Fiction Books
How to Pronounce Knife
Regular price $24.95WINNER OF THE 2020 SCOTIABANK GILLER PRIZE
FINALIST FOR THE 2021 NATIONAL BOOK CRITICS CIRCLE AWARD
#1 NATIONAL BESTSELLER
Named one of Time Magazine's Must-Read Books of 2020 and one of the best books of the month by The New York Times, Salon, Vanity Fair, Bustle, The Millions, and Vogue, and featuring stories that have appeared in Harper's, Granta, The Atlantic, and The Paris Review, this revelatory book of fiction from O. Henry Award winner Souvankham Thammavongsa establishes her as an essential new voice in Canadian and world literature. Told with compassion and wry humour, these stories honour characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world."
A young man painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A father who packs furniture to move into homes he'll never afford. A housewife learning English from daytime soap operas. In her stunning debut book of fiction, O. Henry Award winner Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to belong. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says, "All we wanted was to live." And in these stories, they do--brightly, ferociously, unforgettably.
A daughter becomes an unwilling accomplice in her mother's growing infatuation with country singer Randy Travis. A boxer finds an unexpected chance at redemption while working at his sister's nail salon. An older woman finds her assumptions about the limits of love unravelling when she begins a relationship with her much younger neighbour. A school bus driver must grapple with how much he's willing to give up in order to belong. And in the Commonwealth Short Story Prize-shortlisted title story, a young girl's unconditional love for her father transcends language.
Unsentimental yet tender, and fiercely alive, How to Pronounce Knife announces Souvankham Thammavongsa as one of the most striking voices of her generation.
Elbows Up!
Regular price $25.00
A blazing collection of responses to the U.S.'s shocking annexation threats and the swell of Canadian national unity that followed, from a remarkable array of Canada's sharpest and most influential minds.
2025. Donald Trump is president. And he is insisting that Canada is for sale. It feels disorienting, even existential, to watch a trade war escalate and to hear an American president vow to make Canada “the 51st state.” Amid this disorientation, there is an urgent question: how do we meet the moment?
This is not the first time we have had an identity crisis resulting in a swell of Canadian pride, but it is the first time many Canadians have experienced the direct threat of American imperialism knocking so loudly on our country’s door. The fact that treaties can be broken, that resources can be stolen, and that the consequences of land theft include loss of culture, ritual, and identity is not new to the Indigenous and refugee peoples living in this country. But to many other Canadians, this kind of threat is new. As a result, there appears to be a new sense of a “we” emerging. People are angry and standing together with renewed shared purpose. This is a pivotal moment in history, and we need to take stock of how we got here, to learn from our past and walk tenaciously together into an uncertain future.
Inspired by the 1968 collection The New Romans: Candid Canadian Opinions of the U.S., which was edited by Al Purdy and curated amidst the civil rights movement and the Vietnam War, Elbows Up! is the book for our generation’s own moment of crisis, featuring the words of leading cultural figures speaking candidly on America, on Canada, and on the malleable contours of a national narrative still taking hold.
Amethyst Cross: A Ghost Story for Christmas
Regular price $9.95
World-renowned cartoonist Seth returns with three new ghost stories for 2024.
When Margaret finds a cottage to rent in the moorlands for her visiting Aunt Dorothea, she pays no mind to its rumored dark history. But when Dorothea goes missing only days after her arrival, a haunting tale of greed and murder soon comes to light.
Praise for Christmas Ghost Stories
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
Praise for Christmas Ghost Stories
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
An Unwanted Guest
Regular price $23.00A remote lodge in upstate New York is the perfect winter wonderland getaway . . . until the bodies start piling up.
It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.
So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in for the long haul.
Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.
Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm.
____________________________
Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto
Daughters of the Deer
Regular price $24.001657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.
1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse.
With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
All's Well
Regular price $29.95“Mind-blowing. Equal parts brilliant and hilarious.” —Heather O’Neill, bestselling author of The Lonely Hearts Hotel and Lullabies for Little Criminals
From the critically acclaimed author of Bunny, a darkly funny novel about a theatre professor suffering chronic pain who, in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers.
Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised—and cost—her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.
With prose Margaret Atwood has described via Twitter as “no punches pulled, no hilarities dodged . . . genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
We Love You, Bunny
Regular price $34.99WJB's Book Club Pick for October 2026!
Use code BOOKCLUB to get 20% off at checkout.
Named a Must-Read Pick by The New York Times, Oprah Daily, People, Associated Press, Marie Claire, Bustle, The Boston Globe, Goodreads, Women’s Wear Daily, and more
“Dark academia clan, rise up! We Love You, Bunny feels like Han Kang’s The Vegetarian meets…Heathers.” —People
The highly anticipated follow up to the viral sensation Bunny, a brilliantly written, laugh-out-loud funny, dark, and delirious novel set in the Bunny-verse—a world that Margaret Atwood declared “soooo genius.”
In the cult classic novel Bunny, Samantha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences.
When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny.
Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.
Captain Dalgety Returns: A Ghost Story for Christmas
Regular price $9.95
World-renowned cartoonist Seth returns with three new ghost stories for 2024.
After the death of his wife in childbirth, Captain Dalgety has grown distant from his estate and young daughter. But during his walk home one afternoon, a sudden thunderstorm causes a series of revelations, and the captain’s life takes an unexpected turn.
Praise for Christmas Ghost Stories
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
Praise for Christmas Ghost Stories
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
Animal Person
Regular price $28.00From Giller Prize finalist Alexander MacLeod comes a magnificent collection about the needs, temptations, and tensions that exist just beneath the surface of our lives. Named a Canadian Fiction title to watch by the CBC, Quill & Quire, and 49th Shelf. Featuring stories published in The New Yorker, Granta, and the O. Henry Prize Stories.
Startling, suspenseful, deeply humane yet alert to the undertow of our darker instincts, the eight stories in Animal Person illuminate what it means to exist in the perilous space between desire and action, and to have your faith in what you hold true buckle and give way.
A petty argument between two sisters is interrupted by an unexpected visitor. Adjoining motel rooms connect a family on the brink of a new life with a criminal whose legacy will haunt them for years to come. A connoisseur of other people’s secrets is undone by what he finds in a piece of lost luggage. In the wake of a tragic accident, a young man must contend with what is owed to the living and to the dead. And in the O. Henry Award-winning story “Lagomorph,” a man’s relationship with his family’s long-lived pet rabbit opens up to become a profound exploration of how a marriage fractures.
Muscular and tender, beautifully crafted, and alive with an elemental power, these stories explore the struggle for meaning and connection in an age when many of us feel cut off from so much, not least ourselves. This is a collection that beats with raw emotion and shimmers with the complexity of our shared human experience, and it confirms Alexander MacLeod’s reputation as a modern master of the short story.
________________
ALEXANDER MacLEOD was born in Inverness, Cape Breton, and raised in Windsor, Ontario. His first collection, Light Lifting (Biblioasis), was a national bestseller, won an Atlantic Book Award, and was a finalist for the Scotiabank Giller Prize, the Frank O’Connor International Short Story Award, the Thomas Head Raddall Fiction Award, and the Commonwealth Book Prize. In 2019, he won an O. Henry Award for his short story “Lagomorph,” which was originally published in Granta and is included in his forthcoming new collection, Animal Person. MacLeod holds degrees from the University of Windsor, the University of Notre Dame, and McGill. He currently lives in Dartmouth, Nova Scotia, and teaches at Saint Mary's University in Halifax.
13 Ways of Looking at a Fat Girl
Regular price $23.00Shortlisted for the Scotiabank Giller Prize
Longlisted for the 2017 Stephen Leacock Memorial Medal for Humour
Longlisted for the 2018 International IMPAC Dublin Literary Award
Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks—even though her best friend Mel says she’s the pretty one. She starts dating guys online, but she’s afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl?
In her brilliant, hilarious, and at times shocking debut, Mona Awad simultaneously skewers the body image-obsessed culture that tells women they have no value outside their physical appearance, and delivers a tender and moving depiction of a lovably difficult young woman whose life is hijacked by her struggle to conform. As caustically funny as it is heartbreaking, 13 Ways of Looking at a Fat Girl introduces a vital new voice in fiction.
Light Lifting
Regular price $19.95Two long-distance runners race a cargo train through a rat-infested tunnel underneath the Detroit River. A pre-adolescent drug store bicycle courier crosses a forbidden threshold in an attempt to save a life, only to risk his own. A young swimmer conquers her fear of water only to discover she’s caught in far more dangerous currents.
In Light Lifting, Alexander MacLeod’s long-awaited first collection of short stories, the author offers us a suite of darkly urban and unflinching elegies for a city and community on the brink. Anger and violence simmer just beneath the surface and often boil over, resulting in both tragedy and tragedy barely averted. But as bleak as these stories sometimes are, there is also hope, beauty and understanding.
Alexander McLeod's stories are as disturbing, compelling and true as any currently being written in this or any country.
Getting Away With Murder
Regular price $26.99The tenth thriller from the New York Times bestselling author of The Couple Next Door.
"Shari Lapena is far and away one of the best psychological thriller writers in the world . . . She is intensely bingeable." —Lisa Jewell
Jill and Ted adore their New York brownstone the way others adore their children. They have carefully, expensively, made every inch of it their own. It reflects who they are, their status and tastes. With the grand mahogany staircase and state-of-the-art kitchen, it is the stuff of glossy magazines and real-estate dreams. It is their sanctuary.
So when Ted's inheritance runs out and he makes a bad investment, they panic. How can they protect their beloved home and enviable lifestyle?
The answer is obvious. Or at least, it is obvious to Jill and Ted. The death of one wealthy family member—from whom they stand to inherit millions—could solve all their problems. Together, they will get away with murder.
As long as they trust each other.
As long as neither makes a mistake.
As long as there are no surprises . . .
____________________________
Shari Lapena is the internationally bestselling author of the thrillers The Couple Next Door, A Stranger in the House, An Unwanted Guest, Someone We Know, The End of Her, and Not a Happy Family, which have all been New York Times and The Sunday Times (London) bestsellers. Her books have been sold in thirty-eight territories around the world. She lives in Toronto
Our Perfect Storm
Regular price $38.00Frankie and George have been best friends since they were eight years old. Both passionate, impulsive, and headstrong—they’ve always clashed... and come back together. Until now. It’s the eve of Frankie’s wedding weekend, and she doesn’t know where they stand or even if George will show up as her best man.
Then, at the start of the festivities, in walks George. For one glorious evening, surrounded by her loved ones, Frankie’s life is finally perfect. But it all comes crashing down when her fiancé dumps her the next morning, leaving only a note as an explanation.
Crushed and confused, Frankie returns to her family’s home to wallow. But George has a different idea and a plan for healing Frankie’s broken heart. He wants her to go on her honeymoon. With him. For one week, to the lush rainforests and misty beaches of Tofino.
Frankie agrees, seeing the trip for what it really is: one last chance to repair their friendship. Even if it means unearthing secrets and long buried feelings neither knows how to handle. Even if it means falling apart for good.
The Mistress in Black: A Ghost Story for Christmas
Regular price $9.95World-renowned cartoonist Seth returns with three new ghost stories for 2025.
Reading a ghost story on Christmas Eve was once as much a part of traditional Christmas celebrations as turkey, eggnog, and Santa Claus. World-famous cartoonist Seth selects and beautifully illustrates each book for this beloved series in his own inimitable way, bringing back these classic Christmas ghost stories for readers across North America.
From the moment Miss Anderson begins her new teaching job, she encounters ghostly figures and a strange scent of smoke. Whispers of arson and murder circulate among the staff, but Miss Anderson soon discovers there might be more to the tragic story of the woman in black.
Praise for Christmas Ghost Stories
“[The Mistress in Black‘s] foreboding and quick resolution are accentuated by Seth’s equally skillful work.”
—Literary Review of Canada
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
Praise for Christmas Ghost Stories
“[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth … [offers] chills—and charm.”
—John Williams, New York Times Book Review
“Caldecott’s A Room in a Rectory … may well spook those who gather on Christmas Eve … Ultimately, the author’s and the illustrator’s treatments of ‘the obscene and macabre’ make for a lot of fun.”
—Literary Review of Canada
“Internationally celebrated Guelph cartoonist Seth dug deep into his archive of ghost stories to resurrect a Victorian tradition of reading one on Christmas Eve.”
—Deb Dundas, Toronto Star
“I just bought my set of these and they … are … PERFECT. I hope they do these every year.”
—Patton Oswalt
“Perfect books for holiday giving.”
—Toronto Star
“Did you know there is an old tradition of telling ghost stories on Christmas Eve? For the past several years Canadian publisher Biblioasis has revived the tradition, one thin, tiny book at a time (illustrated by minimalistic, idiosyncratic cartoonist Seth). They’ve revived ghosts by Edith Wharton, Charles Dickens and others. The newest installment … includes ‘The Captain of the Polestar,’ a polar fright by Arthur Conan Doyle. What is, after all, ‘A Christmas Carol’ but a ghost story, handed down, every holiday?”
—Christopher Borrelli, Chicago Tribune
“As good as the story selection is, the design of each book is the star … In [Seth’s] work I see the brilliant use of shadow a la’ Mike Mignola, combined with the dark whimsey of Tim Burton … Highly recommended for the horror lovers looking for something special in this post-Halloween season.”
—Cemetery Dance
“[If] you are looking to add a little old world charm to your winter celebrations, this book series just may be for you. This year’s batch in particular offers up some fantastic reads, accompanied once again by stark and unsettling (in the best way) illustrations by accomplished illustrator Seth.”
—Lindsey Childs, Prairie Fire
“Seth’s books—petite and illustrated with gorgeous minimalist designs—feel somehow like a more mature version of my childhood traditions. In reality, Seth’s Christmas Ghost Stories are a tradition everyone, young and old, can make a part of their holidays. With these beautifully illustrated books, it seems in this case one really can judge a book by its cover.”
—The Charlatan
“Really beautiful art, and great stories.”
—So Many Damn Books
“Seth—illustrator, graphic novelist, and decorator (his term)—returns for another season of ghost stories for Christmas, single-handedly reviving an otherwise defunct holiday tradition among Northern Hemisphere English-speaking countries of combining eerie tales with the Yuletide (even though the tales have nothing to do with Christmas)—now with Seth’s moody black and white decorations to help the uncanny mood along.”
—Tom Bowden, Book Beat
Old Babes in the Wood
Regular price $23.00Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.
The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after.
Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.
Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
Hotline
Regular price $21.95
A vivid love letter to the 1980s and one woman’s struggle to overcome the challenges of immigration.
It’s 1986, and Muna Heddad is in a bind. She and her son have moved to Montreal, leaving behind a civil war filled with bad memories in Lebanon. She had plans to find work as a French teacher, but no one in Quebec trusts her to teach the language. She needs to start making money, and fast. The only work Muna can find is at a weight-loss center as a hotline operator.
All day, she takes calls from people responding to ads seen in magazines or on TV. On the phone, she’s Mona, and she’s quite good at listening. These strangers all have so much to say once someone shows interest in their lives–marriages gone bad, parents dying, isolation, personal inadequacies. Even as her daily life in Canada is filled with invisible barriers at every turn, at the office Muna is privy to her clients’ deepest secrets.
Following international acclaim for Niko (2011) and The Bleeds (2018), Dimitri Nasrallah has written a vivid elegy to the 1980s, the years he first moved to Canada, bringing the era’s systemic challenges into the current moment through this deeply endearing portrait of struggle, perseverance, and bonding.
Awards: Longlist - 2022 Scotiabank Giller Prize
Canada Reads Selection 2023
Praise:
“Nasrallah’s fourth novel, it takes his work to a new level of sophistication and constitutes a significant addition to the literary chronicling of the Canadian immigrant experience.” – Ian McGillis, Montreal Gazette
“Hotline intertwines hope and sorrow to create a moving story that sears the heart.” - Zeahaa Rehman, Quill & Quire
“I admire how Nasrallah plumbs new territory with each novel. That said, underlying themes and concerns thread through his oeuvre, such as emotional and geographic exile and ‘family.’" - Ami Sands Brodoff, Montreal Review of Books
“A quietly transformative story, one that takes your assumptions, twists them into a shape you didn’t initially see and casts them back at you in a really lovely way.” - Alison Manley, Miramichi Reader
"Fiction about immigrants tends toward melancholy and tragedy. Dimitri Nasrallah’s new novel delivers something different. Hotline suggests that immigrant literature may be able to navigate its own course between the Scylla of despair and the Charybdis of naïveté. The problems of bootstraps narratives aside, happy endings are still worth writing." – Amanda Perry, The Walrus
“Nasrallah’s fourth novel, it takes his work to a new level of sophistication and constitutes a significant addition to the literary chronicling of the Canadian immigrant experience.” – Ian McGillis, Montreal Gazette
“Hotline intertwines hope and sorrow to create a moving story that sears the heart.” - Zeahaa Rehman, Quill & Quire
“I admire how Nasrallah plumbs new territory with each novel. That said, underlying themes and concerns thread through his oeuvre, such as emotional and geographic exile and ‘family.’" - Ami Sands Brodoff, Montreal Review of Books
“A quietly transformative story, one that takes your assumptions, twists them into a shape you didn’t initially see and casts them back at you in a really lovely way.” - Alison Manley, Miramichi Reader
"Fiction about immigrants tends toward melancholy and tragedy. Dimitri Nasrallah’s new novel delivers something different. Hotline suggests that immigrant literature may be able to navigate its own course between the Scylla of despair and the Charybdis of naïveté. The problems of bootstraps narratives aside, happy endings are still worth writing." – Amanda Perry, The Walrus