Products

If mushrooms can grow from shit so can you This sticker measures approximately 3.25” by 1.5” (inches)

It is printed on glossy sticker paper and laminated with vinyl. It is water resistant and scratch resistant. My stickers are best for indoor use such as on notebooks, laptop, shelf, etc. ❤️

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

A beautiful dream-like landscape art print.

- 8x10 inches
- Printed on high quality 100lb (cover) card stock
- Packaged in a recyclable sleeve with a sturdy backing board

In this economy?! This cheeky card is printed on high quality card stock that makes the ink really pop. It comes with a fabulous envelope and a clear sheath. The card measures 4.25 x 5.5 inches and is blank inside. Cards are designed, print, cut, and packaged all in-house by Top Hat & Monocle while their little dog supervises.

Inclusive pride sticker that also features the Intersex flag symbol.

Each sticker measures approximately 3 by 1.75 inches Printed on glossy sticker paper and laminated. Water-resistant. Best for indoor use such as on notebooks, laptop, shelf, etc. ❤️ Please note that my stickers are NOT dishwasher safe.

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows.

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement.

Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Imagine a world in which people see themselves as embedded in the natural order, with ethical responsibilities not only toward each other, but also toward rocks, trees, water and all nature. Imagine seeing yourself not as a master of Creation, but as the most humble, dependent and vulnerable part.  
 
Rupert Ross explores this indigenous world view and the determination of indigenous thinkers to restore it to full prominence today. He comes to understand that an appreciation of this perspective is vital to understanding the destructive forces of colonization. As a former Crown Attorney in northern Ontario, Ross witnessed many of these forces. He examines them here with a special focus on residential schools and their power to destabilize entire communities long after the last school has closed. With help from many indigenous authors, he explores their emerging conviction that healing is now better described as “decolonization therapy.” And the key to healing, they assert, is a return to the traditional indigenous world view.
 
The author of two previous bestsellers on indigenous themes, Dancing with a Ghost and Returning to the Teachings, Ross shares his continuing personal journey into traditional understanding with all of the confusion, delight and exhilaration of learning to see the world in a different way. 
 
Ross sees the beginning of a vibrant future for indigenous people across Canada as they begin to restore their own definition of a “healthy person” and bring that indigenous wellness into being once again. Indigenous Healing is a hopeful book, not only for indigenous people, but for all others open to accepting some of their ancient lessons about who we might choose to be.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

A cheeky little reminder to check in with yourself (and maybe your vices). Printed on luxe matte vinyl with a velvety finish, this sticker adds bold personality to laptops, water bottles, notebooks, and more.

Details: ✿ Size: 3.08" x 4"

✿ Super soft matte texture with a luxe, velvety feel

✿ Weatherproof and dishwasher safe

✿ Made to last up to 5 years

✿ Printed in Canada using eco-conscious inks 

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About David Johnston

One of Canada's most respected and beloved governors general, David Johnston is a graduate of Harvard, Cambridge, and Queen's universities. He served as dean of law at Western University, principal of McGill University, and president of the University of Waterloo. He is the author or co-author of twenty-five books, holds honorary doctorates from over twenty universities, and is a Companion of the Order of Canada (C.C.). Born in Sudbury, Ontario, he grew up in Sault Ste. Marie. He is married to Sharon Johnston and has five daughters and fourteen grandchildren.…

Let a special couple know just how inspiring their love is with this super cute card!

One 4.25 x 5.5 inch greeting card paired with an envelope. Blank inside.

Inukshuk are placed throughout the Arctic landscape acting as "helpers" to the Inuit. Among their many practical functions, they are used as hunting and navigational aids, coordination points and message centres.

This medium/dark roast blend contains dark roasted coffee from ASOBAGRI co-op as well as Guatemalan coffee from a co-op called CCDA. This group is very politically active and advocates indigenous and campesino (peasant) rights in Solola department. They frequently oppose mining and hydroelectric projects in their territory and have a strong infrastructure of social supports for themselves using profits from fair trade coffee.

Available only in whole bean
340 g / 12 oz

A narrative that amplifies a voice rarely heard—that of the child at the centre of a transracial adoption—and a searing account of being raised by religious fundamentalists

Harrison Mooney was born to a West African mother and adopted as an infant by a white evangelical family. Growing up as a Black child, Harry’s racial identity is mocked and derided, while at the same time he is made to participate in the fervour of his family’s revivalist church. Confused and crushed by fundamentalist dogma and consistently abused for his colour, Harry must transition from child to young adult while navigating and surviving zealotry, paranoia and prejudice.

After years of internalized anti-Blackness, Harry begins to redefine his terms and reconsider his history. His journey from white cult to Black consciousness culminates in a moving reunion with his biological mother, who waited twenty-five years for the chance to tell her son the truth: she wanted to keep him.

This powerful memoir considers the controversial practice of transracial adoption from the perspective of families that are torn apart and children who are stripped of their culture, all in order to fill evangelical communities’ demand for babies. Throughout this most timely tale of race, religion and displacement, Harrison Mooney’s wry, evocative prose renders his deeply personal tale of identity accessible and light, giving us a Black coming-of-age narrative set in a world with little love for Black children.

An instant #1 New York Times bestseller!

Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
 
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​
 
To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Hang in there friends 🙃

This sticker measures approximately 3” by 1.75” (inches) It is printed on glossy sticker paper and laminated with vinyl. It is water resistant, and best for indoor use such as on notebooks, laptop, shelf, etc. ❤️

Please note that these stickers are NOT dishwasher safe. They perform best on flat, smooth, dry surfaces such as laptops, phones, notebooks, e-readers.

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Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. Their goal is to create accessories that promote self-empowerment and anti-oppression. They also love making products that speak to topics they're passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

It is what it is and it's not great sticker, featuring an adorable raccoon.

Each sticker measures approximately 2.5” by 2" inches It is printed on glossy sticker paper and laminated with vinyl. It is water resistant and scratch resistant. My stickers are best for indoor use such as on notebooks, laptop, shelf, etc. ❤️

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

Giizis—the sun—rises. What’s hiding in the trees?

It’s a Mitig! guides young readers through the forest while introducing them to Ojibwe words for nature. From sunup to sundown, encounter an amik playing with sticks and swimming in the river, a prickly gaag hiding in the bushes and a big, bark-covered mitig.

Featuring vibrant and playful artwork, an illustrated Ojibwe-to-English glossary and a simple introduction to the double-vowel pronunciation system, plus accompanying online recordings, It’s a Mitig! is one of the first books of its kind. It was created for young children and their families with the heartfelt desire to spark a lifelong interest in learning language.

It's definitely okay to punch Nazis. Let them know you might sock 'em by wearing this button. 

Dimension: 1.25"

Metal pin back

Great for jackets, backpacks, etc. Made with high quality materials. The designs are protected by a thin, but resilient mylar layer which makes them water resistant. 

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

Listen, at this point, it's perfectly okay to punch Nazis. It's the least we can do.

Each sticker measures approximately 2.25x2.25" inches It is printed on glossy sticker paper and laminated with vinyl. It is water resistant and scratch resistant. My stickers are best for indoor use such as on notebooks, laptop, shelf, etc. ❤️

Radical Buttons was founded in 2015 and is based in Edmonton, Alberta. My goal is to create accessories that promote self-empowerment and anti-oppression. I also love making products that speak to topics I'm passionate about, including social justice, LGBTQ+ rights, mental health and reading. 

Named a Best Book by: The Globe and Mail, Indigo, Out Magazine, Audible, CBC, Apple, Quill & Quire, Kirkus Reviews, Brooklyn Public Library, Writers’ Trust of Canada, Autostraddle, Bitch, and BookRiot.

Finalist for the 2019 Lambda Literary Award, Transgender Nonfiction
Nominated for the 2019 Forest of Reading Evergreen Award
Winner of the 2018  Alcuin Society Awards for Excellence in Book Design – Prose Non-Fiction

"Cultural rocket fuel." --Vanity Fair

"Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mind." --Rupi Kaur, bestselling author of The Sun and Her Flowers and Milk and Honey

A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might reimagine gender for the twenty-first century.

Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak.

Now, with raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of colour and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.