WJB Book Club 2026

WJB's Book Club Pick for January 2026!

Use code BOOKCLUB to get 20% off at checkout. 

In these nine stories, Elise Levine illuminates the aspirations of women and men (and one sassy millennia-old being) as they sift through the midden of their regrets, friendships, and marriages, and seek fresher ways of inhabiting older selves.

Two young women hitchhike around Europe, a lurid secret between them. A team in space is left reeling after a colleague’s unexpected death. Ambitious brothers take to the skies in an aerostat in 19th-century Paris. Big of You contains stories of real and fantastical life, each with its own distinctive voice and wild vocabulary.

At turns playful, blistering, unabashed, these stories examine the nuanced, kaleidoscopic dimensions of character, of people driven by ambition yet contending with the hauntings of the past. Spanning various settings and time periods, Big of You captures the everyday and the extraordinary in collisions soaring and earthy, exuberant and visceral.

Praise for Big of You

“Playful hilarity on some pages is matched by striking loss on others. Levine is a maestro of pacing and a magpie of mesmeric diction.”
—Literary Review of Canada

“Throughout, the writing is like a Modernist poem . . . filled with startling images, but also half-thoughts and half-sentences, leaving the reader, like the characters, on the tenterhooks of understanding. Fiction that makes artful demands, and in return, offers substantial rewards.”
—Kirkus Reviews

“The stories in Elise Levine’s latest collection, Big of You, are great travellers. They move through time, scene, and setting like water, seamless and fluid, burbling with questions of personal identity and what it takes to change one’s present or put to bed one’s past.”
—Katherine Abbass, The Ex-Puritan

“In Elise Levine’s high-voltage collection, she transports us everywhere from a casino to Europe to outer space. These stories crackle with restlessness, longing, and mischief, as characters peel away layers of identity to glimpse what’s underneath. Fraught, honest and hilarious, Big of You stretches our imaginations and delightfully capsizes our expectations of selfhood, story, and reality.”
—Erika Krouse, author of Save Me, Stranger

“In Big of You, Elise Levine is expert at conveying confusion and dislocation in a magic shorthand that is all hers. Each ingenious sentence blends beauty and sorrow in an intimate voice close to your ear. The writing is whip-smart with heart, it’s nutritious, it’s everything you need.”
—Mark Anthony Jarman, author of Burn Man

“Big of You moves through the contours of grief, the gradients of memory, and the foils of artistic ambition, all in honor of the shattered human heart. These stories are both painfully funny and refreshingly earnest, a feat so striking it feels almost impossible that one writer can have such electrifying breadth. When I read Elise Levine, I lose and find myself anew in her lucid prose. That’s the power of an Elise Levine sentence—she is singular.”
—Alejandro Heredia, author of Loca

Praise for Elise Levine

“Levine uses raw, hallucinatory prose to tell this curious story of a woman becoming undone . . . [Blue Field‘s] visceral wordplay, rough sexuality, and anguished depiction of survivor’s guilt are bound to captivate its audience. A transgressive, gut-wrenching portrayal of grief that asks what it’s like to drown.”
—Kirkus Reviews

“Reading [Blue Field] is a sensation akin to drifting weightlessly beneath the surface of the text . . . dazzling, textured, tightly woven.”
—Music and Literature

“Elise Levine writes with a new and exciting type of lyric rhythm. These are stories with the beating heart of poems.”
—Rion Amilcar Scott, winner of the 2017 PEN/Robert W. Bingham Prize for Debut Fiction

“Elise Levine’s startling sentences alternate between serrated sentiment and lyrical reverie, offering readers that rarest commodity—genuine surprise.”
—Jeff Jackson, author of Destroy All Monsters

“Levine addresses questions of identity and the impact of violence as well as addiction, consent, and society’s exploitation of trauma, and does so in gorgeous, surprising, and utterly gripping prose.”
—Elizabeth Hazen, Baltimore Fishbowl

WJB's Book Club Pick for March 2026!

Use code BOOKCLUB to get 20% off at checkout. 

Winner of the 2025 Giller Prize

From Giller Prize and O. Henry Award winner Souvankham Thammavongsa comes a revelatory novel about loneliness, love, labour, and class. An intimate and sharply written book following a nail salon owner as she toils away for the privileged clients who don't even know her true name.

"One of the greatest novels I have ever read." RITA BULLWINKEL
"A knockout: every punch lands." ELEANOR CATTON

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound depth. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complicated power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange.
     As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning.
     Told over a single day, with razor-sharp precision and wit, Pick a Colour confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

WJB's Book Club Pick for June 2026!

Use code BOOKCLUB to get 20% off at checkout. 

Moving on is hard. Even harder when it’s from a make-believe friend—someone, or in this instance, some thing—who’s been your strongest source of support. On what should be one of the happiest days ever, the day her granddaughter is born, Minoo is faced with a terrible choice: make a clean break from her constant companion, a sock puppet named Ecology Paul, or lose her daughter and granddaughter, and maybe all of the people she loves. On an emotional drive home from the hospital, Ecology Paul shares the story of how Minoo got to this point, recalling Minoo’s early teenage pregnancy in Iran, her exile to Canada, her questions about her sexuality, and how a ragtag sock puppet came to her when she desperately needed to be seen. Full of imagination, whimsy and heart, The Unravelling of Ou follows Minoo’s struggles to justify the puppet’s existence and untangle herself from her dependence on it, and reconnect with the people she loves.

Praise for The Unravelling of Ou

“Wildly original and captivating. A phenomenal examination of female shame, sexuality, queerness, motherhood, and intimacy, Hollay Ghadery writes with sensitivity and resonating beauty through an unconventional narrator: a sock puppet, Ecology Paul, who delivers the emotional coming-of-age tale of young Minoo with whimsy and emotional depth. Minoo feels trapped in her body and guilt over its sensual pleasures, as she grapples with a complicated relationship with a traditional Iranian mother. In The Unravelling of Ou, the immigrant Canadian narrative is dismantled, and headstrong mothers and daughters clash with patriarchal structures that want to control their bodies, their vanity, and their desires. Vulnerable, brave, and heartbreaking, this powerful novel asks: how do women function in a world that is not designed to love them back? How do oppressed individuals understand and ultimately save themselves? Ghadery delivers answers in a lyrical and imaginative debut.”—Lindsay Wong, Villain Hitting for Vicious Little Nobodies

“With poignant and delicate prose, The Unraveling of Ou draws the reader in through the unique voice of Minoo’s puppet. Ou knows all the secrets for Ou lives inside Minoo, and only Ou can reveal the depth of the brutal choice forced upon Minoo by her mother when she was a little girl. It’s a choice that shapes Minoo’s life in irreversible ways, even after estrangement from its root cause. A daring, not-to-be-missed short novel by the one and only Hollay Ghadery.”—Nilofar-Lily Soltani, author of Zulaikha

“The Unraveling of Ou is wonderfully layered, with a compelling plot and deeply realized characters. Its bracingly effective central conceit—first person narration by the protagonist’s sock puppet—is fresh and satisfying and, ultimately, quite moving.”—K.R. Wilson, author of Call Me Stan and An Idea About My Dead Uncle

“This novel is a delicious titration of acts of betrayal and care. I’ve never read anything like it before and yet it felt familiar in hard-to-reach places of the soul.”—Margo LaPierre, editor and author of Ajar

“Ghadery has written a surprising narrative that interrogates the treatment of young women caught in the crossfire of cultural norms and mental health.  Beautifully told with her trademark use of evocative and poetic language, Ghadery has once again challenged readers to ponder identity and what it means to be seen.”—Lucy E.M. Black, author A Quilting of Scars, The Brickworks, Class Lessons: Stories of Vulnerable Youth

WJB's Book Club Pick for September 2026!

Use code BOOKCLUB to get 20% off at checkout. 

An electric examination of women and men, sex and love, self-loathing and twenty-first century loneliness.

Between writing a weekly column for The Hype Report and managing her mood stabilizers, Gloria navigates a series of quasi-relationships while commiserating with her best friend about dating apps and dick pics, married men and questionable boundaries. But when she makes a glib pass at Daryn, a stranger on a subway platform crowded with young anti-immigration protesters, and finds him waiting for her outside her health club a couple of days later, a surprising curiosity leads her not to consider a restraining order, but to talk to him.

Claiming she wants to interview him for an article on the incel movement, Gloria meets Daryn for coffee and soon invites him back to her apartment—where his earnestness and painfully restrained desire inspire her to dominate him sexually. As their physical relationship intensifies, so does their emotional connection, and Gloria can’t shake the sense that she’s headed in a dangerous direction.

An electric examination of sex and love, self-loathing, and twenty-first century loneliness, Self Care is a devastating novel about women and men, what they want and what they say they want, and the violent tension between the two.

Praise for Self Care

“You can always count on Russell Smith for a straightforward technique that hits you in the solar plexus . . . The novel’s title proves piercingly ironic: this is a book about people whose absolute inability to care for themselves is the product of social alienation and a world in which everything—from proscribed gender roles to the ravages of unfettered capitalism—is stacked against them. That the only escape from this cycle of despondency appears to be violent is the ultimate indictment in this bleak, acerbic fable of our benighted time.”
—Steven W. Beattie, That Shakespearean Rag

“Smith’s writing is at its best when he’s skewering the often performative nature of sex, dating, and politics, as well as the solipsistic delusion of 21st-century life. [Self Care is] an uncomfortable, disturbing, and timely examination of relationships between men and women.”
—Kirkus Reviews

“A searing indictment of shallow, self-obsessed online culture and the deep disconnects in society, Canadian writer Smith’s latest examines trauma and tragedy and delves into the difference between performing care and actually caring.”
—Booklist

“A perverse, bleak, often hilarious Romeo-and-Juliet tale for our cultural moment. Smith renders the self-obsessed urban landscape with absolute precision.”
—Mark Kingwell, author of Question Authority: A Polemic About Trust in Five Meditations

“A gripping, unforgettable story about a young journalist and her secret incel lover that explodes the fairy tale of the frog prince. It had me sitting on the edge of my seat.”
—Susan Swan, author of Big Girls Don’t Cry

“A millennial tragedy that is also smart, funny, and mercifully free of piety and exculpation. Self Care is a book and an attitude adjustment that CanLit could really use.”
—Timothy Taylor, author of The Rule of Stephens

“With Self Care, Smith writes with the exacting and intimate observation for which he is known and loved, offering an unflinching play-by-play of protagonist Gloria’s murky interiority as she navigates an insidious but intimate relationship with incel Daryn. Think sharp psychological realism of Kristen Roupenian’s “Cat Person” or Graham and Thorne’s Adolescence. Smith’s ability to bravely take readers to the very edge of tenderness in the face of danger leaves one with something more profound than a lesson and more encompassing than a fact. Self Care is a story as hard to look at as it is well-observed. It haunted me and I couldn’t put it down.”
—Aley Waterman, author of Mudflowers

“Consumed this jewel of a novel in a single sitting . . . Upsetting and hilarious by turns, it is a sort of updated comedy of manners, really, about a wellness blogger who dominates an incel. By one of Canada’s closest social observers.”
—Stephen Marche, author of On Writing and Failure

Praise for Russell Smith

“For me at least, Canada’s most fascinating writer, the author whose new books and stories I most eagerly anticipate, whose fiction I approach with a hopeful curiosity.”
—Jeet Heer

“Russell Smith is one of the best stylists of my generation. His prose is exact, surprising, and written by a man with a fine ear.”
—Andre Alexis, author of Fifteen Dogs

“Smith writes some of the most luminous prose in Canadian fiction . . . He mines and refines the best of what has come before on the way to making it his own.”
—Montreal Gazette 

“[Confidence is] a poisonously funny portrait of the so-hip-it-hurts fashion, food, and bar scene.”
—Maclean’s

“Smith . . . is a gifted anthropologist of the urbane. Those gifts are on full display throughout Confidence.”
—Globe and Mail

WJB's Book Club Pick for November 2026!

Use code BOOKCLUB to get 20% off at checkout. 

“[Swan’s writing offers] not only an enjoyable read, but also the chance to think and reflect on the vast complex living entity that is the world.” —Nobel Prize-winner Olga Tokarczuk

Where do we belong if we don’t fit in?

A memoir about what it means to defy expectations as a woman, a mother and an artist, for readers of Joan Didion and Gloria Steinem and listeners of the podcast Wiser than Me

Susan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences.

In this revealing and revelatory memoir, Swan shares the key moments of her life. As a child in a small Ontario town, she was defined by her size—attracting ridicule because she was six-foot-two by the age of twelve. She left her marriage to be a single mother and a fiction writer in the edgy, underground art scene of 1970s Toronto. In her forties, she embraced the new freedom of the Aphrodite years. Despite the costs to her relationships, Swan kept searching for the place she fit, living in the literary circles of New York while seeking pleasure and spiritual wisdom in Greece, and culminating in the hard-won experience of true self-acceptance in her seventies.

Swan examines the expectations of women of her generation and beyond using the lens of her then-unusual height as a metaphor for the way women are expected not to take up space in the world. Inspiring and thought-provoking, Big Girls Don’t Cry invites us to re-examine what we’ve been taught to believe about ourselves and ask how it could be different.