Gifts Under $20

A Winnipeg Free Press Top Read of 2021

What if David Bowie really was holding the fabric of the universe together?

The death of David Bowie in January 2016 was a bad start to a year that got a lot worse: war in Syria, the Zika virus, terrorist attacks in Brussels and Nice, the Brexit vote—and the election of Donald Trump. The end-of-year wraps declared 2016 “the worst … ever.” Four even more troubling years later, the question of our apocalypse had devolved into a tired social media cliché. But when COVID-19 hit, journalist and professor of public policy Andrew Potter started to wonder: what if The End isn’t one big event, but a long series of smaller ones?

In On Decline, Potter surveys the current problems and likely future of Western civilization (spoiler: it’s not great). Economic stagnation and the slowing of scientific innovation. Falling birth rates and environmental degradation. The devastating effects of cultural nostalgia and the havoc wreaked by social media on public discourse. Most acutely, the various failures of Western governments in their responses to the COVID-19 pandemic. If the legacy of the Enlightenment and its virtues—reason, logic, science, evidence—has run its course, how and why has it happened? And where do we go from here?

Would you trap yourself in a deadly universe to save your loved ones?

All Spencer Newton wants is to fit in. He's always been the nerdy kid, cursed with not only being a genius, but also with ADHD. He's a magnet for harassment. And it seems impossible to avoid torment when the worst perpetrator isn't human, but a manipulative interdimensional being called The Molecule Thief.

As conflict between dimensions rise, the only solution the U.S. military sees is nuclear. That is, until this mysterious Molecule Thief offers Spencer an alternative to annihilation. But Spencer isn't sure if the Molecule Thief is real or all in his head. Can Spencer trust himself to save the world, or will his faith in the Molecule Thief cost him everyone he loves?

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L.P. Styles writes science fiction, fantasy, and horror. With a limitless and sometimes twisted imagination, L.P. Styles gives readers quirky and inventive worlds to escape into.

“Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” —Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

 This is what they deserve.

They wanted me to be a monster.

I will be the worst monster they ever created.

Fifteen-year-old Sloane can incinerate an enemy at will—she is a Scion, a descendant of the ancient Orisha gods.

Under the Lucis’ brutal rule, her identity means her death if her powers are discovered. But when she is forcibly conscripted into the Lucis army on her fifteenth birthday, Sloane sees a new opportunity: to overcome the bloody challenges of Lucis training, and destroy them from within.

Following one girl’s journey of magic, injustice, power, and revenge, Deborah Falaye’s debut novel, inspired by Yoruba-Nigerian mythology, is a magnetic combination of Children of Blood and Bone and An Ember in the Ashes.

Critical Praise

"A compelling story of magic, survival and revenge, with a complex heroine at its center worth rooting for. An explosive, powerful debut.” — Stephanie Garber, #1 New York Times & international bestselling author of the Caraval series and Once Upon A Broken Heart 

“Falaye expertly walks the line between showing the ultra-violent reality child soldiers face while giving room for their humanity and innocence to shine. Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” — Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

“A thrilling debut fantasy! Falaye creates an intricately woven world that draws beautifully on Yoruba-Nigerian mythology, with a fast-paced, heart thumping plot that will have you rooting for Sloane and her friends to not only survive but get the justice they deserve! This story is full of heart, resilience, and magic that will pull you in from the very first page and have you thirsting for more by the end." — Kat Cho, international bestselling author of Wicked Fox and Vicious Spirits. 

“Blood Scion is a dark, masterful indictment of the casualties of self in the brutal fight for the right to exist. This unflinching masterpiece is twisty, raw, and impossible to put down. Fans of An Ember In The Ashes and The Hunger Games have found their next obsession.” — J.Elle, New York Times bestselling author of Wings of Ebony.

“Brilliant and brutal, Blood Scion kept me up all night with its page turning action, complex characters, and shocking twists. Falaye is fearless, her prose addictive, and I’m dying for the sequel!” — Kristen Ciccarelli, internationally bestselling author of The Last Namsara

“This epic fantasy debut, inspired by Yoruba-Nigerian mythology, reminds readers that sometimes monsters are not born, they are made… fast-paced and engaging.” — Booklist

"An epic tale of ancient magic based in Nigerian mythology... Falaye’s harrowing duology opener of survival, sacrifice, and vengeance illustrates the effects of trauma and the strength of love in driving acts potentially heinous and heroic."  — Publishers Weekly

“An exciting fantasy infused with the magic of the Orisha pantheon… From its gritty social commentary on colonization and imperialism to its depiction of an unforgiving heroine, Blood Scion demands critical engagement from its readers.”  — Quill & Quire

“Undoubtedly a 10/10. You’ll want to have this on your shelf.” — The Nerd Daily

Deborah Falaye

Biography

Deborah Falaye is a Nigerian Canadian young adult author. She grew up in Lagos, Nigeria, where she spent her time devouring African Literature, pestering her grandma for folktales, and tricking her grandfather into watching Passions every night. When she’s not writing about fierce Black girls with bad-ass magic, she can be found obsessing over all things reality TV. Deborah currently lives in Toronto with her husband and their partner-in-crime yorkie, Major. Blood Scion is her first novel.

"No-one does suburban paranoia like Shari Lapena--this slowly unfurling nightmare will have you biting your nails until the end."
--Ruth Ware, #1 New York Times bestselling author of The Woman in Cabin 10

The new domestic suspense novel from the New York Times bestselling author of The Couple Next Door, A Stranger in the House, and An Unwanted Guest, Shari Lapena

Maybe you don't know your neighbors as well as you thought you did . . .

"This is a very difficult letter to write. I hope you will not hate us too much. . . My son broke into your home recently while you were out."

In a quiet, leafy suburb in upstate New York, a teenager has been sneaking into houses--and into the owners' computers as well--learning their secrets, and maybe sharing some of them, too.

Who is he, and what might he have uncovered? After two anonymous letters are received, whispers start to circulate, and suspicion mounts. And when a woman down the street is found murdered, the tension reaches the breaking point. Who killed her? Who knows more than they're telling? And how far will all these very nice people go to protect their own secrets?

In this neighborhood, it's not just the husbands and wives who play games. Here, everyone in the family has something to hide . . .

You never really know what people are capable of.

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Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto

Previously published as Dead Cold

A New York Times Bestseller

'Chief Superintendent Armand Gamache of the Quebec police isone of the most interesting detectives in crime fiction' The Times

Winter in Three Pines, and the sleepy village is carpeted in snow. It's a time of peace and goodwill - until a scream pierces the biting air. A spectator at the annual Boxing Day curling match has been fatally electrocuted. Despite the large crowd, there are no witnesses and - apparently - no clues.

Chief Inspector Armand Gamache discovers a history of secrets and enemies in the dead woman's past. But he has enemies of his own, and as he is frozen out of decision-making in the Surete du Quebec, he has to decide who he can trust...

'A cracking storyteller, who can create fascinating characters, a twisty plot and wonderful surprise endings' Ann Cleeves

Louise Penny is the number one New York Times bestselling author of the Inspector Gamache series, including Still Life, which won the CWA John Creasey Dagger in 2006. Recipient of virtually every existing award for crime fiction, Louise was also granted the Order of Canada in 2014 and received an honorary doctorate of literature from Carleton University and the Ordre Nationale du Québec in 2017. She lives in a small village south of Montreal.

A defense of the dying art of losing an afternoon—and gaining new appreciation—amidst the bins and shelves of bricks-and-mortar shops.

Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing’s essays chronicle what we’ve lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacks.

“We can do this!” Hayley Wickenheiser calls to her team as they skate out onto the ice. It’s been a long journey to the Olympics, but Hayley has worked hard to get here. From early-morning practices to playing with boys hockey teams during her childhood, from being the youngest player on Team Canada to winning two Olympic gold medals, Hayley knows she can make history again.

Ideal for young hockey fans and future stars, this level-2 I Can Read book is perfect for children learning to sound out words and sentences.

2010 John Hirsch Award for most Promising Manitoba Writer

Winner 2011 Aqua Books Lansdowne Poetry Prize

Finalist 2011 ReLit Award

Hump is a mash-up of pregnancy-and-mothering poems and urban/nature/love poems that functions as an anti-sentiment manifesto from Winnipeg writer Ariel Gordon. Month by month, stanza by stanza, Gordon attempts to adequately represent the wonder and devilment of being-with-child. Hump is a love poem written simultaneously to a father and child, to a lover and the glimmer in his eye, and to a city that is gritty, faded, but still greener-than-most.

Praise for Hump

Gordon channels Adrienne Rich’s dichotomy of love and frustration.—Winnipeg Free Press

Ariel Gordon’s writing allows the reader access to the essence of a place and time. Her command of language brings an importance to moments both fateful and seemingly insignificant. Her work displays a surprising combination of ease and conviction, of playfulness tempered with insight, and evokes a vivid sense of the word in its studied context, the image in its rightful place.—Jury for Hirsh Award

Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.—Robert Kroetsch

The focus of Hump is the rich experience of motherhood and marriage on the one hand, and of city life in the integrated context of the natural world, which is everywhere engaging, fierce, beautiful, and unstoppable. This is capable, exuberant writing, at once passionate and meticulous. Hump is a worthy first book indeed.—Michael Harris, Kenneth Meadwell, and Serge Patrice Thibodeau, jurors for the Aqua Books Lansdowne Prize for Poetry

Brimming with finely crafted poems that thrum with life and love, Hump is indeed a very promising debut.—CV2

Do you believe in angels?

When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene’s mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film. And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way.

Everything Affects Everyone, is a novel about listening, about how women speak to one another, and about the power of the question.

Winner 2022 Griffin Poetry Prize

Winner 2021 Governor General Literary Award for Poetry

Longlisted 2022 Gerald Lampert Award

Longlisted 2022 Raymond Souster Award

Personal, primordial, and pulsing with syncopated language, Tolu Oloruntoba’s poetic debut, The Junta of Happenstance, is a compendium of dis-ease. This includes disease in the traditional sense, as informed by the poet’s time as a physician, and dis-ease as a primer for family dysfunction, the (im)migrant experience, and urban / corporate anxiety. In the face of struggles against social injustice, Oloruntoba navigates the contemporary moment with empathy and intelligence, finding beauty in chaos, and strength in suffering. The Junta of Happenstance is an important and assured debut.

Praise for The Junta of Happenstance

Tolu Oloruntoba uses a “safecracker ear” (“Child at Sleep”) to perceive both the subtle and overt mechanics of human interactions and to explore the interlocking parts of past and present, individual and community, and the here and there.—Samantha Jones, ARC Poetry magazine

The Junta of Happenstance, Tolu Oloruntoba’s dazzling debut collection, collides the language of revolution with the landscapes of the body. These poems go beyond the desire to ward off death. They emerge out of a life intimate with death’s randomness. Like the vicissitudes of war, Oloruntoba’s poems make peace with accident and fate. They bring breath to survival.  ‘If the timeline ahead is/ infinitely longer than the/ knives behind, perhaps/ as we set to mending/ we can heal more/ than we ever undid./ But we, too,/ would like a piece of the plunder.’ These exquisite poems leave an imprint both violent and terrifyingly beautiful.—Judges’ Citation, 2022 Griffin Poetry Prize

Tolu Oloruntoba’s voice in The Junta of Happenstance is at once thoughtful and authoritative, metaphorically rich and lyrically surprising. Oloruntoba’s language travels through history and myth to speak to today and engage with a future transformed by new understanding. The combination of craft and spirit cuts a fine place for this debut work, expanding our literary view.—2021 Governor General Literary Award Peer assessment committee: Kaie Kellough, George Murray and Anna Marie Sewell

Go for an adventure without leaving your home! This print represents all the best things about exploring the outdoors. It's got bears, trees, trails, beavers - all the Canadiana you might encounter on a hike through boreal Canada. 

Details:
8” x 10” art print Digitally printed on uncoated cardstock & packaged in a compostable, eco-friendly sleeve with a chipboard back Made in Canada *Frame not included