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The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking psychological three-hander” (The Guardian) Foe returns with a new work of philosophical suspense.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Iain Reid is the author of four previous books, including his New York Times bestselling debut novel I’m Thinking of Ending Things, which has been translated into more than twenty languages. Oscar winner Charlie Kaufman wrote and directed the film adaptation for Netflix. His second novel, Foe, is being adapted for film, starring Saoirse Ronan, with Reid cowriting the screenplay. His latest novel is We Spread. Reid lives in Ontario, Canada. Follow him on Twitter @Reid_Iain.

From an author “destined to become a titan of the macabre and unsettling” (Erin A. Craig, #1 New York Times bestselling author), a haunting debut—soon to be a Netflix original movie—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit.

As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in.

As soon as the strangers enter their home, inexplicable things start happening, including the family’s youngest child going missing and a ghostly presence materializing in the basement. Even more weird, the family can’t seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family—or is Eve just imagining things?

This unputdownable and spine-tingling novel “is like quicksand: the further you delve into its pages, the more immobilized you become by a spiral of terror. We Used to Live Here will haunt you even after you have finished it” (Agustina Bazterrica, author of Tender Is the Flesh).

Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.

In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. 

Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.

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ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

About the Book

Marvel’s newest recruit shares his own inspiring and unexpected origin story, ranging from China to the bright lights of Hollywood. An immigrant who battled everything from parental expectations to cultural stereotypes, Simu Liu struggled to forge a path for himself, rising from the ashes of a failed accounting career (yes, you read that right) to become Shang-Chi.

Our story begins in the city of Harbin, where Simu’s parents have left him with his grandparents while they seek to build a future in Canada. One day, a mysterious stranger shows up; it’s Simu’s father, who whisks him away from the only home he has ever known to the land of opportunity and maple syrup. 

Life in the new world, however, is not all that it was cracked up to be. Simu’s new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings. His parents, on the other hand, find their new son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language and values. 

As Simu grows up, he plays the part of the ideal son well, getting A’s at school, crushing national math competitions and making his parents proud. But as time goes on, he grows increasingly disillusioned with the expectations placed on his shoulders, and finds it harder and harder to keep up the charade. Barely a year out of college, he hits rock bottom when he is laid off from his first job as an accountant. Unemployed, riddled with shame and with nothing left to lose, Simu sees an ad on Craigslist that will send him on a wildly unexpected journey into the mysterious world of show business. Through a swath of rejections and comical mishaps, Simu’s determination leads him to succeed as an actor and to open the door to reconciling with his parents.

We Were Dreamers is more than a celebrity memoir—it’s a story about growing up between cultures, finding your family and becoming the master of your own extraordinary circumstances.

Critical Praise

“A sincere, funny, and fascinating love letter to family, and a guidebook to pursuing your dreams.” — Olivia Munn

“Don’t let Simu Liu fool you. On the outside you may see boyish good looks, talent, and a body made of tightly coiled muscle. But on the inside? It’s quite good-looking in there, too. Strong heart, beautiful ligaments, and a soul made of spun sugar. Also, he wrote this hilarious and heartfelt story about growing up, finding yourself, and seizing your moment.” — Ryan Reynolds

“Oh great, another underdog story of overachievement. Just what we needed.” — Ronny Chieng

"In this triumphant debut, Liu, star of Marvel’s Shang-Chi and the Legend of the Ten Rings, traces how he followed his immigrant dream' all the way to the big screen. . . .The book’s beating heart, however, lies in the affecting story of his family’s path to healing: 'My parents are beaming with pride at the son who has disobeyed practically every single order they had ever given.' This real-life hero’s journey is a knockout." — Publishers Weekly (starred review)

“Like your favourite superhero, within the first few pages, this book made me feel like I could do anything.”  — Shifter Magazine

“[We Were Dreamers] is an excellent celebrity memoir that takes readers beyond the velvet rope and into the life of one of Canada’s most beloved stars. Simu’s story gives readers a chance to know a different side of him as he creates a compelling narrative of his life in words.”  — The Daily Hive

Cute card for welcoming a tiny human to this lovely planet. 

One 4.25 x 5.5 inch greeting card paired with an envelope. Blank inside.

Shortlisted for the 2017 OLSN Northern Lit Award

The acclaimed author of The Orenda gives us a powerful and poignant look into the last moments of Charlie Wenjack, a residential school runaway trying to find his way home.

An Ojibwe boy runs away from a North Ontario Indian School, not realizing just how far away home is. Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.

Written by Scotiabank Giller Prize–winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

Praise for Wenjack

“A profoundly sensitive writer with the eye of a painter and a heart as big as the country about which he writes.” —Frederick Barton

“Boyden is such a fine writer, evoking his characters’ emotions in a touching and understandable way.” —Toronto Star

“Boyden continues the difficult conversation of reconciliation by allowing us a glimpse into the frightened mind of a child who only knows that home is where he should be—and that Cecilia Jeffrey Indian Residential School is not it.” —Maclean’s

“Joseph Boyden has written Wenjack, a novella that deftly suffuses Chanie’s tragedy with traditional Aboriginal beliefs. . . . This is a world of transformations where owls can turn into mice, and fish give themselves voluntarily to fishermen—a world in which all beings are interconnected through the ceaseless interplay of life and death. . . . At the end of the novella, Boyden shows Chanie in the afterlife dancing and feasting with the animals. The image, meant to convey an ecological and spiritual truth, does little to redeem his final, terrible hours on the tracks.” —Maclean’s

“Chanie Wenjack was just 12 when his body was found beside the railroad tracks just days after he ran away from his residential school in Kenora, Ont. Now, 50 years later, the young Ojibwe boy is being remembered in . . . this magical novella, the chapters alternating between Chanie’s journey and the spirit animals who document his quest—and wait to receive him when he passes over to their sphere.” —Toronto Star

“It should be required reading.” —CTV News 

This bar soap is inspired by the sea breeze and crashing waves of the west coast. Escape into the wilds of the great outdoors every time you reach for your soap. Combining pure, genuine ingredients with artful design, each bar in this line of all-natural soap is inspired by a different region.

Scent: Cypress, Lime, Grapefruit, Sweet Orange, Peppermint
120 g / 4.2 oz
Box artwork by Canadian contemporary artist Meghan Hildebrand

All soaps are handmade in our Yukon studio using 100% natural ingredients, scents, colourants.

Ingredients: Canola, Aqua (Water/Eau), Cocos Nucifera (Coconut) Oil, Olea Europaea (Olive) Fruit Oil, Elaeis Guineensis (Palm) Oil *, Sodium Hydroxide **, Citrus Sinensis (Sweet Orange) Peel Oil, Cupressus Sempervirens (Cypress) Leaf Oil, Montmorillonite (French Green Clay), Citrus Aurantifolia (Lime) Oil, Citrus Paradisi (Grapefruit) Peel Oil, Mentha piperita (Peppermint) leaf oil *Certified RSPO sustainable **none remains after saponifying oils into soap

Another knockout domestic suspense novel from the New York Times bestselling author of The Couple Next Door

Nothing ever happens in sleepy little Fairhill, Vermont.

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked.

But this morning all of that will change.

Because Diana Brewer isn't lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer.

How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Someone in Fairhill did this. Everyone wants answers.

And one innocent question could be deadly.

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Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto

An accessible picture book that oh-so-simply and graphically introduces the term "refugee" to curious young children to help them better understand the world in which they live.

Who are refugees? Why are they called that word? Why do they need to leave their country? Why are they sometimes not welcome in their new country? In this relevant picture book for the youngest children, author-illustrator Elise Gravel explores what it means to be a refugee in bold, graphic illustrations and spare text. This is the perfect tool to introduce an important and timely topic to children.

Together in a single volume, two beloved novels by one of our most celebrated and important writers.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends-each of whom is grappling with their own familial complexities and heartache.
     By turns thrilling and heartbreaking, Tuyen's lost brother--who has since become a criminal in the Thai underworld--journeys to Toronto to find his long-lost family. As Quy's arrival nears, tensions build, friendships are tested, and an unexpected encounter will forever alter the lives of Tuyen and her friends. Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth. Winner of the Toronto Book Award.
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In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here--June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.
     The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

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DIONNE BRAND’s literary credentials are legion. Her latest novel, Theory, won the 2019 OCM BOCAS Prize for Caribbean Literature, and was a Globe and Mail Best Book. Her latest poetry collection, The Blue Clerk, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Prize. Her collection Ossuaries won the Griffin Poetry Prize, and other collections have won the Governor General’s Literary Award, the Trillium Book Award and the Pat Lowther Memorial Award. Among her novels, In Another Place, Not Here was selected as a NYT Book Review Notable Book and a Best Book by the Globe and Mail; At the Full and Change of the Moon was selected a Best Book by the LA Times; and What We All Long For won the Toronto Book Award. In 2006, Brand was awarded the Harbourfront Festival Prize for her contribution to the world of books and writing, and from 2009 to 2012 she served as Toronto’s Poet Laureate. In 2017, she was named to the Order of Canada. Brand is a Professor in the School of English and Theatre Studies at the University of Guelph. She lives in Toronto.

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Tsering Yangzom Lama holds a BA in creative writing and international relations from the University of British Columbia, and an MFA from Columbia University. Born and raised in Nepal, Tsering has lived in Toronto, New York City, and Vancouver, where she now resides. We Measure the Earth with Our Bodies is her first novel. 

Raffi's delightful rendition of the classic song about the bus that goes "all around town!"

Singing supports and encourages even the youngest child's speech and listening skills, which makes Wheels on the Bus perfect for early learning. With its charming illustrations, this is the ideal sing-aloud for a whole new generation of readers.

From the bestselling author of The Lonely Hearts Hotel, a spellbinding story about two young women whose friendship is so intense it not only threatens to destroy them, it changes the course of history

Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At age twelve, with her pile of blond curls and unparalleled sense of whimsy, she's the leader of all the children in the Golden Mile, the affluent strip of nineteenth-century Montreal where powerful families live. Until one day in 1873, when Sadie Arnett, dark-haired, sly and brilliant, moves to the neighbourhood.

Marie and Sadie are immediately inseparable. United by their passion and intensity, they attract and repel each other in ways that set them both on fire. Marie, with her bubbly charm, sees all the pleasure of the world, whereas Sadie's obsession with darkness is all-consuming. Soon, their childlike games take on the thrill of danger and then become deadly.

Forced to separate, the girls spend their teenage years engaging in acts of alternating innocence and depravity, until a singular event unites them once more, with devastating effects. After Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, the working class begins to foment a revolution. Each woman will play an unexpected role in the events that upend their city—the only question is whether they will find each other once more.

From the beloved Giller Prize-shortlisted author who writes “like a sort of demented angel with an uncanny knack for metaphor" (Toronto Star), When We Lost Our Heads is a page-turning novel that explores gender and power, sex and desire, class and status, and the terrifying strength of the human heart when it can't let someone go.

A picture book about how we can show love to difficult feelings, from the acclaimed author of M Is for Mustache: A Pride ABC Book and I Promise

When you're someplace unfamiliar

How do you feel?

Does your feeling live in your tummy where strange creatures roam in fields of prickly grass?

Does it want to burrow its head deep in the sand where no one can find it?

In Catherine Hernandez's new picture book, young readers are encouraged to show compassion to themselves, their families and their communities, and to imagine where inside themselves they keep their feelings.

Championing young people for weathering the storms of their many emotions and trying their best, Where Do Your Feelings Live? is a gentle celebration of all the tricky feelings that make us who we are. This buoyant and touching text is brought vibrantly to life by illustrations from Quebec artist Myriam Chery.