Longlisted for the Scotiabank Giller Prize

Award-winning novelist Casey Plett (Little Fish) returns with a poignant suite of stories that center transgender women.

Casey Plett's 2018 novel Little Fish won a Lambda Literary Award, the Firecracker Award for Fiction, and the Amazon First Novel Award. Her latest work, A Dream of a Woman, is her first book of short stories since her seminal 2014 collection A Safe Girl to Love. Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.

In "Hazel and Christopher," two childhood friends reconnect as adults after one of them has transitioned. In "Perfect Places," a woman grapples with undesirability as she navigates fetish play with a man. In "Couldn't Hear You Talk Anymore," the narrator reflects on her tumultuous life and what might have been as she recalls tender moments with another trans woman.

An ethereal meditation on partnership, sex, addiction, romance, groundedness, and love, the stories in A Dream of a Woman buzz with quiet intensity and the intimate complexities of being human.

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Casey Plett is the author of the novel Little Fish and the short story collections A Dream of a Woman and A Safe Girl to Love; co-editor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers; and the publisher at LittlePuss Press. She wrote a column on transitioning for McSweeney's Internet Tendency and her essays and reviews have appeared in The New York Times, Maclean's, The Walrus, Plenitude, the Winnipeg Free Press, and other publications. She is the winner of two Lambda Literary Award for Transgender Fiction, winner of the Amazon Canada First Novel Award, and she received an Honour of Distinction from The Writers' Trust of Canada's Dayne Ogilvie Prize for LGBTQ Emerging Writers. She lives in Windsor, Ontario.

Like Sally Rooney’s Conversations with Friends and Eileen Myles’s Chelsea Girls, All I Ask by the award-winning and highly acclaimed author Eva Crocker is a defining novel of a generation.

A little before seven in the morning, Stacey wakes to the police pounding on her door. They search her home and seize her computer and her phone, telling her they’re looking for “illegal digital material.” Left to unravel what’s happened, Stacey must find a way to take back the privacy and freedom she feels she has lost.

Luckily, she has her friends. Smart and tough and almost terrifyingly open, Stacey and her circle are uncommonly free of biases and boundaries, but this incident reveals how they are still susceptible to society’s traps. Navigating her way through friendship, love, and sex, Stacey strives to restore her self-confidence and to actualize the most authentic way to live her life — one that acknowledges both her power and her vulnerability, her joy and her fear.

All I Ask is a bold and bracing exploration of what it’s like to be young in a time when everything and nothing seems possible. With a playwright’s ear for dialogue and a wry, delicate confidence, Eva Crocker writes with a compassionate but unsentimental eye on human nature that perfectly captures the pitfalls of relying on the people you love.

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EVA CROCKER is the author of the critically acclaimed debut novel All I Ask, which was longlisted for the Scotiabank Giller Prize. Her short story collection, Barrelling Forward, won the Alistair MacLeod Prize for Short Fiction and the CAA Emerging Writer Award, was a finalist for the Writers’ Trust Dayne Ogilvie Prize for LGBTQ Emerging Writers and the NLCU Fresh Fish Award for Emerging Writers, and was a National Post Best Book.

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Francesca Ekwuyasi is a writer, artist, and filmmaker born in Lagos, Nigeria. Her work explores themes of faith, family, queerness, consumption, loneliness, and belonging. Her writing has been published in Winter Tangerine Review, Brittle Paper, Transition Magazine, the Malahat Review, Visual Art News, Vol. 1 Brooklyn, and GUTS magazine. Her story "Orun is Heaven" was longlisted for the 2019 Journey Prize. Butter Honey Pig Bread, longlisted for the Scotiabank Giller Prize, is her first novel.

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Jamie Chai Yun Liew is the recipient of the Jim Wong-Chu Emerging Writers Award from the Asian Canadian Writers' Workshop. She is a lawyer and law professor specializing in immigration, refugee, and citizenship law and the creator of the podcast Migration Conversations. Dandelion is her first novel. She lives in Ottawa with her family.

From Scotiabank Giller Prize finalist Alix Ohlin comes an intimate and compelling novel of motherhood, love, a search for belonging, and what it means to be a sister.

All her life, Lark Brossard felt invisible, overshadowed by the people around her: first by her temperamental mother; then by her sister, Robin, a brilliant pianist as wild as the animals she loves; and finally by Lawrence Wheelock, a filmmaker who is both Lark’s employer and her occasional lover. When Wheelock denies her what she longs for most — a child — Lark is forced to re-examine a life marked by unrealized ambitions and thwarted desires. As she takes charge of her destiny, Lark comes to rely on Robin in ways she never could have imagined.

In this meditation on motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and as a human being.

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ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

Cyril Rowntree migrates to Toronto from Jamaica in 2012. Managing a precarious balance of work and university he begins to navigate his way through the implications of being racialized in his challenging new land.

A chance encounter with a panhandler named Patricia leads Cyril to a suitcase full of photographs and letters dating back to the early 1920s. Cyril is drawn into the letters and their story of a white mother’s struggle with the need to give up her mixed race baby, Edward. Abandoned by his own white father as a small child, Cyril’s keen intuition triggers a strong connection and he begins to look for the rest of Edward’s story.

As he searches, Cyril unearths fragments of Edward’s itinerant life as he crisscrossed the country. Along the way, he discovers hidden pieces of Canada’s Black history and gains the confidence to take on his new world.

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Casey Plett is the author of the novel Little Fish and the short story collections A Dream of a Woman and A Safe Girl to Love; co-editor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers; and the publisher at LittlePuss Press. She wrote a column on transitioning for McSweeney's Internet Tendency and her essays and reviews have appeared in The New York Times, Maclean's, The Walrus, Plenitude, the Winnipeg Free Press, and other publications. She is the winner of two Lambda Literary Award for Transgender Fiction, winner of the Amazon Canada First Novel Award, and she received an Honour of Distinction from The Writers' Trust of Canada's Dayne Ogilvie Prize for LGBTQ Emerging Writers. She lives in Windsor, Ontario.

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Joshua Whitehead is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018), longlisted for the Scotiabank Giller Prize, and the poetry collection full-metal indigiqueer (Talonbooks, 2017) and the winner of the Governor General's History Award for the Indigenous Arts and Stories Challenge in 2016. He is also the editor of Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (Arsenal Pulp Press, 2020). Currently he is working on a PhD in Indigenous Literatures and Cultures in the University of Calgary's English department (Treaty 7).

Kamila Hussain’s life might not be perfect, but, whew, it’s close. She lives a life of comfort, filled with her elaborate Bollywood movie parties, a dog with more Instagram followers than most reality stars, a job she loves, and an endless array of friends who clearly need her help finding love. In fact, Kamila is so busy with her friends’ love lives, she’s hardly given any thought to her own . . .

Fortunately, Kamila has Rohan Nasser. A longtime friend of the family, he’s hugely successful, with the deliciously lean, firm body of a rock climber. Only lately, Kamila’s “harmless flirting” with Rohan is making her insides do a little bhangra dance.

But between planning the local shelter’s puppy prom, throwing a huge work event, and proving to everyone that she’s got it all figured out, Kamila isn’t letting herself get distracted—until her secret nemesis returns to town with an eye for Rohan. Suddenly, it seems like the more Kamila tries to plan, the more things are starting to unravel—and her perfectly ordered life is about to be turned upside down.

Brilliant, jubilant insights into the glory and anguish of life from one of the world’s most treasured Indigenous creators. 

Trickster is zany, ridiculous. The ultimate, over-the-top, madcap fool. Here to remind us that the reason for existence is to have a blast and to laugh ourselves silly.

Celebrated author and playwright Tomson Highway brings his signature irreverence to an exploration of five themes central to the human condition: language, creation, sex and gender, humour, and death. A comparative analysis of Christian, classical, and Cree mythologies reveals their contributions to Western thought, life, and culture—and how North American Indigenous mythologies provide unique, timeless solutions to our modern problems. Highway also offers generous personal anecdotes, including accounts of his beloved accordion-playing, caribou-hunting father, and plentiful Trickster stories as curatives for the all-out unhappiness caused by today’s patriarchal, colonial systems.

Laugh with the legendary Tomson Highway as he illuminates a healing, hilarious way forward.

From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be.

At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.

From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

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JORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for Age of Minority: Three Solo Plays and was shortlisted for the prize again for Concord Floral. He has twice received Dora Awards for Outstanding New Play. His play Botticelli in the Fire won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of Theatre of the Unimpressed: In Search of Vital Drama and The Videofag Book; and his latest play, Declarations, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance Draw Me Close, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play Late Company will be transferring to the West End (London, U.K.) August–September 2017. Liminal is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.

WINNER, Amazon Canada First Novel Award; Lambda Literary Award; Firecracker Award for Fiction

Finalist, Carol Shields Winnipeg Book Award

A Globe and Mail Best Book of the Year

It's the dead of winter in Winnipeg and Wendy Reimer, a thirty-year-old trans woman, feels like her life is frozen in place. When her Oma passes away Wendy receives an unexpected phone call from a distant family friend with a startling secret: Wendy's Opa (grandfather) -- a devout Mennonite farmer -- might have been transgender himself. At first she dismisses this revelation, but as Wendy's life grows increasingly volatile, she finds herself aching for the lost pieces of her Opa's truth. Can Wendy unravel the mystery of her grandfather's world and reckon with the culture that both shaped and rejected her? She's determined to try.

Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

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Casey Plett is the author of the novel Little Fish and the short story collections A Dream of a Woman and A Safe Girl to Love; co-editor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers; and the publisher at LittlePuss Press. She wrote a column on transitioning for McSweeney's Internet Tendency and her essays and reviews have appeared in The New York Times, Maclean's, The Walrus, Plenitude, the Winnipeg Free Press, and other publications. She is the winner of two Lambda Literary Award for Transgender Fiction, winner of the Amazon Canada First Novel Award, and she received an Honour of Distinction from The Writers' Trust of Canada's Dayne Ogilvie Prize for LGBTQ Emerging Writers. She lives in Windsor, Ontario.

*Instant National Bestseller

In this explosive new thriller from international bestselling author Daniel Kalla, an experimental vaccine is deployed to battle a lethal outbreak—until patients start dying of unknown causes.

An ordinary day
The city of Seattle is stunned when a deadly bacteria tears through a nearby Bible camp. Early tests reveal the illness is a form of meningitis, and the camp’s residents are among its most vulnerable victims: children and teenagers.

A new vaccine
Facing a rapidly rising death rate, Seattle’s chief public health officer, Lisa Dyer, and her team quickly take all steps necessary to contain the devastating outbreak. And when further testing reveals that the strain of the bacteria is one that caused catastrophic losses in Iceland six months before, Lisa decides to take a drastic step: she contacts Nathan Hull, vice president of a pharmaceutical company that is doing final-phase trials on a viable vaccine, and asks him to release it early for use on the city’s population.

An epidemic in the making
Lisa gets the go-ahead on her controversial plan, despite the protests of dubious government officials, anti-vaxxers, and even those on her own team. Vaccine clinics roll out across the city, and the risky strategy appears to be working, leaving Lisa, Nathan, and thousands of others breathing a sigh of relief. Until people start dying from mysterious and horrific causes—and the vaccine itself is implicated.

But what if science isn’t to blame?

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Joshua Whitehead is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018), longlisted for the Scotiabank Giller Prize, and the poetry collection full-metal indigiqueer (Talonbooks, 2017) and the winner of the Governor General's History Award for the Indigenous Arts and Stories Challenge in 2016. He is also the editor of Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (Arsenal Pulp Press, 2020). Currently he is working on a PhD in Indigenous Literatures and Cultures in the University of Calgary's English department (Treaty 7).

A mini version of your favourite classic Munsch stories! Kids will love these little books from Canada's best-loved storyteller, with all of the original illustrations by Michael Martchenko. These mini books made especially for children—small enough to fit into tiny hands and pockets. Each book measures 3 1/2" x 3 1/2" and contains full colour pages.

When Angela's father gets lost at the airport, she looks for him everywhere, even inside an airplane. But when Angela's love of button-pressing proves too great, she finds herself in charge of flying the plane. Can Angela make it back down to the runway?

A mini version of your favourite classic Munsch stories! Kids will love these little books from Canada's best-loved storyteller, with all of the original illustrations by Michael Martchenko. These mini books made especially for children—small enough to fit into tiny hands and pockets. Each book measures 3 1/2" x 3 1/2" and contains full colour pages.

I Have To Go is the story of a little boy in the throes of toilet training and has been making children laugh since it first appeared more than 20 years ago.

National Bestseller

Winner of the 2019 OLA Forest of Reading Evergreen Award

Shortlisted for the 2019 John W. Campbell Memorial Award

Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award

2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick

January 2020 Reddit r/bookclub pick of the month

“This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” — Publishers Weekly

“Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” — Booklist

A daring post-apocalyptic novel from a powerful rising literary voice

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.

The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.

Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

Waubgeshig Rice is an author and journalist from Wasauksing First Nation on Georgian Bay. His first short story collection, Midnight Sweatlodge, was inspired by his experiences growing up in an Anishinaabe community and won an Independent Publishers Book Award in 2012. His debut novel, Legacy, followed in 2014, with a French translation published in 2017. His latest novel,

Moon of the Crusted Snow, became a national bestseller and received widespread critical acclaim, including the Evergreen Award in 2019. His short stories and essays have been published in numerous anthologies.

His journalism experience began in 1996 as an exchange student in northern Germany, writing articles about being an Indigenous youth in a foreign country for newspapers back in Canada. He graduated from Ryerson University’s journalism program in 2002. He spent most of his journalism career with the Canadian Broadcasting Corporation as a video journalist, web writer, producer and radio host. In 2014, he received the Anishinabek Nation’s Debwewin Citation for excellence in First Nation Storytelling. His final role with CBC was host of Up North, the afternoon radio program for northern Ontario. He left daily journalism in 2020 to focus on his literary career.

He currently lives in Sudbury, Ontario with his wife and two sons, where he’s working on the sequel to Moon of the Crusted Snow.

Finalist, Dartmouth Book Award for Non-Fiction, and Taste Canada Awards (Culinary Narratives)
Nominated for 3 Gourmand Awards
An Atlantic Bestseller
A Hill Times Top 100 Selection

February 2016. Antigonish, Nova Scotia.

Tareq Hadhad was worried about his father: Isam did not know what to do with his life. Before the war began in Syria, Isam had run a chocolate company for over twenty years. But that life was gone now. The factory was destroyed, and he and his family had spent three years in limbo as refugees before coming to Canada. So, in an unfamiliar kitchen in a small town, Isam began to make chocolate again.

This remarkable book tells the extraordinary story of the Hadhad family — Isam, his wife Shahnaz, and their sons and daughters — and the founding of the chocolatier, Peace by Chocolate. From the devastation of the Syrian civil war, through their life as refugees in Lebanon, to their arrival in a small town in Atlantic Canada, Peace by Chocolate is the story of one family. It is also the story of the people of Antigonish, Nova Scotia, and so many towns across Canada, who welcomed strangers and helped them face the challenges of settling in an unfamiliar land.

Starting in late November as the bees are settling in for winter Jenna Butler takes us through a year of beekeeping on her small piece of the boreal forest. She considers the impact of crop sprays, and debates the impact of introduced flowers versus native flowers, the effect of colony collapse disorder and the protection of natural environments for wild bees. But this is also the story of women and bees and how beekeeping became Butler's personal survival story.