Canada Reads 2023

NOW A MAJOR TV SERIES

Winner of the Toronto Book Award and the Arthur C. Clarke Award

Finalist for the National Book Award, the PEN/Faulkner Award, and the Sunburst Award

Longlisted for the Baileys Prize and for the Andrew Carnegie Medal for Excellence in Fiction

A New York Times and Globe and Mail bestseller

The international publishing sensation now available in paperback: an audacious, darkly glittering novel about art, fame and ambition, set in the eerie days of civilization’s collapse

One snowy night, a famous Hollywood actor dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor’s early days as a film star to fifteen years in the future, when a theatre troupe known as the Travelling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor’s first wife, his oldest friend and a young actress with the Travelling Symphony caught in the crosshairs of a dangerous self-proclaimed prophet. Sometimes terrifying, sometimes tender, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame and the beauty of the world as we know it.

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Jamie Chai Yun Liew is the recipient of the Jim Wong-Chu Emerging Writers Award from the Asian Canadian Writers' Workshop. She is a lawyer and law professor specializing in immigration, refugee, and citizenship law and the creator of the podcast Migration Conversations. Dandelion is her first novel. She lives in Ottawa with her family.

A vivid love letter to the 1980s and one woman’s struggle to overcome the challenges of immigration.

It’s 1986, and Muna Heddad is in a bind. She and her son have moved to Montreal, leaving behind a civil war filled with bad memories in Lebanon. She had plans to find work as a French teacher, but no one in Quebec trusts her to teach the language. She needs to start making money, and fast. The only work Muna can find is at a weight-loss center as a hotline operator.

All day, she takes calls from people responding to ads seen in magazines or on TV. On the phone, she’s Mona, and she’s quite good at listening. These strangers all have so much to say once someone shows interest in their lives–marriages gone bad, parents dying, isolation, personal inadequacies. Even as her daily life in Canada is filled with invisible barriers at every turn, at the office Muna is privy to her clients’ deepest secrets.

Following international acclaim for Niko (2011) and The Bleeds (2018), Dimitri Nasrallah has written a vivid elegy to the 1980s, the years he first moved to Canada, bringing the era’s systemic challenges into the current moment through this deeply endearing portrait of struggle, perseverance, and bonding.

Awards: Longlist - 2022 Scotiabank Giller Prize
Canada Reads Selection 2023

Praise:

Twelve years after the lights go out . . .
An epic journey to a forgotten homeland

The hotly anticipated sequel to the bestselling novel Moon of the Crusted Snow

In the years since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy, Evan Whitesky has led his community in remote northern Canada off the rez and into the bush, where they’ve been rekindling their Anishinaabe traditions, isolated from the outside world. As new generations are born, and others come of age in a world after everything, Evan’s people are stronger than ever. But resources around their new settlement are drying up, and elders warn that they cannot stay indefinitely.

Evan and his teenaged daughter, Nangohns, are chosen to lead a scouting party on a months-long trip down to their traditional home on the shores of Lake Huron—to seek new beginnings, and discover what kind of life—and what danger—still exists in the lands to the south.

Waubgeshig Rice’s exhilarating return to the world first explored in Moon of the Crusted Snow is a brooding story of survival, resilience, Indigenous identity, and rebirth.

National Bestseller

Winner of the 2019 OLA Forest of Reading Evergreen Award

Shortlisted for the 2019 John W. Campbell Memorial Award

Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award

2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick

January 2020 Reddit r/bookclub pick of the month

“This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” — Publishers Weekly

“Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” — Booklist

A daring post-apocalyptic novel from a powerful rising literary voice

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.

The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.

Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

Waubgeshig Rice is an author and journalist from Wasauksing First Nation on Georgian Bay. His first short story collection, Midnight Sweatlodge, was inspired by his experiences growing up in an Anishinaabe community and won an Independent Publishers Book Award in 2012. His debut novel, Legacy, followed in 2014, with a French translation published in 2017. His latest novel,

Moon of the Crusted Snow, became a national bestseller and received widespread critical acclaim, including the Evergreen Award in 2019. His short stories and essays have been published in numerous anthologies.

His journalism experience began in 1996 as an exchange student in northern Germany, writing articles about being an Indigenous youth in a foreign country for newspapers back in Canada. He graduated from Ryerson University’s journalism program in 2002. He spent most of his journalism career with the Canadian Broadcasting Corporation as a video journalist, web writer, producer and radio host. In 2014, he received the Anishinabek Nation’s Debwewin Citation for excellence in First Nation Storytelling. His final role with CBC was host of Up North, the afternoon radio program for northern Ontario. He left daily journalism in 2020 to focus on his literary career.

He currently lives in Sudbury, Ontario with his wife and two sons, where he’s working on the sequel to Moon of the Crusted Snow.

From her early, often harrowing memories of life and abuse in a remote Ojibwa community, Ma-Nee Chacaby's extraordinary story is one of enduring and ultimately overcoming the social and economic legacies of colonialism.

As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual violence, and in her teen years became an alcoholic herself. At twenty, Chacaby took her children and, fleeing an abusive marriage, moved to Thunder Bay. Despite the abuse, racism, and indifference she often found there, Chacaby marshalled the strength and supports to help herself and others.

Over the following decades, she achieved sobriety, trained and worked as an alcoholism counsellor, raised her children and fostered many others, learned to live with visual impairment, and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in Thunder Bay.

Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, and humour. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD

ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. 

Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.  

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A sparkling, reader-favourite rom-com for fans of You’ve Got Mail, set in competing halal restaurants  

“A novel of wit, heart, substance and depth—a love story that explores the challenging issues of our times.” —Ausma Zehanat Khan 

“Readers won’t be able to put this Own Voices Muslim romance down.” —Library Journal (starred review) 

Sales are slow at Three Sisters Biryani Poutine, the only halal restaurant in the close-knit Golden Crescent neighbourhood. Hana waitresses there part-time, but what she really wants is to tell stories on the radio. If she can just outshine her fellow intern at the city radio station, she may have a chance at landing a job. In the meantime, Hana pours her thoughts and dreams into a podcast, where she forms a lively relationship with one of her listeners. But soon she’ll need all the support she can get: a new competing restaurant, a more upscale halal place, is about to open in the Golden Crescent, threatening Three Sisters.

When her mysterious aunt and teenage cousin arrive from India for a surprise visit, they draw Hana into a long-buried family secret. A hate-motivated attack on their neighbourhood complicates the situation further, as does Hana’s growing attraction for Aydin, the young owner of the rival restaurant—who might not be a complete stranger after all.

As life on the Golden Crescent unravels, Hana must learn to use her voice, draw on the strength of her community and decide what her future should be. 

Uzma Jalaluddin

Biography

UZMA JALALUDDIN is the bestselling author of Ayesha at Last and Hana Khan Carries On, both of which have been optioned for film, the latter by Mindy Kaling. A high school English teacher, Jalaluddin is also a contributor to the Toronto Star and the Atlantic. She lives near Toronto with her family.

Critical Praise

Jalaluddin portrays a swoon-worthy romance as skilfully as she captures the heart of a community. A novel of wit, heart, substance, and depth—a love story that explores the challenging issues of our times.  — Ausma Zehanat Khan, author of A Deadly Divide

A sweet and satisfying retelling of “You’ve Got Mail” and absolutely irresistible. I read the whole book in one sitting and cannot wait for more from Uzma Jalaluddin!  — Sonya Lalli, author of Serena Singh Flips the Script

Hana Khan Carries On serves us all the ingredients of a delicious tale: a dynamic setting, vibrant characters, a romantic problem of wires-crossed proportions, and a lead you’ll find yourself rooting for until the end. Truly a burst of joy!   — S.K. Ali, author of Love from A to Z

A grand celebration of a novel: big, noisy, and joyous. Jalaluddin’s new book is a wholly original romantic comedy for our times, with irresistible banter, near-misses, ulterior motives, and an all-out Bollywood-style climax. I loved it. — Kate Hilton, author of Better Luck Next Time

Cute, emotional, and ultimately joyful. A romance with a warm heart, one wrapped in the bonds of family and friendship, this book left me with a delighted smile on my face. — Nalini Singh, New York Times bestselling author

"Jalaluddin follows Ayesha at Last with another charming contemporary romance, which maintains a fun, energetic mood while tackling serious themes of prejudice." — Publishers Weekly

"The clever and independent protagonist, large cast of vivid characters, strong family ties, and satisfying enemies-to-lovers trope all have the feel of a classic remake and will thoroughly delight readers looking for modern Indian Muslim representation in a love story that hits real-life issues on the way to a very satisfying conclusion." — Booklist

"Packed with emotion, this romance is also a beautifully written coming-of-age story about a first-generation immigrant. Hana is a relatable, flawed narrator, and the other characters are complex, nuanced, and well-developed. The story is intricately plotted, with dramatic, often heartwrenching scenes that build to a satisfying, realistic conclusion.... Readers won’t be able to put this Own Voices Muslim romance down." — Library Journal (starred review)

"A delicious treat filled with South Asian fervor and Canadian heart." — Kirkus Reviews

“Jalaluddin cleverly illustrates the social pressures facing young Indian-Muslim adults...a highly entertaining tale of family, community, and romance.” — Publishers Weekly (starred review)

"A delicious and entertaining novel.” — Kirkus Reviews (starred review)

“Come for Darcy reimagined as a hyper-conservative young man and Elizabeth Bennet as a wannabe poet frustrated by family obligation; stay for Uzma Jalaluddin’s warm portrait of life for twentysomething Muslims in suburban Toronto struggling to honor their heritage while pursuing their dreams.” — The Globe and Mail

"'Ayesha at Last' is light and incandescent and deeply pleasurable from start to finish." — Christian Science Monitor

"There’s an overabundance of Pride and Prejudice retellings, but few are as thoughtful and creative as this stellar debut from an author to watch." — Library Journal (starred review)

"Jalaluddin constructs a timely and enlightening narrative that validates the experiences of many South Asians and Muslims today, while weaving in universal themes of identity, class, and discrimination....Ayesha at Last's fictional universe acts as a microcosm of a diverse and oft-misunderstood community, and Jalaluddin's compassionate and sensitive writing about it radiates off the page." — NPR

“Ayesha At Last is a beautiful testament to the power of family, kindness, and getting out of one’s own way.” — Entertainment Weekly

“[An] irresistible debut.” — Goodreads

“This sweet debut novel ticks all the boxes for one of summer’s best reads: it’s smart, witty, romantic and utterly charming.” — Canadian Living

"Ayesha at Last is a delight from the first word to the last. Rich with cultural texture, replete with social nuance, and brimming with humor, it is one of the best retellings of Austen’s Pride & Prejudice.”  — Frolic

“An uproarious romp, filled with farcical cases of mistaken identity, disastrous proposals and a big Bollywood wedding.” — Toronto Life

“This is the book I’ve been waiting for since my long-running Jane Austen obsession. Move over Darcy, Khalid’s in town.” — S. K. Ali, author of Morris Award finalist, Saints and Misfits

“Uzma Jalaluddin blazes a brilliant new trail with Ayesha At Last, a captivating romance set in the Muslim community, brimming with humour and heart. You will fall in love with Ayesha and Khalid—an Elizabeth and Darcy for our times.” — Ausma Zehanat Khan, author of A Dangerous Crossing

“Ayesha At Last is the modern Pride & Prejudice retelling I never knew I needed. Warm, witty, romantic, and relatable. Honestly, Darcy who? Khalid is everything.” — Alisha Rai, award-winning author

About the Book

Marvel’s newest recruit shares his own inspiring and unexpected origin story, ranging from China to the bright lights of Hollywood. An immigrant who battled everything from parental expectations to cultural stereotypes, Simu Liu struggled to forge a path for himself, rising from the ashes of a failed accounting career (yes, you read that right) to become Shang-Chi.

Our story begins in the city of Harbin, where Simu’s parents have left him with his grandparents while they seek to build a future in Canada. One day, a mysterious stranger shows up; it’s Simu’s father, who whisks him away from the only home he has ever known to the land of opportunity and maple syrup. 

Life in the new world, however, is not all that it was cracked up to be. Simu’s new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings. His parents, on the other hand, find their new son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language and values. 

As Simu grows up, he plays the part of the ideal son well, getting A’s at school, crushing national math competitions and making his parents proud. But as time goes on, he grows increasingly disillusioned with the expectations placed on his shoulders, and finds it harder and harder to keep up the charade. Barely a year out of college, he hits rock bottom when he is laid off from his first job as an accountant. Unemployed, riddled with shame and with nothing left to lose, Simu sees an ad on Craigslist that will send him on a wildly unexpected journey into the mysterious world of show business. Through a swath of rejections and comical mishaps, Simu’s determination leads him to succeed as an actor and to open the door to reconciling with his parents.

We Were Dreamers is more than a celebrity memoir—it’s a story about growing up between cultures, finding your family and becoming the master of your own extraordinary circumstances.

Critical Praise

“A sincere, funny, and fascinating love letter to family, and a guidebook to pursuing your dreams.” — Olivia Munn

“Don’t let Simu Liu fool you. On the outside you may see boyish good looks, talent, and a body made of tightly coiled muscle. But on the inside? It’s quite good-looking in there, too. Strong heart, beautiful ligaments, and a soul made of spun sugar. Also, he wrote this hilarious and heartfelt story about growing up, finding yourself, and seizing your moment.” — Ryan Reynolds

“Oh great, another underdog story of overachievement. Just what we needed.” — Ronny Chieng

"In this triumphant debut, Liu, star of Marvel’s Shang-Chi and the Legend of the Ten Rings, traces how he followed his immigrant dream' all the way to the big screen. . . .The book’s beating heart, however, lies in the affecting story of his family’s path to healing: 'My parents are beaming with pride at the son who has disobeyed practically every single order they had ever given.' This real-life hero’s journey is a knockout." — Publishers Weekly (starred review)

“Like your favourite superhero, within the first few pages, this book made me feel like I could do anything.”  — Shifter Magazine

“[We Were Dreamers] is an excellent celebrity memoir that takes readers beyond the velvet rope and into the life of one of Canada’s most beloved stars. Simu’s story gives readers a chance to know a different side of him as he creates a compelling narrative of his life in words.”  — The Daily Hive

She's been driving him wild for years.

The good kind of wild. The bad kind of wild.

But mostly, the kind of wild that comes with wanting your best friend's little sister and knowing you can't have her.

Forbes may have labeled Ford Grant the World's Hottest Billionaire, but all he cares about is escaping the press and opening a recording studio in gorgeous small town Rose Hill. Something that comes to a screeching halt when he ends up face-to-face with a young girl who claims he's her biological father. Now, he spends his days balancing business with parenting a sullen twelve-year-old, all while trying desperately to keep his hands the hell off his best friend's sister, Rosie Belmont.

After living in the city, Rosie came blasting back into town like a storm. Beautiful, messy, and chaotic. And one wide-eyed, desperate plea for a job is all it takes for Ford to hire her. He vows to keep her at arm's length. Tries to stick to scowls and grumpy one-liners. But with her, verbal sparring is a type of foreplay―friction that soon turns to blistering heat.

Ford knows damn well he shouldn't cross this line. But shouldn't and can't are two very different things.

And the only thing he truly can't do is resist her.

A grumpy burnt out physician and a sunshine psychologist must fake an engagement to save his whitewater canoeing/ relationship therapy startup in Maggie North's sparkling second novel about starting over.

Burned-out former ER doc Stellar J Byrd can solve any crisis except her own life. But with her financial prospects dwindling, she’d do anything to stay in her beloved, pricey wilderness town—even take a job as a camp physician at The Love Boat, an unspeakably touchy-feely relationship therapy startup. If there are sing-alongs, she’s calling in sick.

What’s worse? Her boss is Lyle “McHuge” McHugh, the sunshiny psychologist she’s masterfully avoided since their disastrous hookup last year. Hardheaded relationship scorekeeper Stellar plans to dodge his pathological generosity from now until September, but after a scathing article puts McHuge's romantic credibility into question, a fake engagement is the only way to salvage the camp’s crumbling public image.

It’s strictly business . . . but the more closely they work together, the more Stellar realizes her feelings for McHuge are anything but professional. With competitors hard on their heels and trade secrets at stake, they must find a way to marry his softness with her steel to build a business–and a love–that will last past summer’s end . . .

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows.

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement.

Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Cyril Rowntree migrates to Toronto from Jamaica in 2012. Managing a precarious balance of work and university he begins to navigate his way through the implications of being racialized in his challenging new land.

A chance encounter with a panhandler named Patricia leads Cyril to a suitcase full of photographs and letters dating back to the early 1920s. Cyril is drawn into the letters and their story of a white mother’s struggle with the need to give up her mixed race baby, Edward. Abandoned by his own white father as a small child, Cyril’s keen intuition triggers a strong connection and he begins to look for the rest of Edward’s story.

As he searches, Cyril unearths fragments of Edward’s itinerant life as he crisscrossed the country. Along the way, he discovers hidden pieces of Canada’s Black history and gains the confidence to take on his new world.

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The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking psychological three-hander” (The Guardian) Foe returns with a new work of philosophical suspense.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Iain Reid is the author of four previous books, including his New York Times bestselling debut novel I’m Thinking of Ending Things, which has been translated into more than twenty languages. Oscar winner Charlie Kaufman wrote and directed the film adaptation for Netflix. His second novel, Foe, is being adapted for film, starring Saoirse Ronan, with Reid cowriting the screenplay. His latest novel is We Spread. Reid lives in Ontario, Canada. Follow him on Twitter @Reid_Iain.

“Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” —Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

 This is what they deserve.

They wanted me to be a monster.

I will be the worst monster they ever created.

Fifteen-year-old Sloane can incinerate an enemy at will—she is a Scion, a descendant of the ancient Orisha gods.

Under the Lucis’ brutal rule, her identity means her death if her powers are discovered. But when she is forcibly conscripted into the Lucis army on her fifteenth birthday, Sloane sees a new opportunity: to overcome the bloody challenges of Lucis training, and destroy them from within.

Following one girl’s journey of magic, injustice, power, and revenge, Deborah Falaye’s debut novel, inspired by Yoruba-Nigerian mythology, is a magnetic combination of Children of Blood and Bone and An Ember in the Ashes.

Critical Praise

"A compelling story of magic, survival and revenge, with a complex heroine at its center worth rooting for. An explosive, powerful debut.” — Stephanie Garber, #1 New York Times & international bestselling author of the Caraval series and Once Upon A Broken Heart 

“Falaye expertly walks the line between showing the ultra-violent reality child soldiers face while giving room for their humanity and innocence to shine. Equal parts soaring fantasy, heart-pounding action, and bloody social commentary, Blood Scion is a triumph of a book.” — Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

“A thrilling debut fantasy! Falaye creates an intricately woven world that draws beautifully on Yoruba-Nigerian mythology, with a fast-paced, heart thumping plot that will have you rooting for Sloane and her friends to not only survive but get the justice they deserve! This story is full of heart, resilience, and magic that will pull you in from the very first page and have you thirsting for more by the end." — Kat Cho, international bestselling author of Wicked Fox and Vicious Spirits. 

“Blood Scion is a dark, masterful indictment of the casualties of self in the brutal fight for the right to exist. This unflinching masterpiece is twisty, raw, and impossible to put down. Fans of An Ember In The Ashes and The Hunger Games have found their next obsession.” — J.Elle, New York Times bestselling author of Wings of Ebony.

“Brilliant and brutal, Blood Scion kept me up all night with its page turning action, complex characters, and shocking twists. Falaye is fearless, her prose addictive, and I’m dying for the sequel!” — Kristen Ciccarelli, internationally bestselling author of The Last Namsara

“This epic fantasy debut, inspired by Yoruba-Nigerian mythology, reminds readers that sometimes monsters are not born, they are made… fast-paced and engaging.” — Booklist

"An epic tale of ancient magic based in Nigerian mythology... Falaye’s harrowing duology opener of survival, sacrifice, and vengeance illustrates the effects of trauma and the strength of love in driving acts potentially heinous and heroic."  — Publishers Weekly

“An exciting fantasy infused with the magic of the Orisha pantheon… From its gritty social commentary on colonization and imperialism to its depiction of an unforgiving heroine, Blood Scion demands critical engagement from its readers.”  — Quill & Quire

“Undoubtedly a 10/10. You’ll want to have this on your shelf.” — The Nerd Daily

Deborah Falaye

Biography

Deborah Falaye is a Nigerian Canadian young adult author. She grew up in Lagos, Nigeria, where she spent her time devouring African Literature, pestering her grandma for folktales, and tricking her grandfather into watching Passions every night. When she’s not writing about fierce Black girls with bad-ass magic, she can be found obsessing over all things reality TV. Deborah currently lives in Toronto with her husband and their partner-in-crime yorkie, Major. Blood Scion is her first novel.

*LONGLISTED FOR CANADA READS 2023*

NATIONAL BESTSELLER

A family tries to learn from the mistakes of past generations in this whirlwind memoir from a wholly original new voice.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.

Left alone at the house in Happyland, Cody and his siblings must fend for themselves, even as the pipes burst and the lights go out. His protective big sister, Kris, finds inventive ways to put food on the table, and his stoic big brother, Julian, facilitates his regular escapes into the world of video games. As life yanks them from one temporary solution to the next, they steal moments of joy and resist buckling under “baddie” temptations aplenty.

Capturing the chaos and wonder of a precarious childhood, Cody Caetano delivers a fever dream coming-of-age garnished with a slang all his own. Half-Bads in White Regalia is an unforgettable debut that unspools a tangled family history with warmth, humour, and deep generosity.

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CODY CAETANO is a writer of Anishinaabe and Portuguese descent and an off-reserve member of Pinaymootang First Nation. He has an MA in Creative Writing from the University of Toronto, where he wrote this memoir under the mentorship of Lee Maracle. Excerpts of Half-Bads in White Regalia earned him a 2020 Indigenous Voices Award for Unpublished Prose.