Local Authors

“Combines both emerging and established voices for a fascinating glimpse at the most exciting short fiction coming out of this country.”—Open Book

Selected and introduced by Zsuzsi Gartner, Best Canadian Stories 2026 provides a distinctive sample of the best Canadian short fiction published over the previous year. Geminis are recruited to fight a war in space; an awkward Christmas dinner escalates around the roadkill main course; an interactive fiction game set in early Quebec becomes devastating and unnervingly strange for the player. These fifteen stories draw together an expressive range of characters and narratives, and appeal to both longstanding readers and those looking for an entry point into Canadian literature.

Featuring:

Selected by editor Mary Dalton, the 2026 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in the past year.

Featuring introductions by Mary Dalton and series editor Anita Lahey, Best Canadian Poetry 2026 offers a collection of brief but impactful glimpses into our current literary landscape, that expands our worldview and continues in the series tradition of asking: What constitutes a great poem?

Featuring:

Selected by editor Steven W. Beattie, the 2025 edition of Best Canadian Stories showcases the best Canadian fiction writing published in 2023.

Featuring:

Chris Bailey • Christine Birbalsingh • Cody Caetano • Kate Cayley • Lynn Coady • Caitlin Galway • Marcel Goh • Beth Goobie • Mark Anthony Jarman • Saad Omar Khan • Chelsea Peters • Kawai Shen • Liz Stewart • Glenna Turnbull • Catriona Wright • Clea Young

Selected by editor Aislinn Hunter, the 2025 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2023.

Featuring:

Hollie Adams • George Amabile • Erin Bedford • Billy-Ray Belcourt • Bertrand Bickersteth • Elisabeth Blair • Ronna Bloom • Alison Braid-Fernandez • Robert Bringhurst • Emily Cann • Anne Carson • Molly Cross-Blanchard • Lorna Crozier • Kayla Czaga • Evelyna Ekoko-Kay • Kate Genevieve • Susan Gillis • Sue Goyette • Catherine Graham • Henry Heavyshield • Gerald Hill • Alexander Hollenberg • Kim June Johnson • Eve Joseph • Evelyn Lau • Y. S. Lee • D. A. Lockhart • Fareh Malik • David Martin • Domenica Martinello • Cassidy McFadzean • Carmelita McGrath • Erín Moure • Tolu Oloruntoba • Catherine Owen • Molly Peacock • Miranda Pearson • Pauline Peters • Amanda Proctor • Shannon Quinn • Armand Garnet Ruffo • Anne Simpson • Carolyn Smart • Karen Solie • Catherine St. Denis • Owen Torrey • Michael Trussler • Sara Truuvert • Rob Winger • Jaeyun Yoo

Selected by editor Emily Urquhart, the 2025 edition of Best Canadian Essays showcases the best Canadian nonfiction writing published in 2023.

Featuring:

Katherine Ashenburg • James Cairns • Mitchell Consky • Michelle Cyca • Sadiqa de Meijer • Ariel Gordon • Lana Hall • Helen Humphreys • Rebecca Kempe • Jiin Kim • Christine Lai • Jessica Moore • Tom Rachman • Leanne Betasamosake Simpson • Vance Wright

“The Boy in Number Four had a passion and a dream … to one day be a player on a big league hockey team.” It takes hard work and dedication to make it to the big league, but those aren’t the only things that are important. Respect, determination and the sheer thrill of the game brought Bobby Orr from a small northern town in Canada to one of the best teams in the NHL. Using Bobby Orr and his journey as a model, The Boy in Number Four celebrates the game of hockey—from backyard rinks to the big leagues. A book for hockey enthusiasts of all ages!

About the authors

In What to feel, how to feel, Shane Neilson dazzles in the lyric essay form. Focusing on non-neurotypicality, Neilson investigates his supposed difference of self while also holding to account society’s construction of that difference, moving from his early childhood to adulthood and then back again in terms of a neurodivergent fathering of his own son. Covering subjects that have yet to receive attention in Canadian literature, including how the medical profession discriminates against its own, Neilson’s poetic accounts of stigma and self-discovery interleavened with literary history mark a first in our letters.

Praise for What to Feel, How to Feel

Poetic, unique, and captivating, Nielson’s stunning disability treatise examines what it means to feel on the outside of societal acceptance, all while challenging perceptions of self. In this powerful read, Nielson expertly plays with structure to immerse the reader inside his brain, which is a beautiful, honest, and brilliant place to be. —Dr. Kelly S. Thompson, national bestselling memoirist of Still, I Cannot Save You

In The Field, Sadiqa de Meijer’s follow up to the Governor General’s Award winning alfabet/alphabet, brings us essays that move searchingly through their central questions. What meaning does a birthplace hold? What drives us to make contact with a work of art? How do we honour the remains of the dead? This writing constitutes a form of fieldwork grounded in intimate observation. In The Field is an extraordinary book, one that invites readers to bring renewed attention to their own lives and to embrace the subjectivity in the experiences of others.

Praise for Sadiqa de Meijer

“De Meijer has now clearly established herself as powerful essayist and memoirist.”—Canadian Journal of Netherlandic Studies

“A superb collection of national thinkers, crackling with insight on the issues of the age.”—Chatelaine

Selected and introduced by Brian Bethune, Best Canadian Essays 2026 provides a unique perspective on what constitutes the best Canadian nonfiction writing published in the previous year. Featuring topics of motherhood and the choice to be child-free, climate change, catfishing, addiction and mental health, these fourteen essays offer poignant and clear-eyed insights into the diverse—sometimes underexplored—aspects of our society and ourselves.

Featuring:

Selected by editor Mary Dalton, the 2026 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in the past year.

Featuring introductions by Mary Dalton and series editor Anita Lahey, Best Canadian Poetry 2026 offers a collection of brief but impactful glimpses into our current literary landscape, that expands our worldview and continues in the series tradition of asking: What constitutes a great poem?

Featuring:

Aria Ramdeen is learning to love herself — and her favourite foods — again. No guilt, no toxic boyfriend. Full of newfound confidence, she subscribes to LoveinTO, a Toronto-based dating website, where she’s matched with a crush she’s had for years: the attractive light-haired man who lives in her building. Aria messages him on the app, but there’s no response, leaving her quite embarrassed.

Rob Anderson, who’s recently divorced, secretly admires Aria. He just lacks the confidence to approach her. And since he’s let his LoveinTO sub­scription lapse, he doesn’t see Aria’s message. Suddenly, Aria seems guard­ed when they run into one another, and the pair endure months of long, awkward silences together in the elevator. Until one day, Rob decides to give the app another chance and subscribes again.

A fresh and entertaining modern story of two people from different back­grounds who find each other despite the pitfalls of dating technology, opin­ions from friends and family, and their own personal trauma. The Elevator will leave readers feeling hopeful about love, food and life in a big city.

Praise for The Elevator

Aria and Rob share a look and an attraction, but their lives are complicated, and connection doesn’t come easy. The world doesn’t pause for a look, though they-and we-wish it would. The Elevator is a warm, thoughtful, realistic novel of all the things that hold us back from love, from trauma and tough parents to bad timing, but also the kind friends, humour, and hamburgers that sustain us in the search for a partner. Love comes for Rob and Aria the way it does for most of us-in the middle of everything else.— Rebecca Rosenblum, These Days are Numbered, So Much Love

In The Elevator, Ramsingh crafts a poignant portrayal of the weariness of the modern dating world, steeped with missed opportunities, misguided intimacy, and a complex relationship with food. Brimming with vivid sensory details, Ramsingh centers a cast of characters both earnest and vulnerable in this engaging, compulsively readable story.—Deepa Rajagopalan, Peacocks of Instagram

Priya Ramsingh’s superpower as a novelist is the ability to create authentic and empathetic characters. She did it with Brown Girl in the Room and now with The Elevator. I found myself rooting for Aria and Rob. I cringed as they tried to navigate the world of dating apps, agonized over bad dates and self doubt and then I eagerly awaited the next chance encounter. — Scott Colby, best-selling author and opinion page editor at the Toronto Star

“Truthfully I can only tell you what’s missing” writes the heartbroken protagonist at the beginning of Victoria Mbabazi’s The Siren in the Twelfth House. But this isn’t a book that succumbs to grief. Mbabazi’s poems are siren songs, reclaiming love from pain, and rediscovering joy through the destruction and eventual rebuilding of astrological houses. Prepare to slow dance through this profound and powerful debut.

Praise for The Siren in the Twelfth House:

The Siren in the Twelfth House combines meta-allegory with a strident exploration of the vicissitudes of love and companionship. Its anthropomorphic signs bring the astrological into the quotidian, a logic to randomness of experience, and a symphony from the 12 orchestral sections of the skies. As we trace the transformation of the titular siren, we cannot help but have our own gazes and capacities for orphic interpretation sharpened as well.—Tolu Oloruntoba, The Junta of Happenstance, and Each One a Furnace

With a sweeping grace and theatrical, cinematic flare, Victoria Mbabazi writes us into the delicious tropes and archetypes of astrology—from the signs to the houses to the transits—with the careful, precise eye of a poet. Siren in the Twelfth House is bright with a familiar ancient fascination—what we have with the stars, with the sky and, most of all, with each other.—Sanna Wani, author of My Grief, the Sun

Cyril Rowntree migrates to Toronto from Jamaica in 2012. Managing a precarious balance of work and university he begins to navigate his way through the implications of being racialized in his challenging new land.

A chance encounter with a panhandler named Patricia leads Cyril to a suitcase full of photographs and letters dating back to the early 1920s. Cyril is drawn into the letters and their story of a white mother’s struggle with the need to give up her mixed race baby, Edward. Abandoned by his own white father as a small child, Cyril’s keen intuition triggers a strong connection and he begins to look for the rest of Edward’s story.

As he searches, Cyril unearths fragments of Edward’s itinerant life as he crisscrossed the country. Along the way, he discovers hidden pieces of Canada’s Black history and gains the confidence to take on his new world.

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