Fiction Books

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RAWI HAGE was born in Beirut, Lebanon, and lived through nine years of the Lebanese civil war during the 1970s and 1980s. He immigrated to Canada in 1992 and now lives in Montreal. His first novel, De Niro's Game, won the IMPAC Dublin Literary Award for the best English-language book published anywhere in the world in a given year, and has either won or been shortlisted for seven other major awards and prizes, including the Scotiabank Giller Prize and the Governor General's Literary Award. Cockroach was the winner of the Paragraphe Hugh MacLennan Prize for Fiction and a finalist for the Governor General's Award. It was also shortlisted for the Rogers Writers' Trust Fiction Award and the Giller Prize. His third novel, Carnival, told from the perspective of a taxi driver, was a finalist for the Writers' Trust Award and won the Paragraphe Hugh MacLennan Prize for Fiction. His work has been translated into 30 languages.

Do you believe in angels?

When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene’s mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film. And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way.

Everything Affects Everyone, is a novel about listening, about how women speak to one another, and about the power of the question.

*Instant National Bestseller

In this explosive new thriller from international bestselling author Daniel Kalla, an experimental vaccine is deployed to battle a lethal outbreak—until patients start dying of unknown causes.

An ordinary day
The city of Seattle is stunned when a deadly bacteria tears through a nearby Bible camp. Early tests reveal the illness is a form of meningitis, and the camp’s residents are among its most vulnerable victims: children and teenagers.

A new vaccine
Facing a rapidly rising death rate, Seattle’s chief public health officer, Lisa Dyer, and her team quickly take all steps necessary to contain the devastating outbreak. And when further testing reveals that the strain of the bacteria is one that caused catastrophic losses in Iceland six months before, Lisa decides to take a drastic step: she contacts Nathan Hull, vice president of a pharmaceutical company that is doing final-phase trials on a viable vaccine, and asks him to release it early for use on the city’s population.

An epidemic in the making
Lisa gets the go-ahead on her controversial plan, despite the protests of dubious government officials, anti-vaxxers, and even those on her own team. Vaccine clinics roll out across the city, and the risky strategy appears to be working, leaving Lisa, Nathan, and thousands of others breathing a sigh of relief. Until people start dying from mysterious and horrific causes—and the vaccine itself is implicated.

But what if science isn’t to blame?

Like Sally Rooney’s Conversations with Friends and Eileen Myles’s Chelsea Girls, All I Ask by the award-winning and highly acclaimed author Eva Crocker is a defining novel of a generation.

A little before seven in the morning, Stacey wakes to the police pounding on her door. They search her home and seize her computer and her phone, telling her they’re looking for “illegal digital material.” Left to unravel what’s happened, Stacey must find a way to take back the privacy and freedom she feels she has lost.

Luckily, she has her friends. Smart and tough and almost terrifyingly open, Stacey and her circle are uncommonly free of biases and boundaries, but this incident reveals how they are still susceptible to society’s traps. Navigating her way through friendship, love, and sex, Stacey strives to restore her self-confidence and to actualize the most authentic way to live her life — one that acknowledges both her power and her vulnerability, her joy and her fear.

All I Ask is a bold and bracing exploration of what it’s like to be young in a time when everything and nothing seems possible. With a playwright’s ear for dialogue and a wry, delicate confidence, Eva Crocker writes with a compassionate but unsentimental eye on human nature that perfectly captures the pitfalls of relying on the people you love.

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EVA CROCKER is the author of the critically acclaimed debut novel All I Ask, which was longlisted for the Scotiabank Giller Prize. Her short story collection, Barrelling Forward, won the Alistair MacLeod Prize for Short Fiction and the CAA Emerging Writer Award, was a finalist for the Writers’ Trust Dayne Ogilvie Prize for LGBTQ Emerging Writers and the NLCU Fresh Fish Award for Emerging Writers, and was a National Post Best Book.

Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.

In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. 

Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.

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ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

New York Public Library’s Best Books for Kids

Junior Library Guild Selection

Chicago Public Library Best of the Best

About the Book

Perfect for fans of Narwhal and Jelly, Arlo & Pips: King of the Birds is the first in a new early graphic chapter book series about the friendship between Arlo, an arrogant crow, and a sarcastic little bird named Pips. 

Like most crows, Arlo has a big brain. But Arlo has something else: a little pal who’s not afraid to tell him when he’s being insufferable!

In the first of three episodes, a battle of the brains and bird-to-bird banter soon turns into an unexpected friendship. Arlo and Pips' adventures include a visit the big city and the beach on their hunt for shiny things and French fries. Cool crow facts are included throughout the book.

Everyone's crowing about Arlo & Pips, with Kirkus praising it as "a perfect match for newly independent readers"!

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

Critical Praise

“Fun and informative! This book will FLY off the shelves!” - Ben Clanton, bestselling author of the Narwhal and Jelly series

"Straightforward sentences, limited color scheme, and thick black outlines make this a perfect match for newly independent readers. Through Pips’ inquisitiveness and Arlo’s desire to prove himself, readers also learn much about the intelligence, diet, and behavior of crows. A charming treasure." - Kirkus Reviews (starred review)

“It's an unexpected friendship story! In three short graphic chapters marked by [Gravel's] signature sly humor, facts about crows are sprinkled throughout...making the reader believe that maybe crows are truly as amazing as Arlo says.” - Horn Book (starred review)

"Gravel brings the smart attitude of her Disgusting Critters series to a more fictional narrative here, and it’s just as informative and accessible in its provision of kid-pleasing facts...Aspiring birders with a flair for the dramatic may be particularly drawn to Arlo’s braggadocio." - Bulletin of the Center for Children’s Books

"This simple story of would-be friendship [has] Gravel's distinctive panels and snappy dialogue...crow facts appear throughout like cereal-box prizes" - Publishers Weekly

Together in a single volume, two beloved novels by one of our most celebrated and important writers.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends-each of whom is grappling with their own familial complexities and heartache.
     By turns thrilling and heartbreaking, Tuyen's lost brother--who has since become a criminal in the Thai underworld--journeys to Toronto to find his long-lost family. As Quy's arrival nears, tensions build, friendships are tested, and an unexpected encounter will forever alter the lives of Tuyen and her friends. Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth. Winner of the Toronto Book Award.
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In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here--June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.
     The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

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DIONNE BRAND’s literary credentials are legion. Her latest novel, Theory, won the 2019 OCM BOCAS Prize for Caribbean Literature, and was a Globe and Mail Best Book. Her latest poetry collection, The Blue Clerk, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Prize. Her collection Ossuaries won the Griffin Poetry Prize, and other collections have won the Governor General’s Literary Award, the Trillium Book Award and the Pat Lowther Memorial Award. Among her novels, In Another Place, Not Here was selected as a NYT Book Review Notable Book and a Best Book by the Globe and Mail; At the Full and Change of the Moon was selected a Best Book by the LA Times; and What We All Long For won the Toronto Book Award. In 2006, Brand was awarded the Harbourfront Festival Prize for her contribution to the world of books and writing, and from 2009 to 2012 she served as Toronto’s Poet Laureate. In 2017, she was named to the Order of Canada. Brand is a Professor in the School of English and Theatre Studies at the University of Guelph. She lives in Toronto.

From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read

Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions.

Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating bass notes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.

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Ian Williams is the author of the Giller Prize-winning novel Reproduction . His last poetry collection Personals was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone's Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. Williams holds a Ph.D. in English at the University of Toronto and is currently an assistant professor of poetry in the Creative Writing program at the University of British Columbia. He was the 2014-2015 Canadian Writer-in-Residence for the University of Calgary's Distinguished Writers Program. Ian Williams currently resides in Vancouver, BC.

Kamila Hussain’s life might not be perfect, but, whew, it’s close. She lives a life of comfort, filled with her elaborate Bollywood movie parties, a dog with more Instagram followers than most reality stars, a job she loves, and an endless array of friends who clearly need her help finding love. In fact, Kamila is so busy with her friends’ love lives, she’s hardly given any thought to her own . . .

Fortunately, Kamila has Rohan Nasser. A longtime friend of the family, he’s hugely successful, with the deliciously lean, firm body of a rock climber. Only lately, Kamila’s “harmless flirting” with Rohan is making her insides do a little bhangra dance.

But between planning the local shelter’s puppy prom, throwing a huge work event, and proving to everyone that she’s got it all figured out, Kamila isn’t letting herself get distracted—until her secret nemesis returns to town with an eye for Rohan. Suddenly, it seems like the more Kamila tries to plan, the more things are starting to unravel—and her perfectly ordered life is about to be turned upside down.

In their various locales--from Montreal (where a prosthetic leg casts a furious spell on its beholders) to New Mexico (where a Soviet-era exchange student redefines home for his hosts)--the characters in Babylon are coming to terms with life's epiphanies, for good or ill.

They range from the very young who, confronted with their parents' limitations, discover their own resolve, to those facing middle age and its particular indignities, no less determined to assert themselves and shape their destinies. Babylon and Other Stories showcases the wit, humor, and insight that have made Alix Ohlin one of the most admired young writers working today.

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Alix Ohlin is the author of six books, including Dual Citizens, which was short-listed for the Scotiabank Giller Prize. Her work has appeared in The New Yorker, Best American Short Stories, and many other places. She lives in Vancouver, where she is the Director of the UBC School of Creative Writing.

Not far away from here is a lake. You have to pay for access to its shores, but I know where there’s a hole in the fence. The water will be icy, but it will still be in a liquid state. That’s what I will do today. I will go through the hole in the fence and I’ll dive into the icy water. And then I’ll go home.

Friends since grade school, Céline, Julie, and Sabrina come of age at the start of a new millennium, supporting each other and drifting apart as their lives pull them in different directions. But when their friend dies by suicide in the abandoned city lot where they once gathered, they must carry on in the world that left him behind—one they once dreamed they would change for the better. From the grind of Montreal service jobs, to isolated French Ontario countryside childhoods, to the tenuous cooperation of Bay Area punk squats, the three young women navigate everyday losses and fears against the backdrop of a tumultuous twenty-first century. An ode to friendship and the ties that bind us together, Stéfanie Clermont’s award-winning The Music Game confronts the violence of the modern world and pays homage to those who work in the hope and faith that it can still be made a better place.

WINNER OF THE SCOTIABANK GILLER PRIZE

NATIONAL BESTSELLER

A PENGUIN BOOK CLUB PICK

A hilarious, surprising and poignant love story about the way families are invented, told with the savvy of a Zadie Smith and with an inventiveness all Ian Williams' own, Reproduction explores unconventional connections and brilliantly redefines family.

Felicia and Edgar meet as their mothers are dying. Felicia, a teen from an island nation, and Edgar, the lazy heir of a wealthy German family, come together only because their mothers share a hospital room. When Felicia's mother dies and Edgar's "Mutter" does not, Felicia drops out of high school and takes a job as Mutter's caregiver. While Felicia and Edgar don't quite understand each other, and Felicia recognizes that Edgar is selfish, arrogant, and often unkind, they form a bond built on grief (and proximity) that results in the birth of a son Felicia calls Armistice. Or Army, for short.
     Some years later, Felicia and Army (now 14) are living in the basement of a home owned by Oliver, a divorced man of Portuguese descent who has two kids--the teenaged Heather and the odd little Hendrix. Along with Felicia and Army, they form an unconventional family, except that Army wants to sleep with Heather, and Oliver wants to kill Army. Then Army's fascination with his absent father--and his absent father's money--begins to grow as odd gifts from Edgar begin to show up. And Felicia feels Edgar's unwelcome shadow looming over them. A brutal assault, a mortal disease, a death, and a birth reshuffle this group of people again to form another version of the family.
     Reproduction is a profoundly insightful exploration of the bizarre ways people become bonded that insists that family isn't a matter of blood.

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IAN WILLIAMS was born in Trinidad and raised in Canada. In 2019 he won the Scotiabank Giller Prize for his first novel, Reproduction, which was published in Canada, the US, and the UK, and translated into Italian. His poetry collection, Personals, was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone's Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. Williams holds a Ph.D. in English from the University of Toronto and has recently returned to that university as a tenured professor, after several years as a professor of poetry in the Creative Writing program at the University of British Columbia. His third poetry collection, Word Problems, was published by Coach House Press in the fall of 2020.

I am from Halifax, salt-water city, a place of silted genius, sudden women, figures floating in all waters. “People from Halifax are all famous,” my sister Faith has said. “Because everyone in Halifax knows each other’s business.”

From basement rec rooms to midnight railway tracks, Action Transfers to Smarties boxes crammed with joints, from Paul McCartney on the kitchen radio to their furious teenaged cover of The Ramones, Aubrey McKee and his familiars navigate late adolescence amidst the old-monied decadence of Halifax. An arcana of oddball angels, Alex Pugsley’s long-awaited debut novel follows rich-kid drug dealers and junior tennis brats, émigré heart surgeons and small-time thugs, renegade private school girls and runaway children as they try to make sense of the city into which they’ve been born. Part coming-of-age-story, part social chronicle, and part study of the myths that define our growing up, Aubrey McKee introduces a breathtakingly original new voice.

A CANADA READS 2019 FINALIST
A Penguin Book Club Pick

Winner of the 2017 Rogers Writers' Trust Fiction Prize, David Chariandy's Brother is his intensely beautiful, searingly powerful, and tightly constructed second novel, exploring questions of masculinity, family, race, and identity as they are played out in a Scarborough housing complex during the sweltering heat and simmering violence of the summer of 1991.

With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. 
     Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry--teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. 
     Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow.
     With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.

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DAVID CHARIANDY lives in Vancouver and teaches literature and creative writing in the department of English at Simon Fraser University.  His first novel, Soucouyant, was nominated for several prizes, including the Governor General’s Award and the Scotiabank Giller Prize.  His second novel, Brother, was also nominated for several prizes, winning the Rogers Writers’ Trust Fiction Prize, the Ethel Wilson Fiction Prize, and the Toronto Book Prize.  Brother was also named a book of the year by The Globe and Mail, The National Post, The Toronto Star, The Montreal Gazette, The New York City Public Library, Kirkus Reviews, Esquire Magazine, and The Guardian.  His most recent book is a memoir entitled I’ve Been Meaning To Tell You: A Letter To My Daughter.  David’s writings have been published internationally and translated into a dozen languages.  In 2019, he was awarded Yale University’s Windham-Campbell Prize for fiction.

Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, a national bestseller and the second book in Eden Robinson's captivating Trickster trilogy.

Jared Martin, seventeen, has quit drugs and drinking. But his troubles are not over: the temptation to slip is constant (thanks to his enabling, ever-partying mom, Maggie). He's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And Maggie, a witch as well as a badass, can't protect him like she used to because he's moved from Kitimat to Vancouver for school.
     He figures that in order to be safe from both magic, addiction and David, he's got to get his grades up, find a job that doesn't involve selling weed cookies, and learn how to live with his Aunt Mave, who has been estranged from the family ever since she tried to "rescue" him as a baby from his mother. Though she smothers him with hugs, Mave is blind to the real dangers that lurk around them--the spirits and supernatural activity that fill her apartment.
     As the son of a Trickster, Jared is a magnet for magic, whether he hates it or not. He sees ghosts, he sees the monster moving underneath his Aunt Georgina's skin, he sees the creature that comes out of his bedroom wall and creepily wants to suck his toes. He also still hears his father in his head, and other voices too. When David finally catches up with him, Jared can't ignore his true nature any longer. And neither can anyone else he loves.

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Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, a national bestseller and the second book in Eden Robinson's captivating Trickster trilogy.

Jared Martin, seventeen, has quit drugs and drinking. But his troubles are not over: the temptation to slip is constant (thanks to his enabling, ever-partying mom, Maggie). He's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And Maggie, a witch as well as a badass, can't protect him like she used to because he's moved from Kitimat to Vancouver for school.
     He figures that in order to be safe from both magic, addiction and David, he's got to get his grades up, find a job that doesn't involve selling weed cookies, and learn how to live with his Aunt Mave, who has been estranged from the family ever since she tried to "rescue" him as a baby from his mother. Though she smothers him with hugs, Mave is blind to the real dangers that lurk around them--the spirits and supernatural activity that fill her apartment.
     As the son of a Trickster, Jared is a magnet for magic, whether he hates it or not. He sees ghosts, he sees the monster moving underneath his Aunt Georgina's skin, he sees the creature that comes out of his bedroom wall and creepily wants to suck his toes. He also still hears his father in his head, and other voices too. When David finally catches up with him, Jared can't ignore his true nature any longer. And neither can anyone else he loves.

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One of The Globe and Mail’s Best Books of 2017: A perfect mix of entertaining and edgy, Fugue States is a thought-provoking exploration of the first-generation Canadian experience from one of the more irreverent, inventive and daring minds writing fiction today

Fugue States begins as Ash Dhar, a thirty-something writer, opens his mouth to deliver a eulogy at a funeral—the funeral for his own father, a Kashmir-born doctor. But in that moment between thought and speech, something mysterious occurs: a terrible wordless gap into which Ash falls helplessly, recovering only as the concerned faces of friends and family shock him into focus. Later, still unsettled as he sorts through his father’s belongings, Ash discovers a partially completed and baffling work of fiction set in what seems to be Kashmir. Reading his father’s words, Ash feels compelled to know more about this ancestral land—and yet he resists the impulse to visit, loathe to be a cliché, chasing self-discovery in a war-torn homeland. But Ash’s childhood friend Matt—pothead, massage therapy student and self-described “maker of memories”—has no such hesitations and goes in Ash’s place . . . with unexpected and excruciating results. Soon, Ash is forced to rescue Matt by following him to India—where he experiences a second alarming gap, one that echoes and amplifies the mysterious “fugue state” with which the novel began.

Fugue States is at once a parody of clueless tourism; a knowing, uneasy look at contemporary masculinity; and a surprisingly poignant tale about the deep inchoate melancholy that abides in people who, like Ash and his father, and even Matt-the-fool, have never felt completely at home in the world.

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