essay is such a heartening guide through the writer’s life (of failure). As a reader, Marche’s perspective on the lives, hopes, frustrations, and failures of some all-time greats is nothing short of a marvel. It’s like being able to see into the upside-down of centuries of literature. Any person interested in language, books, stories, and meaning-making will find themselves richer for reading this exceptional little book.”
—Chris Lee, Boswell Book Company

Praise for Stephen Marche

“How Shakespeare Changed Everything is fun and informative, with more than its share of ‘Aha!’ moments packed between its diminutive covers. Mr. Marche’s thesis is compelling and probably more true than we ever imagined.”
—New York Journal of Books

“So dazzling, so unsentimental … A work that is both beautiful and confusing. In other words, an honest love story.”
—New York Times

“Stephen Marche is capable of writing … any darn thing he wants.”
—Globe and Mail

“Brilliant … Marche has created a stunning, evocative, and impressionistic account of the ascent of wealth in the twentieth century. . . . The Hunger of the Wolf could be Marche’s breakthrough novel.”
—Booklist, starred review

“A dazzling virtuoso piece. Marche turns the making of a family’s fortune into a fascinating, bloody fairy tale.”
—Emma Donoghue, author of Room and Frog Music

“Untrammelled, unfettered, unprecedented, unselfconscious and friggin’ unbelievable, this book busts the novel open, makes literature an open question, and maps out brave new worlds for the reader to spelunk. With Raymond and Hannah I knew this guy was up to something brilliant. Shining at the Bottom of the Sea tells me I hadn’t the faintest idea.”
—Daniel Handler, author of Adverbs

Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class—and what will happen when we do.

Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply affected: the working class and poor.

On Class is an exploration of the ways in which we talk about class: of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the question: What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?

Praise for On Class

“The author uses her own experience of growing up poor to thread interviews with writers and activists about the barriers to success in Canada’s widening class divide.”
—Globe and Mail

“I really enjoyed Deborah Dundas’s small and brave book On Class. She addresses the need to speak about the different classes in Canada, and the ways it is almost impossible to cross their divides.”
—Heather O’Neill, author of When We Lost Our Heads

“On Class is urgent and wise, written with Dundas’ trademark wit and crisp prose. Raw and smart, it urges readers not to look away from the complexity of issues affecting the poor and working class, especially in a time of constant political, economic, and social turmoil.”
—Open Book

“A nifty, provocative little book.”
—Winnipeg Free Press

“On Class is a great read, perfect for readers less familiar with the notion of class and what it really means, but also interesting and thoughtful enough for those who have already begun to engage with the topic. Dundas pulls a lot of threads together in this volume, but it works really well and serves as an excellent, broad starting point.”
—The Miramichi Reader

“On Class might be a quick read, but it is definitely an important one.”
—The Quarantine Review

“[Dundas] shares her own experience of growing up poor and facing class-driven barriers to success.”
—Zoomer

“Why does our society put so much emphasis on individual achievements and pay so little attention to collective ones? On Class doesn’t offer answers to these critical issues and questions—a task beyond any one volume—but it does offer a pleasing invitation to reflect upon them.”
—Monitor

Praise for the Field Notes series

“A clear-eyed assessment of the links between property, policing, and the subjugation of Black people … Walcott’s analysis of the ways in which white supremacy is baked into the legal systems of Canada and the U.S. is stimulating. Progressives will embrace this well-conceived call for change.”—Publishers Weekly

“Running a brief but far-reaching and punchy 96 pages, On Property has an absolute certainty of purpose: calling for the abolition of private property ownership … [If] statements such as ‘the problem of property is resolved through its removal’ or calls to ‘abolish everything’ can make some people quake, when Walcott’s pamphlet argues for the human ability to reconsider and rebuild societal structures, the stances come across as sensible and, better yet, doable.”—Toronto Star

“Rinaldo Walcott locates his contribution to the Field Notes series on current issues, On Property, in the present political moment, while using historical references and events to argue for the abolition of police and property … Walcott concludes his case by asking for a new ethics of care and economy that does not keep feeding into the incarceration system, a system rigged to continue Black suffering … It is a question we must ask ourselves after reflecting on the ways in which we, too, are complicit.”—Quill & Quire

“Kingwell offers a slender, thoughtful, sometimes meandering disquisition on risk that “is inflected (or infected) by the virus, but not precisely about the virus—except as it grants new urgency to old questions of risk and politics. A host of cultural allusions—from Shakespeare to the Simpsons, Isaiah Berlin to Irving Berlin, Voltaire, Pascal, and Derrida—along with salient academic studies inspire Kingwell to examine the many contradictory ways that humans handle risk … An entertaining gloss on an enduring conundrum.”—Kirkus Reviews

“Urgent, far-reaching and with a profound generosity of care, the wisdom in On Property is absolute. We cannot afford to ignore or defer its teachings. Now is the time for us-collectively-to take up the challenge in this undeniable gift of a book.”—Canisia Lubrin, author of The Dyzgraphxst and Voodoo Hypothesis

"A full throttle, adrenaline-laced espionage page-turner . . . Get ready to blast off and enjoy the ride!"—Jack Carr, former Navy SEAL Sniper and #1 New York Times bestselling author of the James Reece Terminal List series

"Continuous action, Mach-speed mayhem, sharp intrigue, and well-rounded characters—what more could you want from a thriller?"—Steve Berry, New York Times bestselling author of The 9th Man and the Cotton Malone series

From the author of the #1 bestselling thriller The Apollo Murders comes the supersonic hunt for a shadowy Soviet defector.

Israel, October 1973. As the Yom Kippur War flares into life, a state-of-the-art Soviet MiG fighter is racing at breakneck speed over the arid scrublands below . . . and promptly disappears.

NASA Flight Controller and former top US test pilot Kaz Zemeckis watches the scene from the ground—and is quickly pulled into a dizzying, high-stakes game of spies, lies and a possible high-level defection that plays out across three continents.

The prize is beyond value: the secrets of the Soviets’ mythical “Foxbat” MiG-25, the fastest, highest-flying fighter plane in the world and the key to Cold War air supremacy. But every defection is double-edged with risk, and Kaz needs to tread a careful line between trust and suspicion. Ultimately, he must invite the fox into the henhouse—bringing the defector into the heart of the United States’ most secret test site—and hope that, with skill and cunning, the game plays out his way.

For Chris Hadfield’s second heart-stopping thriller, we move from Space to another rich and exciting part of Chris’s CV: his time as a top test pilot in both the US Air Force and the US Navy, and as an RCAF fighter pilot intercepting armed Soviet bombers in North American airspace. Full of insider detail, excitement and political intrigue drawn from real events, The Defector brings us the nerve-shredding rush of aerial combat, as told by one of the world's top fighter pilots.

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CHRIS HADFIELD is one of the most seasoned and accomplished astronauts in the world. The top graduate of the U.S. Air Force test pilot school in 1988 and U.S. Navy test pilot of the year in 1991, Colonel Hadfield was CAPCOM for twenty-five Shuttle missions and NASA’s Director of Operations in Russia. Hadfield served as Commander of the International Space Station where, while conducting a record-setting number of scientific experiments and overseeing an emergency spacewalk, he gained worldwide acclaim for his breathtaking photographs and educational videos about life in space. His music video, a zero-gravity version of David Bowie's “Space Oddity,” has nearly 50 million views, and his TED Talk on fear has been viewed over 10 million times. He helped create and host the National Geographic miniseries One Strange Rock, with Will Smith, and has a MasterClass on exploration. Chris Hadfield's books, An Astronaut's Guide to Life on Earth, You Are Here and The Darkest Dark, have been bestsellers all around the world, topping the charts for months in his Canadian homeland.

#1 NATIONAL BESTSELLER

Terry Fox defined perseverance and hope for a generation of Canadians. Forty years after Terry's run ended, Forever Terry reflects what Terry's legacy means to us now, and in the future.

To mark the 40th anniversary of the Marathon of Hope, Forever Terry: A Legacy in Letters recounts the inspiration, dedication, and perseverance that Terry Fox embodied, and gives voice to an icon whose example spoke much louder than his words. Comprising 40 letters from 40 contributors, and edited by Terry’s younger brother Darrell on behalf of the Fox family, Forever Terry pays tribute to Terry's legacy, as seen through the eyes of celebrated Canadians ranging from Margaret Atwood, Bobby Orr, Perdita Felicien, Jann Arden, and Christine Sinclair, to those who accompanied Terry on his run, Terry Fox Run organizers, participants, supporters, and cancer champions. Appearing alongside never-before-seen photos of their hero, their reflections reveal connections that readers would never have expected, and offer a glimpse into the way goodness and greatness inspire more of the same.
 
Forever Terry is a testament to the influence one brave man has had on the shape of Canadian dreams, ambitions, and commitment to helping others. Author proceeds support the Terry Fox Foundation, which has raised over $800 million for cancer research.
 
Contributors include Hayley Wickenheiser, Tom Cochrane, Darryl Sittler, Shawn Ashmore, Doug Alward, Nadine Caron, Douglas Coupland, Rick Hansen, Sidney Crosby, Akshay Grover, Lloyd Robertson, Bret Hart, Leslie Scrivener, Isadore Sharp, Wayne Gretzky, Jim Pattison, Catriona Le May Doan, Malindi Elmore, Michael Bublé, Silken Laumann, Steve Nash, Karl Subban, and Marissa Papaconstantinou, among many others.

OVER 1 MILLION COPIES SOLD WORLDWIDE • *WINNER OF THE NED KELLY AWARD FOR BEST INTERNATIONAL CRIME FICTION* • *SHORTLISTED FOR THE EDGAR ALLAN POE BEST NOVEL AWARD* • INSTANT #1 NATIONAL BESTSELLER • #1 NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • CITYLINE BOOK CLUB PICK • “A twist-and-turn whodunit, set in a five-star hotel, from the perspective of the maid who finds the body. Think Clue. Think page-turner.”—Glamour

NEW YORK TIMES EDITORS’ CHOICE • ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Glamour, W magazine, PopSugar, The Rumpus, Book Riot, CrimeReads, She Reads, Daily Hive, The Globe and Mail, Chatelaine, Stylist, Canadian Living

“An endearing debut. . . . The reader comes to understand Molly’s worldview, and to sympathize with her longing to be accepted—a quest that gives The Maid real emotional heft.” —The New York Times

“The Maid is a masterful, charming mystery that will touch your heart in ways you could never expect. . . . This is the smart, quirky, uplifting read we need.” —Ashley Audrain, #1 bestselling author of The Push


A dead body is one mess she can’t clean up on her own.

Molly Gray is not like everyone else. She struggles with social skills and misreads the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by.

Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.

But Molly’s orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what’s happening, Molly’s unusual demeanour has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black. But will they be able to find the real killer before it’s too late?

Both a Clue-like, locked-room mystery and a heartwarming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.