Canadian Books

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents.

On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trailed by crows, a woman far from home struggles to confront an old guilt. As a half-remembered Beach Boys song plays in the background, a daughter recalls the man her father used to be through a tender inventory of their time together. In a community plagued by petrochemical-induced diseases and environmental ruin, a man spends his nights caring for his dying partner and his days navigating a dangerous workplace. An android watches her creators' relationship break down before her eyes. A gang of girls roams the streets of a ravaged city, hunting their would-be predators. In her journey to become a woman and a healer, a Cree girl enters the woods alone to learn the stories and medicines of plants, only to be transformed by an unexpected connection.

The stories included in this volume are contenders for the $10,000 Writers' Trust McClelland & Stewart Journey Prize.

WINNER OF THE 2018 QUEBEC WRITERS' FEDERATION CONCORDIA UNIVERSITY FIRST BOOK PRIZE

LONGLISTED FOR THE 2018 SCOTIABANK GILLER PRIZE

FINALIST FOR THE 2018 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION

A GLOBE AND MAIL BEST BOOK OF 2018

A QUILL & QUIRE BOOK OF THE YEAR

Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.

CANADA READS 2020 FINALIST

NATIONAL BESTSELLER

More than ten years after her Giller-shortlisted title Monkey Beach, Eden Robinson returns with a striking and precise coming-of-age novel, in which everyday teen existence meets Indigenous beliefs, crazy family dynamics and cannibalistic river otters.

Meet Jared Martin: sixteen-year-old pot cookie dealer, smoker, drinker and son with the scariest mom ever. But Jared's the pot dealer with a heart of gold--really. Compassionate, caring, and nurturing by nature, Jared's determined to help hold his family together--whether that means supporting his dad's new family with the proceeds from his baking or caring for his elderly neighbours. But when it comes to being cared and loved, Jared knows he can't rely on his family. His only source of love and support was his flatulent pit bull Baby, but she's dead. And then there's the talking ravens and the black outs and his grandmother's perpetual suspicion that he is not human, but the son of a trickster.

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One of The Globe and Mail’s “Canadian Books We’re Most Excited About in 2022”
One of CBC Books’ “Works of Canadian Fiction to Watch for in Spring 2022”
One of Esquire’s “The Best Books of 2022 Will Provoke, Persuade and Perturb You”
One of Entertainment Weekly’s “Must-Read Books to Heat Up February”
One of BuzzFeed News’ “Books to Get Excited About This Year”
One of Publishers Weekly’s Book Club Picks for February 2022
One of The New Statesman’s “What to Read in 2022: Fiction”
One of The A.V. Club’s “Most Anticipated Books of 2022”
One of Vulture’s “Books We Can’t Wait to Read in 2022”
One of Yahoo’s “Most Anticipated Books of 2022”
 
A new novel about art, love, death and time from the author of Motherhood and How Should A Person Be?

Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart.
    In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.
    Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Together in a single volume, two beloved works by the inimitable Graeme Gibson.

Gentleman Death
Novelist Robert Fraser comes face-to-face with creativity, his mortality, and the deaths of his father and brother. Set mainly in Toronto, the novel also takes us to London, Scotland, Germany, and New York as we follow the escapades of two of Fraser's fictional characters. There is Simpson, called into service as an anonymous sperm donor, and Dunbar, an enigmatic tourist in Berlin just before the Chernobyl disaster, where he meets the captivating Lena, with whom he begins to sense an almost forgotten freedom and elation.
     But at the centre of Gentleman Death is Robert Fraser's own compelling story. Gibson juxtaposes reality and fiction in this compassionate, sometimes outrageous, often very funny exploration of the absurdities and alarms of aging, the nature of fiction itself, and the maturity that grows from reconciliation.

Perpetual Motion
First published in 1982, Perpetual Motion is Graeme Gibson's superb evocation of a time when faith in material progress is still challenged by superstition and a lingering belief in magic. It is an ironic yet compassionate examination of the painful consequences of human folly.
     Set in southern Ontario in the late nineteenth century when the machine age was coming into its own, Perpetual Motion chronicles the fortunes of settler Robert Fraser, a man obsessed with power and control. Driven by the idea of inventing a perpetual motion machine which will utilize natural energy, he neglects and destroys not only the nature around him but his own family too, as his overbearing rationality becomes a kind of tragic lunacy.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

Two long-time pastry chefs share 100 of the simple, mouthwatering recipes for desserts and savoury delights that they've perfected over years spent working together in the kitchen.
 

The recipes in Earth to Table Bakes are designed for everyday baking at home--for indulgent moments shared with family and friends and for celebrations large and small. With quality pantry essentials, you'll soon be whipping up an impressive array of baked goods, including mouthwatering Salted Tahini Chocolate Chunk Cookies, Almond Anise Biscotti, Wild Blueberry Ginger Lattice Bars, Lemon Ricotta Muffins, Strawberry Glazed Chai Cake Doughnuts, and Plum and Cardamom Coffee Cake. Recipes for savoury baking include Crumpets, English Muffins, Garlic Kale and Goat Cheese Soufflé, Tourtière, and Spring Onion and Roasted Mushroom Tart, among others.

In addition to chapters with recipes for cookies, bars and squares, scones, muffins, and biscuits, pies, and more, four seasonal sections highlight fresh, local ingredients. Try baking Strawberry Rhubarb Jam Croissants in the spring, Heirloom Tomato and Burrata Quiche in the summer, Pumpkin Pudding Jars in the fall and Chocolate and Vanilla Brulée Cheesecake when winter comes around. Abundant and approachable, these are recipes to keep on your shelf for a lifetime.

Capricious, big-hearted, joyful: an epic memoir from one of Canada’s most acclaimed Indigenous writers and performers

Tomson Highway was born in a snowbank on an island in the sub-Arctic, the eleventh of twelve children in a nomadic, caribou-hunting Cree family. Growing up in a land of ten thousand lakes and islands, Tomson relished being pulled by dogsled beneath a night sky alive with stars, sucking the juices from roasted muskrat tails, and singing country music songs with his impossibly beautiful older sister and her teenaged friends. Surrounded by the love of his family and the vast, mesmerizing landscape they called home, his was in many ways an idyllic far-north childhood. But five of Tomson's siblings died in childhood, and Balazee and Joe Highway, who loved their surviving children profoundly, wanted their two youngest sons, Tomson and Rene, to enjoy opportunities as big as the world. And so when Tomson was six, he was flown south by float plane to attend a residential school. A year later Rene joined him to begin the rest of their education. In 1990 Rene Highway, a world-renowned dancer, died of an AIDS-related illness. Permanent Astonishment: Growing Up in the Land of Snow and Sky is Tomson's extravagant embrace of his younger brother's final words: "Don't mourn me, be joyful." His memoir offers insights, both hilarious and profound, into the Cree experience of culture, conquest, and survival.

"Unreconciled is one hell of a good book. Jesse Wente’s narrative moves effortlessly from the personal to the historical to the contemporary. Very powerful, and a joy to read." —Thomas King, author of The Inconvenient Indian and Sufferance

A prominent Indigenous voice uncovers the lies and myths that affect relations between white and Indigenous peoples and the power of narrative to emphasize truth over comfort.

Part memoir and part manifesto, Unreconciled is a stirring call to arms to put truth over the flawed concept of reconciliation, and to build a new, respectful relationship between the nation of Canada and Indigenous peoples.

Jesse Wente remembers the exact moment he realized that he was a certain kind of Indian--a stereotypical cartoon Indian. He was playing softball as a child when the opposing team began to war-whoop when he was at bat. It was just one of many incidents that formed Wente's understanding of what it means to be a modern Indigenous person in a society still overwhelmingly colonial in its attitudes and institutions.

As the child of an American father and an Anishinaabe mother, Wente grew up in Toronto with frequent visits to the reserve where his maternal relations lived. By exploring his family's history, including his grandmother's experience in residential school, and citing his own frequent incidents of racial profiling by police who'd stop him on the streets, Wente unpacks the discrepancies between his personal identity and how non-Indigenous people view him. 

Wente analyzes and gives voice to the differences between Hollywood portrayals of Indigenous peoples and lived culture. Through the lens of art, pop culture, and personal stories, and with disarming humour, he links his love of baseball and movies to such issues as cultural appropriation, Indigenous representation and identity, and Indigenous narrative sovereignty. Indeed, he argues that storytelling in all its forms is one of Indigenous peoples' best weapons in the fight to reclaim their rightful place.

Wente explores and exposes the lies that Canada tells itself, unravels "the two founding nations" myth, and insists that the notion of "reconciliation" is not a realistic path forward. Peace between First Nations and the state of Canada  can't be recovered through reconciliation--because no such relationship ever existed.

Antonio Michael Downing's memoir of creativity and transformation is a startling mash-up of memories and mythology, told in gripping, lyrical prose.

Raised by his indomitable grandmother in the lush rainforest of southern Trinidad, Downing, at age 11, is uprooted to Canada when she dies. But to a very unusual part of Canada: he and his older brother are sent to live with his stern, evangelical Aunt Joan, in Wabigoon, a tiny northern Ontario community where they are the only black children in the town.

In this wilderness, he begins his journey as an immigrant minority, using music and performance to dramatically transform himself. At the heart of his odyssey is the longing for a home. He is re-united with his birth parents who he has known only through stories. But this proves disappointing: Al is a womanizing con man and drug addict, and Gloria, twice abandoned by Al, seems to regard her sons as cash machines.

He tries to flee his messy family life by transforming into a series of extravagant musical personalities: "Mic Dainjah", a punk rock rapper, "Molasses", a soul music crooner and finally "John Orpheus", a gold chained, sequin- and leather-clad pop star. Yet, like his father and grandfather, he has become a "Saga Boy", a Trinidadian playboy, addicted to escapism, attention, and sex. When the inevitable crash happens, he finds himself in a cold, stone jail cell. He has become everything he was trying to escape and must finally face himself.

Richly evocative, Saga Boy is a heart-wrenching but uplifting story of a lonely immigrant boy who overcomes adversity and abandonment to reclaim his black identity and embrace a rich heritage. (From Viking)

Nominated for the 2014 Giller Prize

The rubble of an ancient civilization. A village in a valley from which no one comes or goes. A forest of mother-trees, whispering to each other through their roots; a lakeside lighthouse where a girl slips into human skin as lightly as an otter into water; a desert settlement where there was no conflict, before she came; or the town of Wantwick, ruled by a soothsayer, where tourists lose everything they have. These are the places where things begin.  

New from the author of The Story of My Face and Alphabet, Paradise & Elsewhere is a collection of dark fables at once familiar and entirely strange: join the Orange Prize-nominated Kathy Page as she notches a new path through the wild, lush, half-fantastic and half-real terrain of fairy tale and myth.    

Praise for Paradise & Elsewhere

"Moody, shape-shifting, provocative and always as compelling as a strong light at the end of a road you hesitate to walk down... but will."-Amy Bloom

"This vibrant, startlingly imaginative collection reminded me-as few collections have done in recent years-of both where stories come from, and why we need to tell them.  Kathy Page is a massive talent:  wise, smart, very funny and very humane."-Barbara Gowdy

Praise for Kathy Page

"Marvellously well-crafted ... I can't remember the last time I was so compelled, impressed and unsettled."-Sarah Waters  

"One of our most daring writers ... If you don't know Page's work yet, she's a find."-Caroline Adderson  

"Softly painterly, sharply filmic or as murky as those first television images of the moon landing."- Times Literary Supplement

“Ethereal. . . . A story that reminds us sometimes the impossible is possible.” —Jodi Picoult, #1 New York Times bestselling author of By Any Other Name “An entrancing, magical novel that highlights the beauty of the natural world and our fragile place within it. Spellbinding!” —Nita Prose, #1 New York Times bestselling author of The Maid For fans of Greenwood and Remarkably Bright Creatures, a love story as fierce and mysterious as the sea itself.

Annie MacLeod always knew she was different, growing up on a sailboat in the Pacific Northwest, navigating by the stars and swimming in the ocean. But when a tsunami shatters her world and her parents are swept away, Annie is stranded on land, grief-stricken and forced to confront just how unconventional she is, despite her enduring love for her childhood sweetheart, Evan. In the wreckage, she rescues a wordless man named Walker, who emits a hum only she can hear. Their connection is instant, elemental. When Walker disappears—along with any explanation he might hold about who she really is—Annie is forced to decide between evacuating with Evan or staying to unlock a secret that feels vital to her survival. Six years later, Annie has buried the past. But when Walker’s otherworldly sound returns, it forces a reckoning with the wild life she’s left behind. Is the truth of the ocean more powerful than she knows? The Wild Beneath is a spellbinding story of soulmates, homecoming and the ancient bonds that tie us all to the natural world.

From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a sizzling noir about desire, danger, and greed, in which seduction is the ultimate con.

“Lush and passionate with magnetic prose . . . The Intrigue will grab you by the throat and not let go until its earth-shaking finale!” —S. A. Cosby, author of King of Ashes

A MOST ANTICIPATED BOOK: The New York Times, People, Book Riot, Southern Living, Marie Claire, Time

Handsome con artist Ulises has long charmed lonely women via letters in order to steal their money, but money is hard to come by in 1940s Mexico. Ulises knows his looks won’t last forever, and he’s desperate to get his hands on a real fortune.

He thinks he’s found it when he captivates his newest correspondent, Perla, the owner of a small-town boardinghouse in picturesque Veracruz. But when he meets her, he finds something he didn’t expect. The woman has a niece, Inés, who is as observant as she is desperate to escape her aunt’s household.

When Inés discovers Ulises’s true intentions, she wants in on the scheme. They’ll convince her aunt that Ulises is a great catch, Perla will marry him, and her money will vanish. Easy, fast, and clean. But Perla is not the desperate, silly spinster Ulises imagines. She harbors secrets. And although Ulises does not believe in true romance, Inés is more alluring than he bargained for. Suddenly, a simple plan may become perilously complicated.

Venture into the streets of a small town where a patina of convention and good manners conceals a cauldron of avarice and lust.

A moving picture book about an anxious girl who can talk to birds but finds it hard to talk to people. When a new boy at school connects with trees the way she does with birds, they begin to form a friendship.

Mira speaks to the birds. As a baby, she napped in the park where starlings gathered. Before she was two, she could mimic the sounds of the doves. Birds have always made sense to Mira, unlike people who are much more confusing. When Mira tries to talk to them, her words remain out of reach. Mostly, people leave her alone.

But when a new boy named Jad comes to school, Mira notices that he understands trees the way she does birds. He's different. And as they draw together, Mira is able, at last, to make a friend.

Here is a beautiful, layered picture book that speaks to the need for connection and the many forms it can take.

From Caldecott Medalist Jon Klassen comes the first board book in the Your Things series for the youngest of children.

This is your truck.
It is yours to have.

Your truck is red, but it could be other colors too. It can carry things around, like a chair and table, a dog, or a horse. It will wait for you until you tell it to go, then it will go wherever you want, as far as you want, whenever you want. At the end of the day it will sleep, and you can sleep, too. Jon Klassen brings his minimalist’s touch to a soothing story of a simple object that a child can command and befriend, one that is there whenever the child chooses to visit it. Building on the quiet but evocative world he created in Your Farm, Your Forest, and Your Island, Jon Klassen invites young children to consider more things that are theirs and theirs alone, reinforcing that they have a right to things like solitude, exploration, and companionship.