Canadian Books

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Miriam Toews is the author of seven bestselling novels: Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, and Irma Voth, and one work of non-fiction, Swing Low: A Life.  She is a winner of the Governor General’s Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers’ Trust Fiction Prize, and the Writers Trust Marian Engel/Timothy Findley Award. She lives in Toronto. 

“The Boy in Number Four had a passion and a dream … to one day be a player on a big league hockey team.” It takes hard work and dedication to make it to the big league, but those aren’t the only things that are important. Respect, determination and the sheer thrill of the game brought Bobby Orr from a small northern town in Canada to one of the best teams in the NHL. Using Bobby Orr and his journey as a model, The Boy in Number Four celebrates the game of hockey—from backyard rinks to the big leagues. A book for hockey enthusiasts of all ages!

 When Marilla Cuthbert and her brother, Matthew, decide to adopt a child from a distant orphanage, they don't get quite what they bargained for. The child who awaits them at the tiny Bright River train station is not the strapping young boy they'd imagined--someone to help Matthew work the fields of their small farm--but rather a freckle-faced, redheaded girl named Anne (with an e, if you please).
     Matthew and Marilla may not be sure about Anne, but Anne takes one look at Prince Edward Island's red clay roads and the Cuthberts' snug white farmhouse with its distinctive green gables and decides that she's home at last. But will she be able to convince Marilla and Matthew to let her stay?
   Armed with only a battered carpetbag and a boundless imagination, Anne charms her way into the Cuthberts' hearts--and into the hearts of readers as well. She truly is, in the words of Mark Twain, "the dearest and most lovable child in fiction since the immortal Alice."

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), was a Canadian author best known for her series of novels beginning with Anne of Green Gables, which was an immediate success. The first novel was followed by a series of sequels with Anne as the central character. Montgomery went on to publish 20 novels as well as 500 short stories and poems. She was born on Prince Edward Island, Canada.

As a Crown Attorney working with First Nations in remote northwestern Ontario, Rupert Ross learned that he was routinely misinterpreting the behaviour of Aboriginal victims, witnesses, and offenders, both in and out of court. He discovered that he regularly drew wrong conclusions when he encountered witnesses who wouldn’t make eye contact, victims who wouldn’t testify in the presence of the accused, and parents who showed great reluctance to interfere in their children’s offending behaviour. With the assistance of Aboriginal teachers, he began to see that behind such behaviour lay a complex web of coherent cultural commandments that he had never suspected, much less understood.

As his awareness of traditional Native teachings grew, he found that the areas of miscommunication extended well beyond the courtroom, causing cross-cultural misunderstanding—and ill-informed condemnation.

Dancing with a Ghost is Ross’s attempt to give some definition to the cultural gap that bedevils the relationships and distorts the communications between Native peoples and the dominant white Canadian society—and to encourage others to begin their own respectful cross-cultural explorations. As Ross discovered, traditional perspectives have a great deal to offer modern-day Canada, not only in the context of justice but also in terms of the broader concepts of peaceful social organization and personal fulfilment.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

In his bestselling book Dancing with a Ghost, Rupert Ross began his exploration of Aboriginal approaches to justice and the visions of life that shape them. Returning to the Teachings takes this exploration further still.

During a three-year secondment with Justice Canada, Ross travelled from the Yukon to Cape Breton Island, examining—and experiencing—the widespread Aboriginal preference for “peacemaker justice.” In this remarkable book, he invites us to accompany him as he moves past the pain and suffering that grip so many communities and into the exceptional promise of individual, family and community healing that traditional teachings are now restoring to Aboriginal Canada. He shares his confusion, frustrations and delights as Elders and other teachers guide him, in their unique and often puzzling ways, into ancient visions of Creation and our role with it.

Returning to the Teachings is about Aboriginal justice and much more, speaking not only to our minds, but also to our hearts and spirits. Above all, it stands as a search for the values and visions that give life its significance and that any justice system, Aboriginal or otherwise, must serve and respect.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

Imagine a world in which people see themselves as embedded in the natural order, with ethical responsibilities not only toward each other, but also toward rocks, trees, water and all nature. Imagine seeing yourself not as a master of Creation, but as the most humble, dependent and vulnerable part.  
 
Rupert Ross explores this indigenous world view and the determination of indigenous thinkers to restore it to full prominence today. He comes to understand that an appreciation of this perspective is vital to understanding the destructive forces of colonization. As a former Crown Attorney in northern Ontario, Ross witnessed many of these forces. He examines them here with a special focus on residential schools and their power to destabilize entire communities long after the last school has closed. With help from many indigenous authors, he explores their emerging conviction that healing is now better described as “decolonization therapy.” And the key to healing, they assert, is a return to the traditional indigenous world view.
 
The author of two previous bestsellers on indigenous themes, Dancing with a Ghost and Returning to the Teachings, Ross shares his continuing personal journey into traditional understanding with all of the confusion, delight and exhilaration of learning to see the world in a different way. 
 
Ross sees the beginning of a vibrant future for indigenous people across Canada as they begin to restore their own definition of a “healthy person” and bring that indigenous wellness into being once again. Indigenous Healing is a hopeful book, not only for indigenous people, but for all others open to accepting some of their ancient lessons about who we might choose to be.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.

When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic's ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?

Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

LONGLISTED FOR THE 2017 SCOTIABANK GILLER PRIZE

Winner of the 2018 Western Canada Jewish Book Awards - Fiction - The Diamond Foundation Prize

Nominated for the 2018 OLA Evergreen Award

Energized, irreverent, novelistic stories full of longing, strange humour, and the complications of human entanglement from Governor General’s Award nominee Deborah Willis


The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humour, these subtle, complex stories—about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter—show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love. 

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Deborah Willis's latest book, The Dark and Other Love Stories, was longlisted for the Scotiabank Giller Prize. Her first book, Vanishing and Other Stories, was named one of The Globe and Mail's Best Books of 2009, and was shortlisted for the Governor General's Award for fiction. Her work has also appeared in The Walrus, The Virginia Quarterly, The Iowa Review, Lucky Peach, The Wall Street Journal, and Zoetrope. She has worked as a bookseller at Munro's Books in Victoria, BC, as a technical writer, and as a writer-in-residence at Joy Kogawa House in Vancouver and at the University of Calgary. Deborah was born and raised in Calgary and is currently the Writer in Residence at MacEwan University in Edmonton.

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?

As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents.

On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trailed by crows, a woman far from home struggles to confront an old guilt. As a half-remembered Beach Boys song plays in the background, a daughter recalls the man her father used to be through a tender inventory of their time together. In a community plagued by petrochemical-induced diseases and environmental ruin, a man spends his nights caring for his dying partner and his days navigating a dangerous workplace. An android watches her creators' relationship break down before her eyes. A gang of girls roams the streets of a ravaged city, hunting their would-be predators. In her journey to become a woman and a healer, a Cree girl enters the woods alone to learn the stories and medicines of plants, only to be transformed by an unexpected connection.

The stories included in this volume are contenders for the $10,000 Writers' Trust McClelland & Stewart Journey Prize.

WINNER OF THE 2018 QUEBEC WRITERS' FEDERATION CONCORDIA UNIVERSITY FIRST BOOK PRIZE

LONGLISTED FOR THE 2018 SCOTIABANK GILLER PRIZE

FINALIST FOR THE 2018 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION

A GLOBE AND MAIL BEST BOOK OF 2018

A QUILL & QUIRE BOOK OF THE YEAR

Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.

CANADA READS 2020 FINALIST

NATIONAL BESTSELLER

More than ten years after her Giller-shortlisted title Monkey Beach, Eden Robinson returns with a striking and precise coming-of-age novel, in which everyday teen existence meets Indigenous beliefs, crazy family dynamics and cannibalistic river otters.

Meet Jared Martin: sixteen-year-old pot cookie dealer, smoker, drinker and son with the scariest mom ever. But Jared's the pot dealer with a heart of gold--really. Compassionate, caring, and nurturing by nature, Jared's determined to help hold his family together--whether that means supporting his dad's new family with the proceeds from his baking or caring for his elderly neighbours. But when it comes to being cared and loved, Jared knows he can't rely on his family. His only source of love and support was his flatulent pit bull Baby, but she's dead. And then there's the talking ravens and the black outs and his grandmother's perpetual suspicion that he is not human, but the son of a trickster.

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One of The Globe and Mail’s “Canadian Books We’re Most Excited About in 2022”
One of CBC Books’ “Works of Canadian Fiction to Watch for in Spring 2022”
One of Esquire’s “The Best Books of 2022 Will Provoke, Persuade and Perturb You”
One of Entertainment Weekly’s “Must-Read Books to Heat Up February”
One of BuzzFeed News’ “Books to Get Excited About This Year”
One of Publishers Weekly’s Book Club Picks for February 2022
One of The New Statesman’s “What to Read in 2022: Fiction”
One of The A.V. Club’s “Most Anticipated Books of 2022”
One of Vulture’s “Books We Can’t Wait to Read in 2022”
One of Yahoo’s “Most Anticipated Books of 2022”
 
A new novel about art, love, death and time from the author of Motherhood and How Should A Person Be?

Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart.
    In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.
    Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.