Books

2010 John Hirsch Award for most Promising Manitoba Writer

Winner 2011 Aqua Books Lansdowne Poetry Prize

Finalist 2011 ReLit Award

Hump is a mash-up of pregnancy-and-mothering poems and urban/nature/love poems that functions as an anti-sentiment manifesto from Winnipeg writer Ariel Gordon. Month by month, stanza by stanza, Gordon attempts to adequately represent the wonder and devilment of being-with-child. Hump is a love poem written simultaneously to a father and child, to a lover and the glimmer in his eye, and to a city that is gritty, faded, but still greener-than-most.

Praise for Hump

Gordon channels Adrienne Rich’s dichotomy of love and frustration.—Winnipeg Free Press

Ariel Gordon’s writing allows the reader access to the essence of a place and time. Her command of language brings an importance to moments both fateful and seemingly insignificant. Her work displays a surprising combination of ease and conviction, of playfulness tempered with insight, and evokes a vivid sense of the word in its studied context, the image in its rightful place.—Jury for Hirsh Award

Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.—Robert Kroetsch

The focus of Hump is the rich experience of motherhood and marriage on the one hand, and of city life in the integrated context of the natural world, which is everywhere engaging, fierce, beautiful, and unstoppable. This is capable, exuberant writing, at once passionate and meticulous. Hump is a worthy first book indeed.—Michael Harris, Kenneth Meadwell, and Serge Patrice Thibodeau, jurors for the Aqua Books Lansdowne Prize for Poetry

Brimming with finely crafted poems that thrum with life and love, Hump is indeed a very promising debut.—CV2

Do you believe in angels?

When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene’s mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film. And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way.

Everything Affects Everyone, is a novel about listening, about how women speak to one another, and about the power of the question.

Winner 2022 Griffin Poetry Prize

Winner 2021 Governor General Literary Award for Poetry

Longlisted 2022 Gerald Lampert Award

Longlisted 2022 Raymond Souster Award

Personal, primordial, and pulsing with syncopated language, Tolu Oloruntoba’s poetic debut, The Junta of Happenstance, is a compendium of dis-ease. This includes disease in the traditional sense, as informed by the poet’s time as a physician, and dis-ease as a primer for family dysfunction, the (im)migrant experience, and urban / corporate anxiety. In the face of struggles against social injustice, Oloruntoba navigates the contemporary moment with empathy and intelligence, finding beauty in chaos, and strength in suffering. The Junta of Happenstance is an important and assured debut.

Praise for The Junta of Happenstance

Tolu Oloruntoba uses a “safecracker ear” (“Child at Sleep”) to perceive both the subtle and overt mechanics of human interactions and to explore the interlocking parts of past and present, individual and community, and the here and there.—Samantha Jones, ARC Poetry magazine

The Junta of Happenstance, Tolu Oloruntoba’s dazzling debut collection, collides the language of revolution with the landscapes of the body. These poems go beyond the desire to ward off death. They emerge out of a life intimate with death’s randomness. Like the vicissitudes of war, Oloruntoba’s poems make peace with accident and fate. They bring breath to survival.  ‘If the timeline ahead is/ infinitely longer than the/ knives behind, perhaps/ as we set to mending/ we can heal more/ than we ever undid./ But we, too,/ would like a piece of the plunder.’ These exquisite poems leave an imprint both violent and terrifyingly beautiful.—Judges’ Citation, 2022 Griffin Poetry Prize

Tolu Oloruntoba’s voice in The Junta of Happenstance is at once thoughtful and authoritative, metaphorically rich and lyrically surprising. Oloruntoba’s language travels through history and myth to speak to today and engage with a future transformed by new understanding. The combination of craft and spirit cuts a fine place for this debut work, expanding our literary view.—2021 Governor General Literary Award Peer assessment committee: Kaie Kellough, George Murray and Anna Marie Sewell

*Instant National Bestseller

In this explosive new thriller from international bestselling author Daniel Kalla, an experimental vaccine is deployed to battle a lethal outbreak—until patients start dying of unknown causes.

An ordinary day
The city of Seattle is stunned when a deadly bacteria tears through a nearby Bible camp. Early tests reveal the illness is a form of meningitis, and the camp’s residents are among its most vulnerable victims: children and teenagers.

A new vaccine
Facing a rapidly rising death rate, Seattle’s chief public health officer, Lisa Dyer, and her team quickly take all steps necessary to contain the devastating outbreak. And when further testing reveals that the strain of the bacteria is one that caused catastrophic losses in Iceland six months before, Lisa decides to take a drastic step: she contacts Nathan Hull, vice president of a pharmaceutical company that is doing final-phase trials on a viable vaccine, and asks him to release it early for use on the city’s population.

An epidemic in the making
Lisa gets the go-ahead on her controversial plan, despite the protests of dubious government officials, anti-vaxxers, and even those on her own team. Vaccine clinics roll out across the city, and the risky strategy appears to be working, leaving Lisa, Nathan, and thousands of others breathing a sigh of relief. Until people start dying from mysterious and horrific causes—and the vaccine itself is implicated.

But what if science isn’t to blame?

Like Sally Rooney’s Conversations with Friends and Eileen Myles’s Chelsea Girls, All I Ask by the award-winning and highly acclaimed author Eva Crocker is a defining novel of a generation.

A little before seven in the morning, Stacey wakes to the police pounding on her door. They search her home and seize her computer and her phone, telling her they’re looking for “illegal digital material.” Left to unravel what’s happened, Stacey must find a way to take back the privacy and freedom she feels she has lost.

Luckily, she has her friends. Smart and tough and almost terrifyingly open, Stacey and her circle are uncommonly free of biases and boundaries, but this incident reveals how they are still susceptible to society’s traps. Navigating her way through friendship, love, and sex, Stacey strives to restore her self-confidence and to actualize the most authentic way to live her life — one that acknowledges both her power and her vulnerability, her joy and her fear.

All I Ask is a bold and bracing exploration of what it’s like to be young in a time when everything and nothing seems possible. With a playwright’s ear for dialogue and a wry, delicate confidence, Eva Crocker writes with a compassionate but unsentimental eye on human nature that perfectly captures the pitfalls of relying on the people you love.

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EVA CROCKER is the author of the critically acclaimed debut novel All I Ask, which was longlisted for the Scotiabank Giller Prize. Her short story collection, Barrelling Forward, won the Alistair MacLeod Prize for Short Fiction and the CAA Emerging Writer Award, was a finalist for the Writers’ Trust Dayne Ogilvie Prize for LGBTQ Emerging Writers and the NLCU Fresh Fish Award for Emerging Writers, and was a National Post Best Book.

Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.

In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. 

Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.

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ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be.

At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.

From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

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JORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for Age of Minority: Three Solo Plays and was shortlisted for the prize again for Concord Floral. He has twice received Dora Awards for Outstanding New Play. His play Botticelli in the Fire won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of Theatre of the Unimpressed: In Search of Vital Drama and The Videofag Book; and his latest play, Declarations, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance Draw Me Close, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play Late Company will be transferring to the West End (London, U.K.) August–September 2017. Liminal is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.

New York Public Library’s Best Books for Kids

Junior Library Guild Selection

Chicago Public Library Best of the Best

About the Book

Perfect for fans of Narwhal and Jelly, Arlo & Pips: King of the Birds is the first in a new early graphic chapter book series about the friendship between Arlo, an arrogant crow, and a sarcastic little bird named Pips. 

Like most crows, Arlo has a big brain. But Arlo has something else: a little pal who’s not afraid to tell him when he’s being insufferable!

In the first of three episodes, a battle of the brains and bird-to-bird banter soon turns into an unexpected friendship. Arlo and Pips' adventures include a visit the big city and the beach on their hunt for shiny things and French fries. Cool crow facts are included throughout the book.

Everyone's crowing about Arlo & Pips, with Kirkus praising it as "a perfect match for newly independent readers"!

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

Critical Praise

“Fun and informative! This book will FLY off the shelves!” - Ben Clanton, bestselling author of the Narwhal and Jelly series

"Straightforward sentences, limited color scheme, and thick black outlines make this a perfect match for newly independent readers. Through Pips’ inquisitiveness and Arlo’s desire to prove himself, readers also learn much about the intelligence, diet, and behavior of crows. A charming treasure." - Kirkus Reviews (starred review)

“It's an unexpected friendship story! In three short graphic chapters marked by [Gravel's] signature sly humor, facts about crows are sprinkled throughout...making the reader believe that maybe crows are truly as amazing as Arlo says.” - Horn Book (starred review)

"Gravel brings the smart attitude of her Disgusting Critters series to a more fictional narrative here, and it’s just as informative and accessible in its provision of kid-pleasing facts...Aspiring birders with a flair for the dramatic may be particularly drawn to Arlo’s braggadocio." - Bulletin of the Center for Children’s Books

"This simple story of would-be friendship [has] Gravel's distinctive panels and snappy dialogue...crow facts appear throughout like cereal-box prizes" - Publishers Weekly

Together in a single volume, two beloved novels by one of our most celebrated and important writers.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends-each of whom is grappling with their own familial complexities and heartache.
     By turns thrilling and heartbreaking, Tuyen's lost brother--who has since become a criminal in the Thai underworld--journeys to Toronto to find his long-lost family. As Quy's arrival nears, tensions build, friendships are tested, and an unexpected encounter will forever alter the lives of Tuyen and her friends. Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth. Winner of the Toronto Book Award.
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In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here--June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.
     The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

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DIONNE BRAND’s literary credentials are legion. Her latest novel, Theory, won the 2019 OCM BOCAS Prize for Caribbean Literature, and was a Globe and Mail Best Book. Her latest poetry collection, The Blue Clerk, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Prize. Her collection Ossuaries won the Griffin Poetry Prize, and other collections have won the Governor General’s Literary Award, the Trillium Book Award and the Pat Lowther Memorial Award. Among her novels, In Another Place, Not Here was selected as a NYT Book Review Notable Book and a Best Book by the Globe and Mail; At the Full and Change of the Moon was selected a Best Book by the LA Times; and What We All Long For won the Toronto Book Award. In 2006, Brand was awarded the Harbourfront Festival Prize for her contribution to the world of books and writing, and from 2009 to 2012 she served as Toronto’s Poet Laureate. In 2017, she was named to the Order of Canada. Brand is a Professor in the School of English and Theatre Studies at the University of Guelph. She lives in Toronto.

From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read

Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions.

Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating bass notes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.

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Ian Williams is the author of the Giller Prize-winning novel Reproduction . His last poetry collection Personals was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone's Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. Williams holds a Ph.D. in English at the University of Toronto and is currently an assistant professor of poetry in the Creative Writing program at the University of British Columbia. He was the 2014-2015 Canadian Writer-in-Residence for the University of Calgary's Distinguished Writers Program. Ian Williams currently resides in Vancouver, BC.

Kamila Hussain’s life might not be perfect, but, whew, it’s close. She lives a life of comfort, filled with her elaborate Bollywood movie parties, a dog with more Instagram followers than most reality stars, a job she loves, and an endless array of friends who clearly need her help finding love. In fact, Kamila is so busy with her friends’ love lives, she’s hardly given any thought to her own . . .

Fortunately, Kamila has Rohan Nasser. A longtime friend of the family, he’s hugely successful, with the deliciously lean, firm body of a rock climber. Only lately, Kamila’s “harmless flirting” with Rohan is making her insides do a little bhangra dance.

But between planning the local shelter’s puppy prom, throwing a huge work event, and proving to everyone that she’s got it all figured out, Kamila isn’t letting herself get distracted—until her secret nemesis returns to town with an eye for Rohan. Suddenly, it seems like the more Kamila tries to plan, the more things are starting to unravel—and her perfectly ordered life is about to be turned upside down.

The fifth title in the beloved and bestselling Ice Chips series by acclaimed authors Roy MacGregor and Kerry MacGregor and illustrator Kim Smith, featuring a vibrant and diverse cast of characters and inspiring hockey greats

In their latest adventure, the Chips travel to British Columbia, meet an inspiring young hockey hero and escape up Anahim Peak, thanks to their new friend’s calm head—and a very special puck!