Books

Featuring critical essays, erotica, and stitched-up memories, Gender/Fucking explores sexual arousal as a site of knowledge about the self and world.

Taking the idea of intellectual masturbation a bit too literally, Florence Ashley draws on their experiences as a transfeminine activist, academic, and slut to interrogate what it means to live in a gendered body in our difficult yet occasionally loving world.

With personal essays about the fetishization of trans bodies, recovering from surgery, and losing hope, Florence’s collection celebrates the queer messiness of sex and identity.

Through the embrace of its raw and lyrical prose,Gender/Fucking invites the reader into the intimate world of academic smut to ask what it means to be horny on main in a sex-negative world—and what power it might hold.

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Florence Ashley (they/them/that bitch) is a transfeminine professor of law and bioethics at the University of Alberta. A prolific transdisciplinary researcher, Florence has mesmerized many academic fields with their incisive style and irreverent footnotes. Their first book was more boringly titled Banning Transgender Conversion Practices: A Legal and Policy Analysis. When not engaged in research or teaching, Florence enjoys speaking French and oversharing on social media.

In this newest colouring book by the author of the internationally bestselling Fantastic Cities (more than 400,000 copies in print), artist Steve McDonald uses his unique photo-based approach to create beautiful and intimately detailed line drawings of amazing collections of objects.

Finding inspiration in the unusual (museum collections, antiques, and quirky toys) and the everyday (leaves, butterflies, vintage cameras, store product displays), McDonald creates playful and immersive illustrations that are as lovely as they are fun to color.

The quality of the large, crisp white pages are conducive to a range of applications, while a middle margin keeps all the artwork fully colourable. A dozen meditative mandalas created from the drawings round out this gorgeous adult coloring book.

The Ice Chips have time travel down to a science . . . almost. After Ekamjeet “Edge” Singh misses out on their most recent adventure, he convinces his teammates to take another leap through time. But when their magic goes haywire, a hero from the past finds her way onto the Chips’ hometown rink—and leaves behind a very important trophy!

It’s up to the Ice Chips to return the famous award to its rightful home, before all of hockey history changes forever. It won’t be easy, but if they can get the cup back where it belongs, they might just have the chance to win it for themselves.

The fourth title in the beloved and bestselling Ice Chips series, by acclaimed authors Roy MacGregor and Kerry MacGregor and illustrator Kim Smith, features a vibrant and diverse cast of characters and inspiring hockey greats.

An Indie Bestseller!

A laugh-out-loud picture book from bestselling comics creator Kate Beaton about a brave shark girl bent on revenge after a greedy fishing captain messes with her waters - perfect for fans of We Don't Eat Our Classmates .

When Shark Girl is captured by an evil fishing captain's net, she makes a vow. . . for REVENGE!

With the sea witch's help, Shark Girl becomes a human sailor and launches a plan. . . for MUTINY!

But Shark Girl needs the help of her crew mates before she can enact her plan. Will Shark girl SINK. . . or SWIM?

Bestselling creator Kate Beaton has created a subversive and hilarious spin on the classic little mermaid fairytale that will inspire little readers. Sometimes standing up for what's right means you have to show your teeth!

An NAACP Image Award Nominee
A Today Show Read with Jenna Book Club Pick!

From spiritual activist, racial justice educator, and bestselling author Rachel Ricketts comes an inspiring picture book guiding children in heart-centered and mindfulness-based practices in the face of fear, anxiety, and racial injustice.

Hold on to what matters;
to joy
and being free.

When the world gets to be too much, we can always take a moment to look within ourselves for love, support, and healing. This lyrical mindfulness guide filled with an inspiring, positive self-esteem message helps young ones, especially Black and Brown children, feel big feelings and celebrate their whole being.

Includes a special author’s note and guide for caregivers to help little ones get embodied when their feelings get too big to handle.

A lush, enthralling new novel from New York Times bestselling author Susanna Kearsley, set during the reign of James I, in which emissary Andrew Logan must complete a vital mission on behalf of the king—a mission that will threaten not only his own life, but everything he holds dear.

The crown prince is dead, and the court is in turmoil. Only a man of extraordinary gifts can uncover the truth.

1613: King James—sixth of Scotland; first of England; son of Mary, Queen of Scots—has unified both countries under one crown. But the death of his eldest son, Henry, has plunged the nation into mourning, as rumours swirl that the prince was poisoned.

Andrew Logan has heard the rumours, but he’s paid them little heed. As one of the King’s Messengers, he has plenty of secrets to guard, including his own. In these perilous times, when the merest suggestion of witchcraft can lead to torture and hanging, men like Andrew must hide well the fact they were born with the Sight—a gift that allows him to see things others cannot.

And he’ll need all his gifts as he embarks on the perilous trip to capture Sir David Moray—once the prince’s trusted advisor, and now the main suspect in his death—and transport him from Scotland back to England. Andrew must travel with not only his prisoner, but an elderly scribe, sent to keep a written record of the journey, and the scribe’s fiery daughter, Phoebe. With treachery lurking at every turn, Andrew won’t just need to guard his prisoner, but his extraordinary gift, and his heart as well.

Both sweeping and intricate, The King’s Messenger is a spellbinding tale of secrets, love, and honour by a writer at the height of her power.

NATIONAL BESTSELLER • WINNER OF ONE OF THE 2023 LEACOCK MEDAL FOR HUMOUR • A CBC BEST CANADIAN NONFICTION BOOK OF 2022 • SHORTLISTED FOR CANADA READS 2025 

Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender, and at times extremely funny memoir of his Newfoundland boyhood.

For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his ton­sils, adenoids, and appendix. To the neighbours, he was known as “Jennie’s boy,” a backhanded salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as she worried he might never grow up.

Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric maternal grand­mother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, the odds against them both.

Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unlikely ways—Wayne survived.

<head><meta charset="UTF-8" /></head>This much-anticipated, game-changing special edition of Canada's premier annual fiction anthology celebrates the country's best emerging Black writers.

For over thirty years, The Journey Prize Stories has consistently introduced readers to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.

An eagle-eyed mother and a hungry child contend with the aftereffects of an unusual multi-course meal. Both the debts of the past and the promise of the future hover over two siblings as they debate what to do with an unexpected windfall. A pesky but beloved baboon looms large in the memory of a daughter whose family has been forced to move to a new town. Unclear boundaries and cheerful hypocrisy dominate a woman’s whirlwind romance with a photographer. A schoolgirl contends with complicated emotions as she awaits the return of her long-absent mother. News of a hunter’s death reverberates throughout his family, travelling across oceans and phonelines to trouble his cousin’s already-shaky relationship. An office worker joins a lost grandmother on an unexpected pilgrimage. After years away, a woman journeys back to Jamaica—and back to the sister who refused to leave with her—stirring up insecurities, laughter, and wounds unhealed by time. All the instructions in the world cannot protect a family from the impacts of grief. The only Black girls in school experiment with what it means to be a lady when you’re not yet a woman.

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows.

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement.

Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Finalist for the 2022 Governor General's Literary Award for Fiction
Longlisted for the 2022 Scotiabank Giller Prize
Winner of the 2022 Indigenous Voices Awards' Published Prose in English Prize
Shortlisted for the 2022 Amazon Canada First Novel Award
Longlisted for CBC Canada Reads 2022
Longlisted for First Nations Community Reads 2022
AnIndigo Top 100 Book of 2021
An Indigo Top 10 Best Canadian Fiction Book of 2021

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"What a welcome debut. Young Eddie Toma's passage through the truly ugly parts of this world is met, like an antidote, or perhaps a compensation, by his remarkable awareness of its beauty. This is a writer who understands youth, and how to tell a story." —GilAdamson, winner of the Writers' Trust Fiction Prize for Ridgerunner

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him.

It's1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. Theboys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely.

Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie"s first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges theIndian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship.

In his teens, Eddie's future seems more secure—he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every timethings look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved.

All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies onthe unguarded, unsentimental witness provided by Eddie.