Poetry

Visceral and playful, tend reflects the intimate awkwardness of modern life. Hargreaves’ latest collection explores feelings of being distanced from loved ones, physically and emotionally; striving to be better (at chores, at intimacy); and tending to the things that fracture.

These poems are anchored in the body, straining the edges of spaces that bodies and language inhabit: between sealing in and digging out; restlessness and isolation; memory and planning for the future; gaps in texts and reiterations. tend is an immersive work, as validating as it is illuminating.

Praise for tend:

“These poems are an elegant romp through tangled city gardens and teeming waste bins of memory and human consciousness. The domestic realm is a wilderness, a trash heap, a broken string of pearls. All at once, this beautiful book is the milky crystal on the green chain, the broken eggshell in your compost, the lost slipper through a rotten board. tend takes your hand.” —Shannon Bramer, author of Precious Energy

“Clever and controlled, tend grounds you in the gross and astounding musculature of language, and doesn’t skimp on the viscera. The poems in this collection gather and sing to the ways in which we tend to ourselves, to the world, and to others—and how so often these messy, generous acts bleed together. Through rituals, commands, instructions, and advice, Hargreaves expertly engages a variety of tactics and wields a distinct yet collective lyrical voice with a scalpel-like precision. I felt like I lived in the body of every poem, and every poem lived in the specific, chaotic detritus of the world.” —Domenica Martinello, author of All Day I Dream About Sirens

“tend is a master class in poetic restraint. Hargreaves’ brilliance lies in her ability to cleave poems to their core, to ‘strip words/like veins from a leg/or bones from a fish.’ She is ruthless in her delivery—stacks lines together like kindling for a fire, drops a lit match and walks away, leaving the reader to smoulder.” —Adrienne Gruber, author of Q & A

“tend is an apiary of lists buzzing with to-dos that lilt and tilt. Hargreaves skillfully merges a miscellany of terms and quicksilver minutes into a work of persistence. Day-to-day knickknacks slip next to gentle warnings and medical debris. A work full of mettle.” —Christine McNair, author of Charm

“tend is an optimistic and occasionally joyful collection of dark complexities, centred around care, from self-care to gardening, and the ways in which we wish to interact with the wonderfully complex and convoluted worlds of nature, other humans, poems and ourselves. Hargreaves utilizes rhythm throughout the poems assembled here that is quite interesting, allowing a breathless, halting or otherwise propulsive patter to further her poems as much as anything involving language, meaning or purpose.” —rob mclennan, periodicities : a journal of poetry and poetics

Press Coverage:

Most Anticipated: Our Shelf 2022 Fall Poetry Preview —49th Shelf

48 Canadian poetry collections to watch for in fall 2022 —CBC Books

Kate Hargreaves is the author of the poetry collection, Leak, as well as Jammer Star, a roller derby novel for young readers, and Talking Derby, a book of prose vignettes. She holds an MA in English and Creative Writing from the University of Windsor, where she received the Governor General’s Gold Medal in Graduate Studies. Her work has appeared in literary journals across Canada, the US, and the UK. As a book designer for numerous Canadian presses, Hargreaves has received honours from the Alcuin Society for Excellence in Book Design, the CBC Bookie Awards, and the Book Publishers Association of Alberta. She grew up in Amherstburg, Ontario, and lives and works in Windsor.

From the #1 New York Times bestselling author of milk and honey and the sun and her flowers comes her greatly anticipated third collection of poetry.

rupi kaur constantly embraces growth, and in home body, she walks readers through a reflective and intimate journey visiting the past, the present, and the potential of the self. home body is a collection of raw, honest conversations with oneself - reminding readers to fill up on love, acceptance, community, family, and embrace change. illustrated by the author, themes of nature and nurture, light and dark, rest here.

i dive into the well of my body
and end up in another world
everything i need
already exists in me
there’s no need
to look anywhere else
—home

#1 New York Times bestselling author Rupi Kaur presents guided poetry writing exercises of her own design to help you explore themes of trauma, loss, heartache, love, family, healing, and celebration of the self.

Healing Through Words is a guided tour on the journey back to the self, a cathartic and mindful exploration through writing.

This carefully curated collection of exercises asks only that you be vulnerable and honest, both with yourself and the page.

You don’t need to be a writer to take this walk; you just need to write—that’s all.

One of the Toronto Star’s 25 books to read this season • One of Indigo’s Most Anticipated Books

An extraordinary career-spanning collection from one of the most revered poets and storytellers of our age.

Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961–2023 assembles Atwood’s most vital poems in one essential volume.

In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own. “How can one live with such a heart?” Atwood asks, casting her singular spell upon the reader and ferrying us through life, death, and whatever comes next. Atwood, in her journey through poetry, illuminates our most innate joys and sorrows, desires and fears.

Spanning six decades of work—from her earliest beginnings to brand-new poems—this volume charts the evolution of one of our most iconic and necessary authors.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

From the bestselling author of Rumi and the Red Handbag comes a new collection of essays about the intersection of poetry, painting, photography and beauty. Inspired by the words of Virginia Woolf and Gertrude Stein and the art of Irving Penn and Georgia O'Keeffe, Lemay welcomes you into her home, her art and her life as a poet and photographer of the every day. Lemay shares visits to the museum with her daughter, the beauty in an average workday at the library, and encourages the budding writer. Take a long walk through the fragrance, the colours, the beauty and the simplicity Lemay brings to this pocket-sized collection of essays punctuated by moments of flowering. Make an appointment with flowers, and an appointment with life.

A treasure trove of new poems by one of our most sought-after poets: poems that range from descriptions of the Detroit of her childhood to her current life on Cape Cod, from deep appreciations of the natural world to elegies for lost friends and relationships, from a vision of her Jewish heritage to a hard-hitting take on today’s political ironies.

Ceaseless Rain is a meditation on grief. It is a carnival ride where the floor drops out, it is a ghost apple, it is the bones left in the birdbath by crows. This is where the redemptive power of rain streams down in an eclectic mix of images, revealing the daily routines of a hospice residential home. Written in both free verse and halibun, the poems combine to create an intimate portrait of love and humour at the end-of life journey. This is a collection to hold close to the heart.

Everyone has a dog story, from the salesman at Home Depot to the passenger on a plane who confesses about the scar on his face. The poems in Mahoney’s third collection explore the concepts of identity and ownership through rich linguistic textures and voices. From a boy’s fascination with Tom Terrific and Mighty Manfred to uniquely imagined Biblical dogs, Off Leash delves into the anguish of dogs loved and lost, and the joy of homecoming.

In this new book, Terry Ann Carter, a poet and paper artist, and the author of six collections of poetry, we see a writer and an artist grappling and celebrating  life’s grand mysteries surrounding language and love, and aging. Writer Kate Braid says, “With the delicacy of lacework and finely folded paper … Terry Ann Carter’s poems show us the world through a magnifying glass.” And Governor General Award Winning poet Robert Hilles says, ‘these poems celebrate the imagination and the intimate and tangible moments of truth.”

For fans of Rupi Kaur and Cleo Wade, this first collection of poetry from the viral TikTok poet Josie Balka evokes themes of nostalgia, love, envy, and hope, speaking to the universal longings that live deep in our souls.

I’ve never seen anyone at a public pool with a memorable enough body, good or bad, that I think about it ever again.

If this line sounds familiar, it’s because you’ve heard it in the background of thousands of videos on social media—a humbling reminder from poet and radio personality Josie Balka that what’s important in our lives now isn’t necessarily what’s important to us in the long run.

I Hope You Remember, Josie’s first book of poetry, includes this poem and over eighty others, some previously published and others never shared before. Every page in this collection hits home, rhapsodizing on universal experiences like jealousy, family relationships, complex body image, falling in and out of love (with others and yourself), and the everchanging lens of nostalgia. With sparse, clear prose, Josie’s poetry looks to bring forth deep feelings like grief, envy, apathy, joy, and, most importantly, hope.

Evocative and full of force, these poems will hit you in the gut, pull your heartstrings, and make you long for moments past.

Josie Balka is a broadcaster, voiceover artist, and poet. She holds a diploma in radio, television, and film from Niagara College and has worked for some of the largest media companies in North America as an on-air personality. She can often be caught recording viral poetry in her sound-proof closet. She was born and raised in Toronto and currently lives in Calgary, Canada. She is the author of I Hope You Remember and Loves of Our Lives. Follow her on Instagram @JosieBalka.

“Truthfully I can only tell you what’s missing” writes the heartbroken protagonist at the beginning of Victoria Mbabazi’s The Siren in the Twelfth House. But this isn’t a book that succumbs to grief. Mbabazi’s poems are siren songs, reclaiming love from pain, and rediscovering joy through the destruction and eventual rebuilding of astrological houses. Prepare to slow dance through this profound and powerful debut.

Praise for The Siren in the Twelfth House:

The Siren in the Twelfth House combines meta-allegory with a strident exploration of the vicissitudes of love and companionship. Its anthropomorphic signs bring the astrological into the quotidian, a logic to randomness of experience, and a symphony from the 12 orchestral sections of the skies. As we trace the transformation of the titular siren, we cannot help but have our own gazes and capacities for orphic interpretation sharpened as well.—Tolu Oloruntoba, The Junta of Happenstance, and Each One a Furnace

With a sweeping grace and theatrical, cinematic flare, Victoria Mbabazi writes us into the delicious tropes and archetypes of astrology—from the signs to the houses to the transits—with the careful, precise eye of a poet. Siren in the Twelfth House is bright with a familiar ancient fascination—what we have with the stars, with the sky and, most of all, with each other.—Sanna Wani, author of My Grief, the Sun

Opening with an exit, the poems in Precedented Parroting accept no assumptions. With the determination and curiosity of a problem-solving crow, this expansive debut plumbs personal archives and traverses the natural world, endeavouring to shake the tight cage of stereotypes, Asian and avian. Praised as “lively and intelligent” and “lyrically delicious,” Barbara Tran’s poetry offers us both the keen eye and grace of a hawk, “red-tailed gliding / on time.”

Praise for Precedented Parroting:

Each poem in Precedented Parroting is a singular, sublime murmuration, their words swooping, shape-shifting, and thrumming with life.—Monique Truong, author of The Book of Salt, Bitter in the Mouth, and The Sweetest Fruits

The rhythms and soundscapes in Precedented Parroting are virtuosic. They make me think of waves or air currents that memory, narrative, relationship, and emotion are set loose on. Feathers are composed of barbs, as loss is, observes Tran in the early pages of this book, one implication being that, like feathers, loss can both enable and necessitate flight. An immensely powerful, clear-eyed account of harm, dislocation, and survival through generations.—River Halen, author of Dream Rooms

2010 John Hirsch Award for most Promising Manitoba Writer

Winner 2011 Aqua Books Lansdowne Poetry Prize

Finalist 2011 ReLit Award

Hump is a mash-up of pregnancy-and-mothering poems and urban/nature/love poems that functions as an anti-sentiment manifesto from Winnipeg writer Ariel Gordon. Month by month, stanza by stanza, Gordon attempts to adequately represent the wonder and devilment of being-with-child. Hump is a love poem written simultaneously to a father and child, to a lover and the glimmer in his eye, and to a city that is gritty, faded, but still greener-than-most.

Praise for Hump

Gordon channels Adrienne Rich’s dichotomy of love and frustration.—Winnipeg Free Press

Ariel Gordon’s writing allows the reader access to the essence of a place and time. Her command of language brings an importance to moments both fateful and seemingly insignificant. Her work displays a surprising combination of ease and conviction, of playfulness tempered with insight, and evokes a vivid sense of the word in its studied context, the image in its rightful place.—Jury for Hirsh Award

Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.—Robert Kroetsch

The focus of Hump is the rich experience of motherhood and marriage on the one hand, and of city life in the integrated context of the natural world, which is everywhere engaging, fierce, beautiful, and unstoppable. This is capable, exuberant writing, at once passionate and meticulous. Hump is a worthy first book indeed.—Michael Harris, Kenneth Meadwell, and Serge Patrice Thibodeau, jurors for the Aqua Books Lansdowne Prize for Poetry

Brimming with finely crafted poems that thrum with life and love, Hump is indeed a very promising debut.—CV2