Books

The Boys meets Assistant to the Villain in the electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel, Hench. Filled with a queer and neurodiverse cast, Villain asks the question: what happens when a diabolically brilliant henchperson looks back at their already storied career and thinks, I can be so much worse.

The hench once called Anna, now known to her colleagues and enemies as the Auditor, has carved out a wicked name for herself. Any superhero unlucky enough to cross her path knows her potential and powers. Surely, her recent success should taste sweet: she has an incredible job with lots of perks, her boss will literally annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated—literally ground to a still-living pulp.

But the Auditor still has her sights set on a greater work: destroying The Draft, the organization that makes, trains, and manages the world’s most powerful superheroes. These “heroes” have shown time and time again that they do more harm than good (she has the spreadsheets to prove it), and now is the time to stop the damage at its source.

Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan—the world’s most feared supervillain—is not coping well with Supercollider’s defeat at someone else’s hands. As their relationship deepens, her work-life balance increasingly involves navigating the feelings of someone who doesn’t believe they have any. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has reappeared, forcing the Auditor to confront all the ways they deceived each other. Tension and uncertainty haunt the Auditor, and the fear that their triumph is about to crumble looms over all of them.

The Auditor soon finds herself facing down an opponent unlike any she’s taken on before—not another superhero, but someone like her, someone much more dangerous: The Draft’s Chief Marketing Officer. Their conflict isn’t a test of physical prowess, but ideas, and as their fight escalates, she’ll need more than preternatural pattern recognition, data analysis, and a horrific imagination to meet this challenge. It’s guerrilla ad warfare, and the Auditor might have finally met her match.

About the authors

Welcome through the doorway of this picture book . . . about doors! From a Caldecott Honor author and a New York Times Best Illustrated artist comes a celebration of entrances, thresholds and portals — and all the endless possibilities they can lead to!

Some doors may give you a nervous, fizzy feeling . . . and also make you glad you came.


There are so many kinds of doors: swinging doors and sliding doors, screen doors for feeling the night air, revolving doors for going around and around. Doors that open into . . . anything you can imagine! A birthday party, a shipwreck on the salty sea floor, a fairy's tiny home, a slide into a room full of pillows! Or even the fantastical future ahead. Where will the doorway of this picture book lead? The only way to find out is to turn the page and go through . . .

In a playful ode to Ruth Krauss's A Hole Is to Dig and Remy Charlip's essay A Page Is a Door, this imagination-sparking picture book from an award-winning duo will be welcomed by anyone who is entering a new phase of life — and invites readers of all ages to embrace the marvelous possibilities that wait for them behind every new door.  


Includes a beautiful foldout page and textured spine.

For readers of Miriam Toews and Claire Keegan, an immersive and deeply poignant new novel set on the Rock about female friendship and found family

Ruby Nolan is a new widow. Hidden in her grief and guilt for her husband, Joe, is a sense that she is free from a marriage she never wanted. But how can she possibly begin again? An encounter with Maxine, a pregnant teen who reminds Ruby of her own sorry past, and a shocking revelation from her mother, Vera, send Ruby on a collision course with old truths and regrets and on a mission to help Maxine whether she wants it or not. While a friend warns Ruby that you can’t help anyone until you help yourself, it’s a lesson Ruby has to learn the hard way if she’s going to find any real peace.

Set over the course of one winter in 1990s St. John’s and infused with the rich culture and characters of the Rock, The Brink of Something Beautiful is the life-affirming, ultimately hopeful story about how women lift each other up and figure themselves out.

An absorbing and heartfelt new novel about three people looking for a future when the world hangs by a thread, for readers of Moon on the Crusted Snow and The Future

Pauline has not spoken to her sister, Mei, in two decades, not since before the world changed. A rare letter arrives asking Pauline to return to their old neighbourhood to care for Mei’s young daughter while Mei goes to find work.

Twelve-year-old Jing is living in the Children’s House, where all the parentless children stay while their parents work at the Farms. She hasn’t heard from her mother in months and the food deliveries they were promised have dwindled. Her only friends in the neighbourhood are a crow named Iris, an older boy named Julian, and the ghosts of her ancestors in their abandoned apartment.

Julian, once a star athlete and student with a bright future, is one of the only young men left on Wonderland Road. He can’t leave his parents, and he knows there is nowhere left to go. But Julian dreams of a boy he met and a kiss shared in what feels like another lifetime.

These three people will cross paths on Wonderland Road, a community trying to survive in a world of massive disruption and uncertainty. When the future feels poised on a knife’s edge, they must find a way forward.

An unsettling, hypnotic descent into the visceral heart of “mommy horror,” Afterbirth is a story of fractured sisterhood, aching hunger, and irrevocable transformation—reverberating with the echoes of classic horror cinema.

In the wake of a fraught and ill-omened romance, Brooke arrives in Vancouver to care for her sister Izzy, who is preparing to undergo reproductive surgery. But Izzy’s rapidly decaying apartment building, its hallways stalked by an ominous figure known only as Medusa, offers little of the refuge the sisters need.

Seeking solace in the horror movies her ex-girlfriend loved, Brooke soon finds traces of horror bleeding from the screen into their lives. Old wounds reopen and new tensions surface. When Brooke begins to exhibit strange symptoms of her own, the line between self and sister blurs, and their concern for each other twists into a tangled obsession.

Eerie, threaded with yearning, and startlingly original, Emma Cleary’s haunting literary debut explores loneliness, motherhood, and the body’s threatened autonomy. The novel blooms with the dark desires we suppress or surrender to—until only one question remains: who, or what, will survive when all unravels?

What happens when we are “flies caught between glass and screen”? Or when we watch “the upended city spin” as youthful passions, restlessness, addictions and deep despair pound our body and brain? The need for love, for belonging, for redemption looms large. These brave, sensuous, cleverly crafted poems are controlled but what they hold within cannot be controlled. Immersed in a harsh reality seemingly without hope, Caverhill looks unflinchingly at darkness, at transience, at when life “suddenly splits into before and after.” This chapbook makes us walk the brink of the abyss, portrays struggle and survival, and the poet pushes us to the edge—we are always “on the verge of breaking open.”

–Zilka Joseph, Author of Sharp Blue Search of Flame, What Dread, and Lands I Live In

“This book is fast, furious, compelling, and angry as hell.” — Seanan McGuire, New York Times bestselling author

The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative urban fantasy novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet.

Includes a bonus story for the paperback.

Anna does boring things for terrible people because even supervillains need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?

 As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.

So, of course, then she gets laid off.

With no money and no mobility, with only her anger and internet research acumen, this unlikely antihero discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.

Because the key to everything in this dark comedy is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.

It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.

A sharp, witty, modern debut, this subversive superhero story Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.