Products

Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.

In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. 

Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.

______________

ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

About the Book

Marvel’s newest recruit shares his own inspiring and unexpected origin story, ranging from China to the bright lights of Hollywood. An immigrant who battled everything from parental expectations to cultural stereotypes, Simu Liu struggled to forge a path for himself, rising from the ashes of a failed accounting career (yes, you read that right) to become Shang-Chi.

Our story begins in the city of Harbin, where Simu’s parents have left him with his grandparents while they seek to build a future in Canada. One day, a mysterious stranger shows up; it’s Simu’s father, who whisks him away from the only home he has ever known to the land of opportunity and maple syrup. 

Life in the new world, however, is not all that it was cracked up to be. Simu’s new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings. His parents, on the other hand, find their new son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language and values. 

As Simu grows up, he plays the part of the ideal son well, getting A’s at school, crushing national math competitions and making his parents proud. But as time goes on, he grows increasingly disillusioned with the expectations placed on his shoulders, and finds it harder and harder to keep up the charade. Barely a year out of college, he hits rock bottom when he is laid off from his first job as an accountant. Unemployed, riddled with shame and with nothing left to lose, Simu sees an ad on Craigslist that will send him on a wildly unexpected journey into the mysterious world of show business. Through a swath of rejections and comical mishaps, Simu’s determination leads him to succeed as an actor and to open the door to reconciling with his parents.

We Were Dreamers is more than a celebrity memoir—it’s a story about growing up between cultures, finding your family and becoming the master of your own extraordinary circumstances.

Critical Praise

“A sincere, funny, and fascinating love letter to family, and a guidebook to pursuing your dreams.” — Olivia Munn

“Don’t let Simu Liu fool you. On the outside you may see boyish good looks, talent, and a body made of tightly coiled muscle. But on the inside? It’s quite good-looking in there, too. Strong heart, beautiful ligaments, and a soul made of spun sugar. Also, he wrote this hilarious and heartfelt story about growing up, finding yourself, and seizing your moment.” — Ryan Reynolds

“Oh great, another underdog story of overachievement. Just what we needed.” — Ronny Chieng

"In this triumphant debut, Liu, star of Marvel’s Shang-Chi and the Legend of the Ten Rings, traces how he followed his immigrant dream' all the way to the big screen. . . .The book’s beating heart, however, lies in the affecting story of his family’s path to healing: 'My parents are beaming with pride at the son who has disobeyed practically every single order they had ever given.' This real-life hero’s journey is a knockout." — Publishers Weekly (starred review)

“Like your favourite superhero, within the first few pages, this book made me feel like I could do anything.”  — Shifter Magazine

“[We Were Dreamers] is an excellent celebrity memoir that takes readers beyond the velvet rope and into the life of one of Canada’s most beloved stars. Simu’s story gives readers a chance to know a different side of him as he creates a compelling narrative of his life in words.”  — The Daily Hive

In her first collection of new poems in a decade, Robyn Sarah chronicles the pandemic years with quiet wisdom and her flair for meshing the familiar with the numinous. 

We’re Somewhere Else Now moves with ease from the particular to the abstract. These are poems of grief and unexpected change, of quiet awe at the human experience. Each poem is a window for the reader to look into, “lit room to lit room,” tracking desultory days of isolation and uncertainty, while also highlighting reasons to pay attention: playing with a grandchild, the rarity of a leap year, the calls of birds.

Three poems from the collection, originally published in The New Quarterly, were nominated for a 2025 National Magazine Award in Poetry.

Praise for We’re Somewhere Else Now

“We’re Somewhere Else Now is a gravely beautiful collection, chronicling days ‘spent and drying.’ No poet has published anything close to it this year, and it confirms Sarah as one of our best.”
—Carmine Starnino, The Walrus

“Robyn Sarah’s work is powerful, visceral, but also elegant and pared down when it needs to be, employing both high formalist rhymes and minimalist beauty. Her poetry collections are consistently lauded, and this one I believe will be no different.”
—Chris Banks, The Woodlot

“Sarah’s verse is an antidote to the soul’s virus . . . Her diction seems so direct, but between the words and lines she meditates in musical nuance and wit to cast doubt on simple and complex truths.”
—Michael Greenstein, The Seaboard Review

“This collection grapples with contemporary life in a way that is both stylized and vulnerable . . . Sarah’s ability to tie scenes of everyday life to highly abstract concepts and ideas results in compelling poems.”
—Anna Roberts, The Tribune

“This is a triumphant return from Robyn Sarah, and her first book of new poems in a decade. With her characteristic quiet wisdom, Sarah turns her attention to the pandemic years, capturing both the strangeness of isolation of that period, and the subtle beauty that persists in daily life.”
—Open Book

Praise for Robyn Sarah

“[Her poems] illuminate the reader’s privacy without destroying the poet’s. And elegant play is going on even in the most acutely painful moments of clarity, a play of pure energy.”
—Margaret Avison, Canadian Women Studies

“[Hers] are the sort of metaphors that poets everywhere dream of conjuring. Metaphors that in their clarity of sense, image, and sound create spaces for meaning to reside—meaning that is elusive or otherwise impossible to articulate, but that leaves the reader with a heightened sense of recognition.”
—Anita Lahey, The Walrus

“In our positive-thinking, smiley-face popular culture, Robyn Sarah looks at the shadows cast by light.  Her poems, with their focus on the passage of time, the emptiness around the presence, the unknowing around the known, are infused with the “black baptismal water” of duende, as they choose the braver joy of life thrown into relief by that dark awareness.”
—Sonnet L’Abbé

“The cool delight of her poetry is to turn those subjects of routine forgetfulness into words that quiver in the heart . . . Sarah knows the language: its pressure points, its traditions, its crevices. Trained as a musician, she also understands flow and timing, when to sing and when to keep silent.”
—Mark Abley, Montreal Gazette

“So assured and musical is the hand that shaped them that these poems tend to memorize themselves, as though they had always formed part of our experience.”
—Eric Ormsby, Books in Canada

“Robyn Sarah’s My Shoes Are Killing Me is a lyrical power. A richly inventive, precise, meditative collection . . . This is a transformative work that continuously surprises the reader.”
—Jury citation, Governor General’s Award for Poetry 2015

A sweet little greeting card to welcome a new star into our solar system.

Dimensions: 4 1/4" x 5 1/2"

• Material: 100lb Soft White Cover
• FSC Certified Printing Method: Full Color + Gold Foil + neon details
• Envelope Color: Metallic brown
• Interior: Blank
• Packaging: Clear Protective Sleeve
• Origin: Made in Canada
  

Soft and sweet, this illustration of mama and baby reminds us of the gentle love that surrounds every new beginning.

• A2 folded card 4.25" x 5.5"

• Blank interior

• Printed in full-colour

• Quality cover paper

• Paired with a white envelope

• Made in Canada

Linden Paper Co. © All rights reserved

Shortlisted for the 2017 OLSN Northern Lit Award

The acclaimed author of The Orenda gives us a powerful and poignant look into the last moments of Charlie Wenjack, a residential school runaway trying to find his way home.

An Ojibwe boy runs away from a North Ontario Indian School, not realizing just how far away home is. Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.

Written by Scotiabank Giller Prize–winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

Praise for Wenjack

“A profoundly sensitive writer with the eye of a painter and a heart as big as the country about which he writes.” —Frederick Barton

“Boyden is such a fine writer, evoking his characters’ emotions in a touching and understandable way.” —Toronto Star

“Boyden continues the difficult conversation of reconciliation by allowing us a glimpse into the frightened mind of a child who only knows that home is where he should be—and that Cecilia Jeffrey Indian Residential School is not it.” —Maclean’s

“Joseph Boyden has written Wenjack, a novella that deftly suffuses Chanie’s tragedy with traditional Aboriginal beliefs. . . . This is a world of transformations where owls can turn into mice, and fish give themselves voluntarily to fishermen—a world in which all beings are interconnected through the ceaseless interplay of life and death. . . . At the end of the novella, Boyden shows Chanie in the afterlife dancing and feasting with the animals. The image, meant to convey an ecological and spiritual truth, does little to redeem his final, terrible hours on the tracks.” —Maclean’s

“Chanie Wenjack was just 12 when his body was found beside the railroad tracks just days after he ran away from his residential school in Kenora, Ont. Now, 50 years later, the young Ojibwe boy is being remembered in . . . this magical novella, the chapters alternating between Chanie’s journey and the spirit animals who document his quest—and wait to receive him when he passes over to their sphere.” —Toronto Star

“It should be required reading.” —CTV News 

What a beautiful life you have created. 

One 4.25 x 5.5 inch greeting card paired with an envelope. Blank inside.

Printed on high quality 100lb eggshell finish cardstock for an elegant feel Paired with a coloured 91lb high quality envelope Made from responsibly sourced wood fibre (FSC and green-e certified) Designed, printed and assembled in Canada

What a f*cked up time to be alive sticker

This sticker measures approximately 3” by 2” (inches) It is printed on glossy sticker paper and laminated with vinyl. It is water resistant, and best for indoor use such as on notebooks, laptop, shelf, etc. ❤️

Please note these stickers are NOT dishwasher safe. They perform best on flat, smooth, dry surfaces such as laptops, phones, notebooks, e-readers.

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

Another knockout domestic suspense novel from the New York Times bestselling author of The Couple Next Door

Nothing ever happens in sleepy little Fairhill, Vermont.

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked.

But this morning all of that will change.

Because Diana Brewer isn't lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer.

How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Someone in Fairhill did this. Everyone wants answers.

And one innocent question could be deadly.

____________________________

Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto

An accessible picture book that oh-so-simply and graphically introduces the term "refugee" to curious young children to help them better understand the world in which they live.

Who are refugees? Why are they called that word? Why do they need to leave their country? Why are they sometimes not welcome in their new country? In this relevant picture book for the youngest children, author-illustrator Elise Gravel explores what it means to be a refugee in bold, graphic illustrations and spare text. This is the perfect tool to introduce an important and timely topic to children.

In What to feel, how to feel, Shane Neilson dazzles in the lyric essay form. Focusing on non-neurotypicality, Neilson investigates his supposed difference of self while also holding to account society’s construction of that difference, moving from his early childhood to adulthood and then back again in terms of a neurodivergent fathering of his own son. Covering subjects that have yet to receive attention in Canadian literature, including how the medical profession discriminates against its own, Neilson’s poetic accounts of stigma and self-discovery interleavened with literary history mark a first in our letters.

Praise for What to Feel, How to Feel

Poetic, unique, and captivating, Nielson’s stunning disability treatise examines what it means to feel on the outside of societal acceptance, all while challenging perceptions of self. In this powerful read, Nielson expertly plays with structure to immerse the reader inside his brain, which is a beautiful, honest, and brilliant place to be. —Dr. Kelly S. Thompson, national bestselling memoirist of Still, I Cannot Save You

Together in a single volume, two beloved novels by one of our most celebrated and important writers.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends-each of whom is grappling with their own familial complexities and heartache.
     By turns thrilling and heartbreaking, Tuyen's lost brother--who has since become a criminal in the Thai underworld--journeys to Toronto to find his long-lost family. As Quy's arrival nears, tensions build, friendships are tested, and an unexpected encounter will forever alter the lives of Tuyen and her friends. Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth. Winner of the Toronto Book Award.
____________

In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here--June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.
     The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

_________________________

DIONNE BRAND’s literary credentials are legion. Her latest novel, Theory, won the 2019 OCM BOCAS Prize for Caribbean Literature, and was a Globe and Mail Best Book. Her latest poetry collection, The Blue Clerk, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Prize. Her collection Ossuaries won the Griffin Poetry Prize, and other collections have won the Governor General’s Literary Award, the Trillium Book Award and the Pat Lowther Memorial Award. Among her novels, In Another Place, Not Here was selected as a NYT Book Review Notable Book and a Best Book by the Globe and Mail; At the Full and Change of the Moon was selected a Best Book by the LA Times; and What We All Long For won the Toronto Book Award. In 2006, Brand was awarded the Harbourfront Festival Prize for her contribution to the world of books and writing, and from 2009 to 2012 she served as Toronto’s Poet Laureate. In 2017, she was named to the Order of Canada. Brand is a Professor in the School of English and Theatre Studies at the University of Guelph. She lives in Toronto.

Ethically sourced milk chocolate bar with caramel popcorn. Best-seller.

Yooo what's poppin' my home skillet? This caramel popcorn is poppin'! Get it?! The chocolate has caramel popcorn in it and I'm super cool and with it, so I know you're gonna like this one. Now shhhh... The movie is starting! Postie, out!

The Postie Postcard Chocolate Bar is a premium chocolate bar in a postcard-style mailer box that’s ready to gift. Write a note right on the package, so it doubles as an "edible postcard", with no wrapping needed. 

Made in Ontario with responsibly sourced cocoa, it's a tasty and good looking gift!