Fiction Books

What would drive women to risk the lives of their children and innocent people to leave their mother country forever?

On April 30, 1982, two women and their families hijack a Polish passenger plane flying from Breslau to Warsaw in a bold attempt to escape Martial Law in Communist Poland and find safety in West Berlin. Among the hijackers are a cotton spinner whose husband wants to avoid a long prison sentence, a schoolteacher with a sick daughter, a pregnant fourteen-year-old who has visions of the Virgin Mary, and an ambitious young filmmaker. Inspired by real events, Voices in the Air is told from the point of view of these four women and a stewardess in love with the married pilot.  Will they find happiness beyond the Iron Curtain or was the hijacking not worth the risk?

Told using traditional narrative and documentary film-style interviews, Voices in the Air follows the main characters’ lives before and after the hijacking, and through real-life events as the fall of the Berlin Wall, the fight for women’s rights in modern Poland, the Covid pandemic and the refugee crisis on the Polish-Belarus border. A must-read novel exploring ambiguous moral choice, censorship, emigration, fate and regret.

Praise for Voices in the Air

Kasia Jaronczyk’s Voices in the Air is a remarkable achievement – the novel depicts multiple characters as if they lived on two flaps with a hinge between them – a before and an after – with a dramatic event in the middle that changes everything for them all. The depiction of Marshal Law Poland is gritty and compelling, and the variety of post-emigration stories is psychologically subtle and profound.—Antanas Sileika The Death of Tony

Samara and J., a struggling young couple, are off to J.’s birthplace, Upton Bay, a small town turned upscale theatre and winery destination. Sam has been hired by an editor friend to write a promotional piece about the place while she and J. stay with his grandfather Otto, a prominent businessman in his day.

But their visit does not go as planned. Sam’s explorations of Upton’s tourist attractions lead her to ugly truths behind the quaint little town’s façade—discoveries that are counterpointed with vignettes of the town’s wealthy, elderly ruling class, painting a different picture than the one Sam’s friend expects her to provide. Tensions between Sam and J. worsen as J.’s true nature emerges and Sam begins to question both his values and his family’s past—especially after Otto tells them stories about his time as a German soldier during WW2.

Back in the city, Sam’s opinions and judgments about what is right and wrong are tested when a shocking truth surfaces about her grandmother’s flight from Norway after the war, profoundly changing Sam’s understanding of who she is and who she wants to become.

In A Town with No Noise, fact and fiction combine to ask difficult questions about the communities we build, questions that are as relevant today as ever: Who stays? Who is chased away? And who decides?

Praise for A Town With No Noise

The epigraph of Karen Smythe’s novel A Town with No Noise is a gorgeous poem by Derek Walcott, which alludes to stories hidden in plain sight. Smythe’s narrative wends through deceptively bucolic small-town Ontario, then Toronto, then northern Ontario, to arrive, finally, at the devastating story of a Jewish girl and her family in Nazi-occupied Norway. In this skilful intertextual weave of fiction and true history, the reader is shocked and moved to come upon a past in Europe that Smythe’s characters—in Canada—would prefer to forget. Smythe’s protagonist Samara has taken herself on a journey of revelation and remembrance, a journey that will make of her a writer: a healer and mender. And Karen Smythe has written this story: her novel is a captivating and brave achievement.—Dawn Promislow, author of Wan

Karen Smythe is a brilliant and insightful observer of her character’s inner lives, and A Town With No Noise is no exception. Smythe is a master at articulating tension between Samara and J., between their expectations and the reality that hides behind the facade of Upton Bay, and Samara’s discoveries of certain character’s pasts. Smythe’s descriptions are gorgeous and poetic, her pacing deft and precise. A beautiful novel that I couldn’t put down.—Danila Botha author of Things that Cause Inappropriate Happiness

A compelling novel of family secrets and revelations, Karen Smythe’s A Town With No Noise lays bare WWII histories of cruelty, connection, and the bright flame of repair and healing that persists into our present day. Read this powerful, moving story of a young woman coming to terms with the past, and confronting our contemporary inequalities, for its clarity and urgent call for reckoning.—Elise Levine, author of Say This and This Wicked Tongue

With its inventive layering of a fictional narrative with footnotes, a transcription of a recording, a play, journalism, and historical details, the novel invites us to question how history is written, remembered, and forgotten, and to listen to the stories of others. A Town with No Noise will surprise, move, and push you to see the world differently, as only the best fiction can.—Kasia Jaronczyk, author of Voices in the Air and Lemons

Beautifully illustrated with a cloth-like spine, this imaginative picture book shares an Inuk child's experience with gratitude and celebrates family connections from the newest siblings to cherished Elders.

A young boy, Kalluk, leaves his camp to tell his grandmother that his mother is about to have a baby. Along the way, Kalluk meets different animals and he asks them why they are so happy. The rabbits say they love to be fast enough to outrun the fox and clever enough to know when to hide. They are happy to protect each other from the winter wind: "I'd give you my tail if I could!" they say. A mother fox tells the boy her pups make her happy (and her pups say their mother makes them happy: "We would give her our tails if we could!" they say. Even the river and the wind have reasons to be happy. Kalluk's encounters with nature make him reflect on his gratitude for all it provides.

On the trip back, Kalluk and his grandmother talk about happiness, peace and choices. They speak to the ravens and get a lift from the wind right to Kalluk's doorstep. And waiting inside is a new baby sister! Holding her in his arms, Kalluk discovers a new reason to be thankful.

A lush, enthralling new novel from New York Times bestselling author Susanna Kearsley, set during the reign of James I, in which emissary Andrew Logan must complete a vital mission on behalf of the king—a mission that will threaten not only his own life, but everything he holds dear.

The crown prince is dead, and the court is in turmoil. Only a man of extraordinary gifts can uncover the truth.

1613: King James—sixth of Scotland; first of England; son of Mary, Queen of Scots—has unified both countries under one crown. But the death of his eldest son, Henry, has plunged the nation into mourning, as rumours swirl that the prince was poisoned.

Andrew Logan has heard the rumours, but he’s paid them little heed. As one of the King’s Messengers, he has plenty of secrets to guard, including his own. In these perilous times, when the merest suggestion of witchcraft can lead to torture and hanging, men like Andrew must hide well the fact they were born with the Sight—a gift that allows him to see things others cannot.

And he’ll need all his gifts as he embarks on the perilous trip to capture Sir David Moray—once the prince’s trusted advisor, and now the main suspect in his death—and transport him from Scotland back to England. Andrew must travel with not only his prisoner, but an elderly scribe, sent to keep a written record of the journey, and the scribe’s fiery daughter, Phoebe. With treachery lurking at every turn, Andrew won’t just need to guard his prisoner, but his extraordinary gift, and his heart as well.

Both sweeping and intricate, The King’s Messenger is a spellbinding tale of secrets, love, and honour by a writer at the height of her power.

Have you ever wondered why Rabbit has such long ears? Or why Raccoon is wearing a mask? In this collection of funny and unique short stories, young Skye enlightens us in a number of Indigenous teachings, passed down to her from her Ojibway Grandfather. Through her natural gift of storytelling, Skye encourages other children to embrace the art and become storytellers, too!

<head><meta charset="UTF-8" /></head>This much-anticipated, game-changing special edition of Canada's premier annual fiction anthology celebrates the country's best emerging Black writers.

For over thirty years, The Journey Prize Stories has consistently introduced readers to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.

An eagle-eyed mother and a hungry child contend with the aftereffects of an unusual multi-course meal. Both the debts of the past and the promise of the future hover over two siblings as they debate what to do with an unexpected windfall. A pesky but beloved baboon looms large in the memory of a daughter whose family has been forced to move to a new town. Unclear boundaries and cheerful hypocrisy dominate a woman’s whirlwind romance with a photographer. A schoolgirl contends with complicated emotions as she awaits the return of her long-absent mother. News of a hunter’s death reverberates throughout his family, travelling across oceans and phonelines to trouble his cousin’s already-shaky relationship. An office worker joins a lost grandmother on an unexpected pilgrimage. After years away, a woman journeys back to Jamaica—and back to the sister who refused to leave with her—stirring up insecurities, laughter, and wounds unhealed by time. All the instructions in the world cannot protect a family from the impacts of grief. The only Black girls in school experiment with what it means to be a lady when you’re not yet a woman.

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows.

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement.

Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Finalist for the 2022 Governor General's Literary Award for Fiction
Longlisted for the 2022 Scotiabank Giller Prize
Winner of the 2022 Indigenous Voices Awards' Published Prose in English Prize
Shortlisted for the 2022 Amazon Canada First Novel Award
Longlisted for CBC Canada Reads 2022
Longlisted for First Nations Community Reads 2022
AnIndigo Top 100 Book of 2021
An Indigo Top 10 Best Canadian Fiction Book of 2021

****

"What a welcome debut. Young Eddie Toma's passage through the truly ugly parts of this world is met, like an antidote, or perhaps a compensation, by his remarkable awareness of its beauty. This is a writer who understands youth, and how to tell a story." —GilAdamson, winner of the Writers' Trust Fiction Prize for Ridgerunner

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him.

It's1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. Theboys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely.

Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie"s first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges theIndian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship.

In his teens, Eddie's future seems more secure—he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every timethings look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved.

All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies onthe unguarded, unsentimental witness provided by Eddie.

Aria Ramdeen is learning to love herself — and her favourite foods — again. No guilt, no toxic boyfriend. Full of newfound confidence, she subscribes to LoveinTO, a Toronto-based dating website, where she’s matched with a crush she’s had for years: the attractive light-haired man who lives in her building. Aria messages him on the app, but there’s no response, leaving her quite embarrassed.

Rob Anderson, who’s recently divorced, secretly admires Aria. He just lacks the confidence to approach her. And since he’s let his LoveinTO sub­scription lapse, he doesn’t see Aria’s message. Suddenly, Aria seems guard­ed when they run into one another, and the pair endure months of long, awkward silences together in the elevator. Until one day, Rob decides to give the app another chance and subscribes again.

A fresh and entertaining modern story of two people from different back­grounds who find each other despite the pitfalls of dating technology, opin­ions from friends and family, and their own personal trauma. The Elevator will leave readers feeling hopeful about love, food and life in a big city.

Praise for The Elevator

Aria and Rob share a look and an attraction, but their lives are complicated, and connection doesn’t come easy. The world doesn’t pause for a look, though they-and we-wish it would. The Elevator is a warm, thoughtful, realistic novel of all the things that hold us back from love, from trauma and tough parents to bad timing, but also the kind friends, humour, and hamburgers that sustain us in the search for a partner. Love comes for Rob and Aria the way it does for most of us-in the middle of everything else.— Rebecca Rosenblum, These Days are Numbered, So Much Love

In The Elevator, Ramsingh crafts a poignant portrayal of the weariness of the modern dating world, steeped with missed opportunities, misguided intimacy, and a complex relationship with food. Brimming with vivid sensory details, Ramsingh centers a cast of characters both earnest and vulnerable in this engaging, compulsively readable story.—Deepa Rajagopalan, Peacocks of Instagram

Priya Ramsingh’s superpower as a novelist is the ability to create authentic and empathetic characters. She did it with Brown Girl in the Room and now with The Elevator. I found myself rooting for Aria and Rob. I cringed as they tried to navigate the world of dating apps, agonized over bad dates and self doubt and then I eagerly awaited the next chance encounter. — Scott Colby, best-selling author and opinion page editor at the Toronto Star

The OC meets The Unhoneymooners in this shipwreck romcom when the reunited cast of a hit show get stuck on a deserted island with nothing but their complete lack of survival skills, simmering drama, and the sneaking suspicion that someone is up to no good.

Agnes “Ness" Larkin has been out of the spotlight for twenty years since her quick departure from a starring role in a hit teen TV drama. When the show is tapped for a reboot, no one is more surprised than Ness that she signs on to rejoin the cast, leaving behind a normal—if not exactly thrilling—life in Toronto. Also back for round two are Libby, Ness's former best friend and soon to be makeup empire magnate, and Hayes, Ness's one-that-got-away who has risen to A-list fame (and somehow gotten even better looking) in the years she's been gone.

When they set off for filming near the Bahamas, a storm leaves the seven actors and one production assistant stranded on a small island with only an abandoned, derelict mansion to wait out the storm. But when the weather clears and a new day rises—their boat is gone too.

Stuck in a bizarre, crumbling house on an uninhabited island with possibly the most useless survival group in history, Ness and her co-stars are forced to revisit a minefield of past transgressions and come to terms with the adults they've become as they work together to ride out the storm. Or at least pretend to—they are actors, after all.

Interspersed with weather reports, fictional memoir excerpts, a dating profile and Perez-Hilton-esque blog posts, Not How I Pictured It is a rollicking novel of delightful absurdity, pithy dialogue, and no shortage of heart.

Critical Praise

"Devastatingly funny and a delight from the first page. It's smart and it made me laugh out loud over and over. In other words, I adored this book!" — Susan Juby, author of A Meditation on Murder

Not How I Pictured It was full of suspense, adventure, backstabbing old friends, middling survival skills, and best of all, a swoony second chance romance with a sexy movie star. When the entire cast of a decades old TV show gets stranded on a Caribbean Island on route to film their reboot, they have no choice but to mend their relationships and learn to work together to survive. I loved seeing Ness grow as she came to terms with her past… and wrestle with a snake! What an incredibly fun book!   — Farah Heron, Author of Jana Goes Wild and Accidentally Engaged

What if the cast of 90210 unwittingly reunited for a season of Survivor? Not How I Pictured It is fun, funny and full of drama. The perfect beach read from one of my must-read authors! — Chantel Guertin, bestselling author of Two for the Road

“Not How I Pictured It is a zany, rollicking good time with a powerful emotional reckoning at its core. Lefler grapples with fame, growing up, and what we owe the people we love, all the while keeping up the Romancing the Stone-style hijinks.” — Jenny Holiday, author of Canadian Boyfriend and Earls Trip

"Robin Lefler fires up the page with sharp wit, dazzling imagination, and pulse-jumping plot twists! Not How I Pictured It is an epic adventure romcom where top-tier tropes meet a gripping mystery. The end result is a sexy, thrilling, and at turns hilarious modern nod to Gilligan's Island. I could not put this book down." — Courtney Kae, author of In the Event of Love and In the Case of Heartbreak 

"There's no one I'd rather be trapped on a desert island with than Ness Larkin and the rest of the hilariously dysfunctional cast of Not How I Pictured It. Both a nonstop-entertaining survival romp and a heartwarming exploration of second chances, Robin Lefler's sophomore novel is a MUST for your 2024 beach bag." — Nicolas DiDomizio, author of The Gay Best Friend

"Gilligan's Island meets Gossip Girl—this is a rom com that will have you reaching for the popcorn. SO. MUCH. FUN." — Amy T. Matthews, Someone Else's Bucket List

"Lefler’s plotting is pure fun, like a reality show in novel form—especially when it becomes clear that this detour may have been no accident. Romance fans will fall in love with Ness and her insecurities and hate the designated villains (including the last person readers will suspect). This is a pleasure." — Publishers Weekly