Gifts Under $20

This fragrance oil will make your houseguests think you've been baking up a storm all day! Notes of gingerbread and holiday treats... you won't regret filling the room with this sweet scent!

Size 0.5oz (15 mL); 

Key scent notes: gingerbread•blackstrap molasses•vanilla bean mousse

Works great with a car freshener or diffuser. Start with 2-3 drops in your diffuser and see how that works for your preferences. Note: this is not a therapeutic or essential oil (yes some fragrances contain essential oil in our blends). Do not ingest. 

This fragrance oil is perfect for ringing in the holiday season! Notes of cranberry, orange peel, and red wine gives it a little "fa la freakin la", you know?

Size 0.5oz (15 mL); 

Key scent notes: cranberry•orange peel•apple cider•redwine•greenery

Works great with a car freshener or diffuser. Start with 2-3 drops in your diffuser and see how that works for your preferences. Note: this is not a therapeutic or essential oil (yes some fragrances contain essential oil in our blends). Do not ingest. 

Natural soy wax melts in the shape of mini pineapples. Each and every one of these wax melts is made with the finest ingredients. 100% natural soy wax and phthalate-free fragrance oil are used. They are highly scented and fragrant.

Use them with any wax melt burner to scent your space.

Each wax melt is thoughtfully handcrafted in small batches in Burnaby, BC, Canada. Scent: Coconut + Lime

Net weight: 87 g / 15 pineapples

NOTE Because all of our pieces are handmade and due to the nature of wax, no two pieces are exactly alike. Each piece has slight variances (i.e. color and texture) that add to its charm and character.

Whether in the country or the city creature or insect plant or animal a part of a big family or a small family we all live together and we all take care of one another we all count. Count along with Cree artist Julie Flett. This 20 page book features stunning illustrations alongside translated animal names and numbers. Soy based ink and water based protective coating. Made from paper sourced from sustainable forests.

"A perfect combination of sweet and sexy moments makes A Princess for Christmas an unputdownable read!"--Mia Sosa, USA Today bestselling author

From USA Today bestselling author Jenny Holiday comes a modern fairy tale just in time for Christmas about a tough New Yorker from the other side of the tracks who falls for a princess from the other side of the world.

Leo Ricci's already handling all he can, between taking care of his little sister Gabby, driving a cab, and being the super of his apartment building in the Bronx. But when Gabby spots a "princess" in a gown outside of the UN trying to hail a cab, she begs her brother to stop and help. Before he knows it, he's got a real-life damsel in distress in the backseat of his car. 

Princess Marie of Eldovia shouldn't be hailing a cab, or even be out and about. But after her mother’s death, her father has plunged into a devastating depression and the fate of her small Alpine country has fallen on Marie’s shoulders. She’s taken aback by the gruff but devastatingly handsome driver who shows her more kindness than she’s seen in a long time. 

When Marie asks Leo to be her driver for the rest of her trip, he agrees, thinking he’ll squire a rich miss around for a while and make more money than he has in months. He doesn’t expect to like and start longing for the unpredictable Marie. And when he and Gabby end up in Eldovia for Christmas, he discovers the princess who is all wrong for him is also the woman who is his perfect match.

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?

As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

A Globe and Mail Book of the Year

A CBC Books Best Canadian Nonfiction of 2021

From plantation rebellion to prison labour's super-exploitation, Walcott examines the relationship between policing and property.

That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.

When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic's ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?

Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

A Winnipeg Free Press Top Read of 2021

What if David Bowie really was holding the fabric of the universe together?

The death of David Bowie in January 2016 was a bad start to a year that got a lot worse: war in Syria, the Zika virus, terrorist attacks in Brussels and Nice, the Brexit vote—and the election of Donald Trump. The end-of-year wraps declared 2016 “the worst … ever.” Four even more troubling years later, the question of our apocalypse had devolved into a tired social media cliché. But when COVID-19 hit, journalist and professor of public policy Andrew Potter started to wonder: what if The End isn’t one big event, but a long series of smaller ones?

In On Decline, Potter surveys the current problems and likely future of Western civilization (spoiler: it’s not great). Economic stagnation and the slowing of scientific innovation. Falling birth rates and environmental degradation. The devastating effects of cultural nostalgia and the havoc wreaked by social media on public discourse. Most acutely, the various failures of Western governments in their responses to the COVID-19 pandemic. If the legacy of the Enlightenment and its virtues—reason, logic, science, evidence—has run its course, how and why has it happened? And where do we go from here?

Would you trap yourself in a deadly universe to save your loved ones?

All Spencer Newton wants is to fit in. He's always been the nerdy kid, cursed with not only being a genius, but also with ADHD. He's a magnet for harassment. And it seems impossible to avoid torment when the worst perpetrator isn't human, but a manipulative interdimensional being called The Molecule Thief.

As conflict between dimensions rise, the only solution the U.S. military sees is nuclear. That is, until this mysterious Molecule Thief offers Spencer an alternative to annihilation. But Spencer isn't sure if the Molecule Thief is real or all in his head. Can Spencer trust himself to save the world, or will his faith in the Molecule Thief cost him everyone he loves?

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L.P. Styles writes science fiction, fantasy, and horror. With a limitless and sometimes twisted imagination, L.P. Styles gives readers quirky and inventive worlds to escape into.

“Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” —Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

 This is what they deserve.

They wanted me to be a monster.

I will be the worst monster they ever created.

Fifteen-year-old Sloane can incinerate an enemy at will—she is a Scion, a descendant of the ancient Orisha gods.

Under the Lucis’ brutal rule, her identity means her death if her powers are discovered. But when she is forcibly conscripted into the Lucis army on her fifteenth birthday, Sloane sees a new opportunity: to overcome the bloody challenges of Lucis training, and destroy them from within.

Following one girl’s journey of magic, injustice, power, and revenge, Deborah Falaye’s debut novel, inspired by Yoruba-Nigerian mythology, is a magnetic combination of Children of Blood and Bone and An Ember in the Ashes.

Critical Praise

"A compelling story of magic, survival and revenge, with a complex heroine at its center worth rooting for. An explosive, powerful debut.” — Stephanie Garber, #1 New York Times & international bestselling author of the Caraval series and Once Upon A Broken Heart 

“Falaye expertly walks the line between showing the ultra-violent reality child soldiers face while giving room for their humanity and innocence to shine. Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” — Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

“A thrilling debut fantasy! Falaye creates an intricately woven world that draws beautifully on Yoruba-Nigerian mythology, with a fast-paced, heart thumping plot that will have you rooting for Sloane and her friends to not only survive but get the justice they deserve! This story is full of heart, resilience, and magic that will pull you in from the very first page and have you thirsting for more by the end." — Kat Cho, international bestselling author of Wicked Fox and Vicious Spirits. 

“Blood Scion is a dark, masterful indictment of the casualties of self in the brutal fight for the right to exist. This unflinching masterpiece is twisty, raw, and impossible to put down. Fans of An Ember In The Ashes and The Hunger Games have found their next obsession.” — J.Elle, New York Times bestselling author of Wings of Ebony.

“Brilliant and brutal, Blood Scion kept me up all night with its page turning action, complex characters, and shocking twists. Falaye is fearless, her prose addictive, and I’m dying for the sequel!” — Kristen Ciccarelli, internationally bestselling author of The Last Namsara

“This epic fantasy debut, inspired by Yoruba-Nigerian mythology, reminds readers that sometimes monsters are not born, they are made… fast-paced and engaging.” — Booklist

"An epic tale of ancient magic based in Nigerian mythology... Falaye’s harrowing duology opener of survival, sacrifice, and vengeance illustrates the effects of trauma and the strength of love in driving acts potentially heinous and heroic."  — Publishers Weekly

“An exciting fantasy infused with the magic of the Orisha pantheon… From its gritty social commentary on colonization and imperialism to its depiction of an unforgiving heroine, Blood Scion demands critical engagement from its readers.”  — Quill & Quire

“Undoubtedly a 10/10. You’ll want to have this on your shelf.” — The Nerd Daily

Deborah Falaye

Biography

Deborah Falaye is a Nigerian Canadian young adult author. She grew up in Lagos, Nigeria, where she spent her time devouring African Literature, pestering her grandma for folktales, and tricking her grandfather into watching Passions every night. When she’s not writing about fierce Black girls with bad-ass magic, she can be found obsessing over all things reality TV. Deborah currently lives in Toronto with her husband and their partner-in-crime yorkie, Major. Blood Scion is her first novel.

Something very wrong is happening here.

Jake and I have a real connection, a rare and intense attachment. What has it been...a month?
I’m going to meet his parents for the first time, at the same time as I’m thinking of ending things.

Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”

And here’s what I’m thinking: I don’t want to be here.

I’m thinking of ending things.

A woman embarks on a road trip with her new boyfriend. Doubts about the relationship claw at the back of her mind. An unexpected detour unravels into nightmare.

In his acclaimed literary fiction debut, Iain Reid explores the darkest depths of the human psyche, confronting the value we find in relationships and the limitations of solitude. Taut with dread, this novel will haunt you long after the last page is turned.

Iain Reid is the author of four previous books, including his New York Times bestselling debut novel I’m Thinking of Ending Things, which has been translated into more than twenty languages. Oscar winner Charlie Kaufman wrote and directed the film adaptation for Netflix. His second novel, Foe, is being adapted for film, starring Saoirse Ronan, with Reid cowriting the screenplay. His latest novel is We Spread. Reid lives in Ontario, Canada. Follow him on Twitter @Reid_Iain.

"No-one does suburban paranoia like Shari Lapena--this slowly unfurling nightmare will have you biting your nails until the end."
--Ruth Ware, #1 New York Times bestselling author of The Woman in Cabin 10

The new domestic suspense novel from the New York Times bestselling author of The Couple Next Door, A Stranger in the House, and An Unwanted Guest, Shari Lapena

Maybe you don't know your neighbors as well as you thought you did . . .

"This is a very difficult letter to write. I hope you will not hate us too much. . . My son broke into your home recently while you were out."

In a quiet, leafy suburb in upstate New York, a teenager has been sneaking into houses--and into the owners' computers as well--learning their secrets, and maybe sharing some of them, too.

Who is he, and what might he have uncovered? After two anonymous letters are received, whispers start to circulate, and suspicion mounts. And when a woman down the street is found murdered, the tension reaches the breaking point. Who killed her? Who knows more than they're telling? And how far will all these very nice people go to protect their own secrets?

In this neighborhood, it's not just the husbands and wives who play games. Here, everyone in the family has something to hide . . .

You never really know what people are capable of.

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Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto