Canadian Books

"The emergence of our true selves is all of our life's work. Pageboy helps chart the course." ―Jamie Lee Curtis

"Searing, deeply moving, and incredibly poignant... This isn’t simply a book on what it means to be trans, it’s about what it means to be human." ―Alok Vaid-Menon

NAMED A MOST ANTICIPATED BOOK by Salon, The Week, Elle, Bustle, and more.

Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.

As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough.

The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame ― and stepping into who we truly are with strength, joy and connection.

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

A sparkling, reader-favourite rom-com for fans of You’ve Got Mail, set in competing halal restaurants  

“A novel of wit, heart, substance and depth—a love story that explores the challenging issues of our times.” —Ausma Zehanat Khan 

“Readers won’t be able to put this Own Voices Muslim romance down.” —Library Journal (starred review) 

Sales are slow at Three Sisters Biryani Poutine, the only halal restaurant in the close-knit Golden Crescent neighbourhood. Hana waitresses there part-time, but what she really wants is to tell stories on the radio. If she can just outshine her fellow intern at the city radio station, she may have a chance at landing a job. In the meantime, Hana pours her thoughts and dreams into a podcast, where she forms a lively relationship with one of her listeners. But soon she’ll need all the support she can get: a new competing restaurant, a more upscale halal place, is about to open in the Golden Crescent, threatening Three Sisters.

When her mysterious aunt and teenage cousin arrive from India for a surprise visit, they draw Hana into a long-buried family secret. A hate-motivated attack on their neighbourhood complicates the situation further, as does Hana’s growing attraction for Aydin, the young owner of the rival restaurant—who might not be a complete stranger after all.

As life on the Golden Crescent unravels, Hana must learn to use her voice, draw on the strength of her community and decide what her future should be. 

Uzma Jalaluddin

Biography

UZMA JALALUDDIN is the bestselling author of Ayesha at Last and Hana Khan Carries On, both of which have been optioned for film, the latter by Mindy Kaling. A high school English teacher, Jalaluddin is also a contributor to the Toronto Star and the Atlantic. She lives near Toronto with her family.

Critical Praise

Jalaluddin portrays a swoon-worthy romance as skilfully as she captures the heart of a community. A novel of wit, heart, substance, and depth—a love story that explores the challenging issues of our times.  — Ausma Zehanat Khan, author of A Deadly Divide

A sweet and satisfying retelling of “You’ve Got Mail” and absolutely irresistible. I read the whole book in one sitting and cannot wait for more from Uzma Jalaluddin!  — Sonya Lalli, author of Serena Singh Flips the Script

Hana Khan Carries On serves us all the ingredients of a delicious tale: a dynamic setting, vibrant characters, a romantic problem of wires-crossed proportions, and a lead you’ll find yourself rooting for until the end. Truly a burst of joy!   — S.K. Ali, author of Love from A to Z

A grand celebration of a novel: big, noisy, and joyous. Jalaluddin’s new book is a wholly original romantic comedy for our times, with irresistible banter, near-misses, ulterior motives, and an all-out Bollywood-style climax. I loved it. — Kate Hilton, author of Better Luck Next Time

Cute, emotional, and ultimately joyful. A romance with a warm heart, one wrapped in the bonds of family and friendship, this book left me with a delighted smile on my face. — Nalini Singh, New York Times bestselling author

"Jalaluddin follows Ayesha at Last with another charming contemporary romance, which maintains a fun, energetic mood while tackling serious themes of prejudice." — Publishers Weekly

"The clever and independent protagonist, large cast of vivid characters, strong family ties, and satisfying enemies-to-lovers trope all have the feel of a classic remake and will thoroughly delight readers looking for modern Indian Muslim representation in a love story that hits real-life issues on the way to a very satisfying conclusion." — Booklist

"Packed with emotion, this romance is also a beautifully written coming-of-age story about a first-generation immigrant. Hana is a relatable, flawed narrator, and the other characters are complex, nuanced, and well-developed. The story is intricately plotted, with dramatic, often heartwrenching scenes that build to a satisfying, realistic conclusion.... Readers won’t be able to put this Own Voices Muslim romance down." — Library Journal (starred review)

"A delicious treat filled with South Asian fervor and Canadian heart." — Kirkus Reviews

“Jalaluddin cleverly illustrates the social pressures facing young Indian-Muslim adults...a highly entertaining tale of family, community, and romance.” — Publishers Weekly (starred review)

"A delicious and entertaining novel.” — Kirkus Reviews (starred review)

“Come for Darcy reimagined as a hyper-conservative young man and Elizabeth Bennet as a wannabe poet frustrated by family obligation; stay for Uzma Jalaluddin’s warm portrait of life for twentysomething Muslims in suburban Toronto struggling to honor their heritage while pursuing their dreams.” — The Globe and Mail

"'Ayesha at Last' is light and incandescent and deeply pleasurable from start to finish." — Christian Science Monitor

"There’s an overabundance of Pride and Prejudice retellings, but few are as thoughtful and creative as this stellar debut from an author to watch." — Library Journal (starred review)

"Jalaluddin constructs a timely and enlightening narrative that validates the experiences of many South Asians and Muslims today, while weaving in universal themes of identity, class, and discrimination....Ayesha at Last's fictional universe acts as a microcosm of a diverse and oft-misunderstood community, and Jalaluddin's compassionate and sensitive writing about it radiates off the page." — NPR

“Ayesha At Last is a beautiful testament to the power of family, kindness, and getting out of one’s own way.” — Entertainment Weekly

“[An] irresistible debut.” — Goodreads

“This sweet debut novel ticks all the boxes for one of summer’s best reads: it’s smart, witty, romantic and utterly charming.” — Canadian Living

"Ayesha at Last is a delight from the first word to the last. Rich with cultural texture, replete with social nuance, and brimming with humor, it is one of the best retellings of Austen’s Pride & Prejudice.”  — Frolic

“An uproarious romp, filled with farcical cases of mistaken identity, disastrous proposals and a big Bollywood wedding.” — Toronto Life

“This is the book I’ve been waiting for since my long-running Jane Austen obsession. Move over Darcy, Khalid’s in town.” — S. K. Ali, author of Morris Award finalist, Saints and Misfits

“Uzma Jalaluddin blazes a brilliant new trail with Ayesha At Last, a captivating romance set in the Muslim community, brimming with humour and heart. You will fall in love with Ayesha and Khalid—an Elizabeth and Darcy for our times.” — Ausma Zehanat Khan, author of A Dangerous Crossing

“Ayesha At Last is the modern Pride & Prejudice retelling I never knew I needed. Warm, witty, romantic, and relatable. Honestly, Darcy who? Khalid is everything.” — Alisha Rai, award-winning author

A haunting debut novel where dreams, family and spirits collide

Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.

Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie's life spirals into a living nightmare—crows are following her around and she's getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.

Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.

Critical Praise

"With creeps that are ever-creepy and love flowing like beer at a bush party, Bad Cree is a book about the power of dreams, home and family. It reads like a tribute to the ones who came before us Lee Maracle, Jeanette Armstrong, Eden Robinson. This book is tough iskwew in flannel shirts with long unbrushed hair, just looking good. It’s tea rings on Formica tables, cigarette smoke wafting through windows, and an eerie magical realism that only belongs to the bush. Full of Auntie power, Jessica Johns is really coming into her own immense storytelling ways."  — Katherena Vermette, author of The Break and The Strangers

"Bad Cree is a masterwork of creeping tension. Wry, moody and subversive, Johns explores the power of connections, both the harm and the healing, with characters rich and warm, tangled in each other, to the land and to the supernatural. Couldn't put it down."   — Eden Robinson, author of the Trickster trilogy

"Bad Cree deftly explores the permeable boundaries of dreams, reality, and culture, as well as complex family dynamics and relationships. A compelling novel that is a mystery and a horror story about grief, but one with defiant hope in its beating heart." — Paul Tremblay, author A Head Full of Ghosts and The Pallbearers Club 

“In evocative yet understated prose, Jessica Johns weaves a captivating tale of love, loss, the violence of greed and the healing power of family. In Bad Cree, Johns delivers a suspenseful and thought-provoking page turner you won’t want to put down.”
— Michelle Good, #1 bestselling author of Five Little Indians

"Both tactile and dreamy, terrifying and beautiful, Bad Cree will wrap you up and pull you along for the journey -once it starts, there’s no backing out, no pause, no stall. I have been waiting years for Jessica John’s books – I say books because there had better be more! She did not disappoint." — Cherie Dimaline, author for The Marrow Thieves and Empire of Wild

“Reading this book is like getting lost inside of a cloud. Jessica Johns has captured the strength, joy and devastation of community and siblinghood and also the powers within. . . . I suggest reading this alongside a friend, or a sibling or an aunty. It’s a surreal dreamy unraveling delight you’ll want to hug about.  — Téa Mutonji, author of Shut Up You're Pretty

“The novel serves as a window into a world where dreams intersect with waking reality, and where that unseen dimension is as much a part of the life of a tight-knit family and community as bingo, jokes, and video games. It works equally well as spine-tingling thriller and a touching meditation on grief.”
— Publishers Weekly (starred review)

"A single death sets this story in motion, but Johns used one lost life to explore generational trauma and the ways in which families and communities can break harmful cycles and heal themselves. At the same time, she delivers a narrative that is truly chilling and suspenseful." — Kirkus Reviews

“Johns laces cryptid terror into the sense of loss that her community feels. . . Visceral details will have readers hanging on the edge of every chapter, waiting to see when the wheetigo will strike next. Perfect for fans of Ramona Emerson’s Shutter and Stephen Graham Jones’ The Only Good Indians—Johns is a writer to watch.”  — Booklist (starred review)

“[Bad Cree] is. . .a story about grief and family and the lingering effects of the infringement of industrialism on native lands. . .When the book ends, what readers will remember most are the moments these characters shared together, playing cards and talking late into the night.” — Library Journal

"A narrative that is truly chilling and suspenseful. A powerful exploration of generational trauma and an artful, affecting debut.”  — Kirkus Reviews

It wasn’t too long ago that goalies didn’t wear masks. They faced rock-hard pucks flying at them without much protection—until Montreal Canadiens goalie Jacques Plante had enough. Jacques Plante had broken many bones: his nose (four times), his cheekbone (twice—the right one, then the left), and he’d even fractured his skull. So Plante got to work, stood up to the people who laughed at him and helped develop the first goalie mask.

Ideal for young hockey fans and future stars, this level-2 I Can Read book is perfect for children learning to sound out words and sentences.

A picture book about how we can show love to difficult feelings, from the acclaimed author of M Is for Mustache: A Pride ABC Book and I Promise

When you're someplace unfamiliar

How do you feel?

Does your feeling live in your tummy where strange creatures roam in fields of prickly grass?

Does it want to burrow its head deep in the sand where no one can find it?

In Catherine Hernandez's new picture book, young readers are encouraged to show compassion to themselves, their families and their communities, and to imagine where inside themselves they keep their feelings.

Championing young people for weathering the storms of their many emotions and trying their best, Where Do Your Feelings Live? is a gentle celebration of all the tricky feelings that make us who we are. This buoyant and touching text is brought vibrantly to life by illustrations from Quebec artist Myriam Chery.

About the Book

Marvel’s newest recruit shares his own inspiring and unexpected origin story, ranging from China to the bright lights of Hollywood. An immigrant who battled everything from parental expectations to cultural stereotypes, Simu Liu struggled to forge a path for himself, rising from the ashes of a failed accounting career (yes, you read that right) to become Shang-Chi.

Our story begins in the city of Harbin, where Simu’s parents have left him with his grandparents while they seek to build a future in Canada. One day, a mysterious stranger shows up; it’s Simu’s father, who whisks him away from the only home he has ever known to the land of opportunity and maple syrup. 

Life in the new world, however, is not all that it was cracked up to be. Simu’s new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings. His parents, on the other hand, find their new son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language and values. 

As Simu grows up, he plays the part of the ideal son well, getting A’s at school, crushing national math competitions and making his parents proud. But as time goes on, he grows increasingly disillusioned with the expectations placed on his shoulders, and finds it harder and harder to keep up the charade. Barely a year out of college, he hits rock bottom when he is laid off from his first job as an accountant. Unemployed, riddled with shame and with nothing left to lose, Simu sees an ad on Craigslist that will send him on a wildly unexpected journey into the mysterious world of show business. Through a swath of rejections and comical mishaps, Simu’s determination leads him to succeed as an actor and to open the door to reconciling with his parents.

We Were Dreamers is more than a celebrity memoir—it’s a story about growing up between cultures, finding your family and becoming the master of your own extraordinary circumstances.

Critical Praise

“A sincere, funny, and fascinating love letter to family, and a guidebook to pursuing your dreams.” — Olivia Munn

“Don’t let Simu Liu fool you. On the outside you may see boyish good looks, talent, and a body made of tightly coiled muscle. But on the inside? It’s quite good-looking in there, too. Strong heart, beautiful ligaments, and a soul made of spun sugar. Also, he wrote this hilarious and heartfelt story about growing up, finding yourself, and seizing your moment.” — Ryan Reynolds

“Oh great, another underdog story of overachievement. Just what we needed.” — Ronny Chieng

"In this triumphant debut, Liu, star of Marvel’s Shang-Chi and the Legend of the Ten Rings, traces how he followed his immigrant dream' all the way to the big screen. . . .The book’s beating heart, however, lies in the affecting story of his family’s path to healing: 'My parents are beaming with pride at the son who has disobeyed practically every single order they had ever given.' This real-life hero’s journey is a knockout." — Publishers Weekly (starred review)

“Like your favourite superhero, within the first few pages, this book made me feel like I could do anything.”  — Shifter Magazine

“[We Were Dreamers] is an excellent celebrity memoir that takes readers beyond the velvet rope and into the life of one of Canada’s most beloved stars. Simu’s story gives readers a chance to know a different side of him as he creates a compelling narrative of his life in words.”  — The Daily Hive

In the grand finale of Elise Gravel's graphic chapter book series that Kirkus called "a charming treasure," Arlo the crow is going to be a dad! The third book in this quirky series from acclaimed author Elise Gravel is perfect for fans of Narwhal and Jelly and Castronauts.

Parenting is tough—even for a genius like Arlo—but luckily he isn’t alone: his partner Marla and Uncle Pips are there to help! From building a new nest and taking care of Marla while she incubates the eggs to teaching the chicks everything they need to know, Arlo has his wings full. Join Arlo, Pips, Marla, and the new chicks as they explore this next big chapter in their lives.

Snappy dialogue paired with a limited color scheme that's perfect for newly independent readers, this final story has tons of amazing "kid-pleasing" bird facts.

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

Everyone's crowing about Arlo & Pips, with Kirkus praising book 1 as "a perfect match for newly independent readers"! 

Arlo is lonely and is looking for more friends in the city. This second book in the quirky graphic chapter book series from acclaimed author Elise Gravel is perfect for fans of Narwhal and Jelly and Castronauts.

Crows are very social birds, and even with Pips as company, Arlo misses hanging out with other crows. One day, he and his pal Pips meet a very special crow who knows how to do all kinds of cool stuff. Despite being super-smart himself, Arlo realizes that he might still have things to learn!

Has Arlo finally met his match? Elise Gravel presents a sequel full of her signature witty humor and more fascinating crow facts. 

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

FINALIST FOR THE GOVERNOR GENERAL'S LITERARY AWARD

FINALIST FOR THE OLA SILVER BIRCH AWARD

The literary scavenger hunt of a lifetime, starring an endlessly endearing non-binary tween

Zed Watson loves a few things: their name (which they chose themself!), their big rambunctious family, and—oh yeah—monsters. When Zed discovered the mystery surrounding an unpublished novel called The Monster’s Castle, they were completely hooked. Now Zed is a member of a small but dedicated legion devoted to finding the long-buried text.

When a breakthrough discovery leads Zed to the route that they are sure will take them to the treasure, they know it’s time for a road trip. And with the help of their shy, flora-loving neighbour, Gabe, and his sister, Sam, a geologist who is driving back to college in Arizona, Zed and company are soon off on a wild adventure following cryptic clues.

But it’s not all fun and games. Gabe doesn’t like Zed’s snacks, Sam is a bossy driver with total command of the ancient Impreza’s stereo, and Zed is often misgendered. It’s a good thing they also encounter kind strangers, potato-themed dance-offs and lots and lots of ice cream along the way. If Zed and Gabe can combine their strengths, survive Sam’s wrath and best the greedy historian who’s also hot on the book’s trail, they just might find the greatest treasure of all.

Co-authored by child-parent duo Basil Sylvester and Kevin Sylvester, this is a vibrant and enormous-hearted story about friendship, identity and belonging. It features illustrations by celebrated author and illustrator Kevin Sylvester, and an Own Voices perspective based on Basil’s experience.

_________________

About David Johnston

One of Canada's most respected and beloved governors general, David Johnston is a graduate of Harvard, Cambridge, and Queen's universities. He served as dean of law at Western University, principal of McGill University, and president of the University of Waterloo. He is the author or co-author of twenty-five books, holds honorary doctorates from over twenty universities, and is a Companion of the Order of Canada (C.C.). Born in Sudbury, Ontario, he grew up in Sault Ste. Marie. He is married to Sharon Johnston and has five daughters and fourteen grandchildren.…

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. 

Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin’s advice just to endure, where living with the struggle and the pointlessness of writing is the point.

Praise for On Writing and Failure

“The Canadian novelist and essayist describes the defining role rejection has played in his career and reflects on its importance in the lives of notable writers, from Ovid to Dostoyevsky and Baldwin.”
—New York Times

“I want to buy up a big lot of Marche’s contribution and hand them out to anyone struggling to write”
—Vanity Fair

“[Marche’s] writing style is buoyant and funny. […] When the stars are aligned, someone writes a work as provocative, informed and droll as On Writing and Failure.”
—Maureen Corrigan, NPR

“While writing starts with one person, an empty page and an urge to say something, it ends with another person reading your words, digesting them and making a judgment. In the process the reader owns your words and makes something of them […] That’s why I’m keeping On Writing and Failure on my desk—for encouragement—which I am guessing is Marche’s true purpose in writing the book.”
—Globe and Mail

“On Writing and Failure romps through a series of anecdotes about the thwarted aspirations of authors so as to instruct a ‘kid writer’ not to hope for anything.”
—Literary Review of Canada

“In On Writing and Failure, Marche attempts to reset the way we talk about such struggles. He stomps Freytag’s Pyramid flat. […] Marche’s book isn’t a pep talk, but it’s not intended to cut you off at the knees. His sole prescription is stubbornness. ‘You have to write.'”
—Washington Post

“Marche reaches something deeper when he reminds us that many of these famous literary figures couldn’t make a living wage with their writing […] The book is endlessly quotable, and at times very funny.”
—Winnipeg Free Press

“Marche’s purpose is not to discourage young tyros from taking up the pen but to inform them—via repeated commands of ‘no whining’—that writing is not the path to success, riches or even, often, respect; writers write in spite of failure.”
—The New Statesman

“Marche is reluctant to give generalized advice, but what he does offer cuts right through the bullshit.”
—Broken Pencil

“On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer must be considered essential reading for anyone seeking to write for a living, be it as a novelist, essayist, poet, columnist, or any other writing genre. Itself exceptionally well written.”
—Midwest Book Review

“On Writing and Failure is a slim little truth bomb I wish had been written when I first harboured notions of writing to be published.”
—Policy Magazine

“Marche’s advice to writers, then, is to ‘keep throwing yourself at the door.’ Keep racking up rejections, keep amassing failures. Endure long enough, and eventually there will be a breakthrough, however arbitrary, however fleeting. On Writing and Failure is thus both a dark glimpse into the trials of creativity—and a comfort, a consolation.”
—Lean Out with Tara Henley

“Not only could I brave it; I managed to relish it.”
—Miramichi Reader

“On Writing and Failure is less about writing and more about perseverance. Reading it reminded me of all the things I thought impossible before I tried them and now find impossible to live without. Writing is one of those things.”
—Compulsive Reader

“A sparkling cocktail of bittersweet jokes and fizzing truth bombs.”
—Jonathan Coe, author of Bournville

“Number 6 in the Biblioasis Field Notes Series. A tiny book that holds enough to be a repeated reference. Any writer will benefit from having this honest exposure to the importance of failing. It is a harsh, and still kind, reminder that the effort is more important than the result—because without the effort there isn’t a chance of anything at all.”
—Carrie Koepke (Skylark Books), The Columbia Daily Tribune

“A paean to persistence, a celebration of art for its own sake, and my favorite entry yet in the excellent Field Notes series from Biblioasis.”
—James Crossley, Madison Books

“A central (perhaps the central) paradox of the writing life is this: in order to churn out the freest, most generous, truest work possible, the writer must embrace the utter and complete futility of the task of writing. As a writer at the beginning of a new project, I couldn’t ask for a better companion to carry me through the coming, inevitable, necessary days of failure, joy, and frustration. Marche’s essay is such a heartening guide through the writer’s life (of failure). As a reader, Marche’s perspective on the lives, hopes, frustrations, and failures of some all-time greats is nothing short of a marvel. It’s like being able to see into the upside-down of centuries of literature. Any person interested in language, books, stories, and meaning-making will find themselves richer for reading this exceptional little book.”
—Chris Lee, Boswell Book Company

Praise for Stephen Marche

“How Shakespeare Changed Everything is fun and informative, with more than its share of ‘Aha!’ moments packed between its diminutive covers. Mr. Marche’s thesis is compelling and probably more true than we ever imagined.”
—New York Journal of Books

“So dazzling, so unsentimental … A work that is both beautiful and confusing. In other words, an honest love story.”
—New York Times

“Stephen Marche is capable of writing … any darn thing he wants.”
—Globe and Mail

“Brilliant … Marche has created a stunning, evocative, and impressionistic account of the ascent of wealth in the twentieth century. . . . The Hunger of the Wolf could be Marche’s breakthrough novel.”
—Booklist, starred review

“A dazzling virtuoso piece. Marche turns the making of a family’s fortune into a fascinating, bloody fairy tale.”
—Emma Donoghue, author of Room and Frog Music

“Untrammelled, unfettered, unprecedented, unselfconscious and friggin’ unbelievable, this book busts the novel open, makes literature an open question, and maps out brave new worlds for the reader to spelunk. With Raymond and Hannah I knew this guy was up to something brilliant. Shining at the Bottom of the Sea tells me I hadn’t the faintest idea.”
—Daniel Handler, author of Adverbs

Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class—and what will happen when we do.

Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply affected: the working class and poor.

On Class is an exploration of the ways in which we talk about class: of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the question: What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?

Praise for On Class

“The author uses her own experience of growing up poor to thread interviews with writers and activists about the barriers to success in Canada’s widening class divide.”
—Globe and Mail

“I really enjoyed Deborah Dundas’s small and brave book On Class. She addresses the need to speak about the different classes in Canada, and the ways it is almost impossible to cross their divides.”
—Heather O’Neill, author of When We Lost Our Heads

“On Class is urgent and wise, written with Dundas’ trademark wit and crisp prose. Raw and smart, it urges readers not to look away from the complexity of issues affecting the poor and working class, especially in a time of constant political, economic, and social turmoil.”
—Open Book

“A nifty, provocative little book.”
—Winnipeg Free Press

“On Class is a great read, perfect for readers less familiar with the notion of class and what it really means, but also interesting and thoughtful enough for those who have already begun to engage with the topic. Dundas pulls a lot of threads together in this volume, but it works really well and serves as an excellent, broad starting point.”
—The Miramichi Reader

“On Class might be a quick read, but it is definitely an important one.”
—The Quarantine Review

“[Dundas] shares her own experience of growing up poor and facing class-driven barriers to success.”
—Zoomer

“Why does our society put so much emphasis on individual achievements and pay so little attention to collective ones? On Class doesn’t offer answers to these critical issues and questions—a task beyond any one volume—but it does offer a pleasing invitation to reflect upon them.”
—Monitor

Praise for the Field Notes series

“A clear-eyed assessment of the links between property, policing, and the subjugation of Black people … Walcott’s analysis of the ways in which white supremacy is baked into the legal systems of Canada and the U.S. is stimulating. Progressives will embrace this well-conceived call for change.”—Publishers Weekly

“Running a brief but far-reaching and punchy 96 pages, On Property has an absolute certainty of purpose: calling for the abolition of private property ownership … [If] statements such as ‘the problem of property is resolved through its removal’ or calls to ‘abolish everything’ can make some people quake, when Walcott’s pamphlet argues for the human ability to reconsider and rebuild societal structures, the stances come across as sensible and, better yet, doable.”—Toronto Star

“Rinaldo Walcott locates his contribution to the Field Notes series on current issues, On Property, in the present political moment, while using historical references and events to argue for the abolition of police and property … Walcott concludes his case by asking for a new ethics of care and economy that does not keep feeding into the incarceration system, a system rigged to continue Black suffering … It is a question we must ask ourselves after reflecting on the ways in which we, too, are complicit.”—Quill & Quire

“Kingwell offers a slender, thoughtful, sometimes meandering disquisition on risk that “is inflected (or infected) by the virus, but not precisely about the virus—except as it grants new urgency to old questions of risk and politics. A host of cultural allusions—from Shakespeare to the Simpsons, Isaiah Berlin to Irving Berlin, Voltaire, Pascal, and Derrida—along with salient academic studies inspire Kingwell to examine the many contradictory ways that humans handle risk … An entertaining gloss on an enduring conundrum.”—Kirkus Reviews

“Urgent, far-reaching and with a profound generosity of care, the wisdom in On Property is absolute. We cannot afford to ignore or defer its teachings. Now is the time for us-collectively-to take up the challenge in this undeniable gift of a book.”—Canisia Lubrin, author of The Dyzgraphxst and Voodoo Hypothesis