Chief Inspector Armand Gamache returns in the eighteenth book in #1 New York Times bestseller Louise Penny's beloved series.

It's spring and Three Pines is reemerging after the harsh winter. But not everything buried should come alive again. Not everything lying dormant should reemerge.

But something has.

As the villagers prepare for a special celebration, Armand Gamache and Jean-Guy Beauvoir find themselves increasingly worried. A young man and woman have reappeared in the Surete du Quebec investigators' lives after many years. The two were young children when their troubled mother was murdered, leaving them damaged, shattered. Now they've arrived in the village of Three Pines.

But to what end?

Gamache and Beauvoir's memories of that tragic case, the one that first brought them together, come rushing back. Did their mother's murder hurt them beyond repair? Have those terrible wounds, buried for decades, festered and are now about to erupt?

As Chief Inspector Gamache works to uncover answers, his alarm grows when a letter written by a long dead stone mason is discovered. In it the man describes his terror when bricking up an attic room somewhere in the village. Every word of the 160-year-old letter is filled with dread. When the room is found, the villagers decide to open it up.

As the bricks are removed, Gamache, Beauvoir and the villagers discover a world of curiosities. But the head of homicide soon realizes there's more in that room than meets the eye. There are puzzles within puzzles, and hidden messages warning of mayhem and revenge.

In unsealing that room, an old enemy is released into their world. Into their lives. And into the very heart of Armand Gamache's home.

An instant #1 New York Times bestseller!

Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
 
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​
 
To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

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DANNY RAMADAN (he/him) is a Syrian-Canadian author, public speaker, and advocate for LGBTQ+ refugees. His debut novel, The Clothesline Swing, was shortlisted for the Lambda Literary Award, longlisted for Canada Reads, and named a Best Book of the Year by The Globe and Mail and Toronto Star. He has an MFA in Creative Writing from UBC and currently lives in Vancouver with his husband.

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Tsering Yangzom Lama holds a BA in creative writing and international relations from the University of British Columbia, and an MFA from Columbia University. Born and raised in Nepal, Tsering has lived in Toronto, New York City, and Vancouver, where she now resides. We Measure the Earth with Our Bodies is her first novel. 

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

NEW YORK TIMES EDITORS’ CHOICE • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

“This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity.”—Library Journal (starred review)

“The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.

Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.

The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.

All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction.

For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.

The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

NATIONAL BESTSELLER

SCOTIABANK GILLER PRIZE FINALIST

A propulsive literary page-turner about a family torn apart by a mother’s obsession with a sound that no one else can hear

One night, while lying in bed next to her husband, Claire Devon suddenly hears a low hum. This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound. What starts out as a kind of neighbourhood self-help group gradually transforms into something much more extreme, with far-reaching, devastating consequences. 

The Listeners is an electrifying novel that treads the thresholds of faith, conspiracy and mania. Compelling and exhilarating, it forces us to consider how strongly we hold on to what we perceive, and the way different views can tear a family apart.

JORDAN TANNAHILL is an internationally acclaimed playwright who was born in Ottawa and is currently based in London. Two of his plays have won a Governor General’s Literary Award for Drama. He has written one previous novel, Liminal, which was published to much acclaim and named one of the best Canadian novels of 2018 by CBC Books. CBC Arts named him as “one of sixty-nine LGBTQ Canadians, living or deceased, who has shaped the country’s history.” He is a regular columnist on CBC Radio’s The Next Chapter. 

Life is full of surprises in a winning novel about a girl dreaming big during one unexpected small-town summer.

When seventeen-year-old aspiring designer Tahira Janmohammad’s coveted fashion internship falls through, her parents have a Plan B. Tahira will work in her aunt’s boutique in the small town of Bakewell, the flower capital of Ontario. It’s only for the summer, and she’ll get the experience she needs for her college application. Plus her best friend is coming along. It won’t be that bad.

But she just can’t deal with Rowan Johnston, the rude, totally obsessive garden-nerd next door with frayed cutoffs and terrible shoes. Not to mention his sharp jawline, smoldering eyes, and soft lips. So irritating. Rowan is also just the plant-boy Tahira needs to help win the Bakewell flower-arranging contest—an event that carries clout in New York City, of all places. And with designers, of all people. Connections that she needs!

No one is more surprised than Tahira to learn that floral design is almost as great as fashion design. And Rowan? Turns out he’s more than ironic shirts and soil under the fingernails. Tahira’s about to find out what she’s really made of—and made for. Because here in the middle of nowhere, Tahira is just beginning to bloom.

About the author, Farah Heron: 

After a childhood filled with Bollywood, Monty Python, and Jane Austen, Farah Heron constantly wove uplifting happily ever afters in her head while pursuing careers in human resources and psychology. She started writing her stories down a few years ago and is thrilled to see her daydreams become books. The author of Accidentally Engaged and The Chai Factor, Farah writes romantic comedies for adults and teens full of huge South Asian families, delectable food, and most importantly, brown people falling stupidly in love. Farah lives in Toronto with her husband and two teens, a rabbit named Strawberry, and two cats who rule the house. She has way too many hobbies, but her thumb is more brown than green. For more information visit www.farahheron.com.

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Cherie Dimaline is a Métis author and editor whose award-winning fiction has been published and anthologized internationally. Her first book, Red Rooms, was published in 2007 and her novel The Girl Who Grew a Galaxy was released in 2013. In 2014, she was named the Emerging Artist of the Year at the Ontario Premier''s Award for Excellence in the Arts, and became the first Aboriginal Writer in Residence for the Toronto Public Library. Her book A Gentle Habit was published in August 2016. The Marrow Thieves has won the Governor General’s Literary Award and the Kirkus Prize; it is a finalist for the White Pine Award, was named to the Globe and Mail Top 100 and was selected for CBC’s Canada Reads

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Joshua Whitehead is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018), longlisted for the Scotiabank Giller Prize, and the poetry collection full-metal indigiqueer (Talonbooks, 2017) and the winner of the Governor General's History Award for the Indigenous Arts and Stories Challenge in 2016. He is also the editor of Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (Arsenal Pulp Press, 2020). Currently he is working on a PhD in Indigenous Literatures and Cultures in the University of Calgary's English department (Treaty 7).

In 1903, a mysterious, desperate woman flees alone across the West, one quick step ahead of the law. She has just become a widow by her own hand. Two vengeful brothers and a pack of bloodhounds track her across the wilderness. She is nineteen years old and half mad.

Gil Adamson’s extraordinary award-winning novel opens in heart-pounding mid-flight and propels the reader through a gripping road trip with a twist — the steely outlaw in this story is a grief-stricken young woman. Along the way she encounters characters of all stripes — unsavoury, wheedling, greedy, lascivious, self-reliant, and occasionally generous and trustworthy. Part historical novel, part Gothic tale, and part literary Western, The Outlander is an original and unforgettable read, now available in a new edition to coincide with the release of the long-awaited follow-up, Ridgerunner.

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GIL ADAMSON is the critically acclaimed author of Ridgerunner, which won the Writers’ Trust Fiction Prize, was a finalist for the Scotiabank Giller Prize, and was named a best book of the year by the Globe and Mail and the CBC. Her first novel, The Outlander, won the Dashiell Hammett Prize for Literary Excellence in Crime Writing, the Amazon.ca First Novel Award, the ReLit Award, and the Drummer General’s Award. It was a finalist for the Commonwealth Writers’ Prize, CBC Canada Reads, and the Prix Femina in France; longlisted for the International IMPAC Dublin Literary Award; and chosen as a Globe and Mail and Washington Post Top 100 Book. She is also the author of a collection of linked stories, Help Me, Jacques Cousteau, and two poetry collections, Primitive and Ashland. She lives in Toronto.

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents.

On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trailed by crows, a woman far from home struggles to confront an old guilt. As a half-remembered Beach Boys song plays in the background, a daughter recalls the man her father used to be through a tender inventory of their time together. In a community plagued by petrochemical-induced diseases and environmental ruin, a man spends his nights caring for his dying partner and his days navigating a dangerous workplace. An android watches her creators' relationship break down before her eyes. A gang of girls roams the streets of a ravaged city, hunting their would-be predators. In her journey to become a woman and a healer, a Cree girl enters the woods alone to learn the stories and medicines of plants, only to be transformed by an unexpected connection.

The stories included in this volume are contenders for the $10,000 Writers' Trust McClelland & Stewart Journey Prize.

WINNER OF THE 2018 QUEBEC WRITERS' FEDERATION CONCORDIA UNIVERSITY FIRST BOOK PRIZE

LONGLISTED FOR THE 2018 SCOTIABANK GILLER PRIZE

FINALIST FOR THE 2018 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION

A GLOBE AND MAIL BEST BOOK OF 2018

A QUILL & QUIRE BOOK OF THE YEAR

Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.