Canadian Books

On his fifteenth birthday, in the summer of 1880, future science-fiction writer M.P. Shiel sailed with his father and the local bishop from their home in the Caribbean out to the nearby island of Redonda—where, with pomp and circumstance, he was declared the island’s king. A few years later, when Shiel set sail for a new life in London, his father gave him some advice: Try not to be strange. It was almost as if the elder Shiel knew what was coming.

Try Not to Be Strange: The Curious History of the Kingdom of Redonda tells, for the first time, the complete history of Redonda’s transformation from an uninhabited, guano-encrusted island into a fantastical and international kingdom of writers. With a cast of characters including forgotten sci-fi novelists, alcoholic poets, vegetarian publishers, Nobel Prize frontrunners, and the bartenders who kept them all lubricated while angling for the throne themselves, Michael Hingston details the friendships, feuds, and fantasies that fueled the creation of one of the oddest and most enduring micronations ever dreamt into being. Part literary history, part travelogue, part quest narrative, this cautionary tale about what happens when bibliomania escapes the shelves and stacks is as charming as it is peculiar—and blurs the line between reality and fantasy so thoroughly that it may never be entirely restored.

Praise for Try Not to Be Strange

“This combination literary history, travelogue and cautionary tale tells the history of the formerly uninhabited Caribbean island of Redonda and its development into a ‘micronation’ ruled by writers, beginning with the science fiction author M.P. Shiel in 1880.”
—New York Times

“That spirit, the tongue-in-cheek mock seriousness of the whole endeavour, and the playfulness of its participants, is a keen factor in Try Not to Be Strange. The book is a delightful reading experience, utterly unexpected and unlike anything you are likely to read this year.”
—Toronto Star

“A wonderfully entertaining book, an account of how its Canadian author grew fascinated with a literary jape, a kind of role-playing game or shared-world fantasy involving some of the most eccentric and some of the most famous writers of modern times.”
—Washington Post

“Highly recommend … The fact that it involved M.P. Shiel is just the beginning of the strangeness. Great read!”
—Patton Oswalt

“Hingston traces the story of one of the strangest kingdoms in the world … a fascinating account.”
—Winnipeg Free Press

“Try Not to be Strange is an enjoyable account of a bizarre not-quite-real place, with a rich cast of characters—not least Hingston himself, who amusingly tracks his own obsessiveness.”
—Complete Review

“Combining travelogue, memoir, and literary history, Hingston has crafted a fascinating tale full of eccentric characters. Editions of all sizes play a role in the drama, and bibliophiles will also relish the author’s auction experience.”
—Fine Books and Collections Magazine

“Try Not to Be Strange is a passionate and skillfully written exploration of an extraordinary world and those who search for such places to get to the heart of what stories really mean. Hingston’s thirst for deeper knowledge is palpable, and it illuminates what the kingdom might really stand for.”
—Quill & Quire

“Full of colorful personalities, exotic locales, and unexpected twists, this is a jaunty historical footnote.”
—Publishers Weekly

Praise for Michael Hingston

“[Hingston] does it all with a delicious sense of humour.”
—Quill & Quire (starred review)

“Wise and love-driven … full of observations, analysis, and well-researched history.”
—Edmonton Journal

“A fresh take on the campus novel, Michael Hingston’s debut is a droll, incisive dissection of the terrible, terribly exciting years known as post-adolescence.”
—Patrick deWitt, author of The Sisters Brothers

“This book captures the joy and excitement at first discovering Calvin and Hobbes, and the wistful sadness that it is no more.”
—Patton Oswalt

“The Dilettantes is a whip-smart and very funny literary portrait of the post-ironic generation. Don’t miss this.”
—Zoe Whittall, author of The Best Kind of People

“His insights are rich and concise, but he never commandeers the work, as is the habit with writing about pop culture. As a critic, Hingston uses light touches of salt to bring out the flavours already in the work … A fine companion to a comic about a kid without much interest in companionship.”
—Bookshelf News

“This book is magical in every sense of the term.”—Amanda Leduc, author of The Centaur’s Wife and Disfigured: On Fairy Tales, Disability, and Making Space

A journalist and folklorist explores the truths that underlie the stories we imagine—and reveals the magic in the everyday.

“I’ve always felt that the term fairy tale doesn’t quite capture the essence of these stories,” writes Emily Urquhart. “I prefer the term wonder tale, which is Irish in origin, for its suggestion of awe coupled with narrative. In a way, this is most of our stories.” In this startlingly original essay collection, Urquhart reveals the truths that underlie our imaginings: what we see in our heads when we read, how the sight of a ghost can heal, how the entrance to the underworld can be glimpsed in an oil painting or a winter storm—or the onset of a loved one’s dementia. In essays on death and dying, pregnancy and prenatal genetics, radioactivity, chimeras, cottagers, and plague, Ordinary Wonder Tales reveals the essential truth: if you let yourself look closely, there is magic in the everyday.

Praise for Ordinary Wonder Tales

“The mix of heady and magical will be spellbinding to memoir readers with a ready sense of wonder.”—Publishers Weekly

“Urquhart is a folklorist and, in this book, she explores in essays the truth that underlies the fairy tales we know, and the magic in the everyday.”—Toronto Star

“In Ordinary Wonder Tales, Urquhart stylishly combines her personal experiences with her academic expertise, leading to a reading experience that feels entertaining and casual yet also edifying … It’s a testament to Urquhart’s own formidable storytelling skill that each of her essays inspires a quiet awe.”—LIBER: A Feminist Review

“Ordinary Wonder Tales will have readers conjuring up memories of their first encounters with fairy tales, fables, and storytelling … if you’re compelled to imagine the mysterious forgotten worlds of imagination, of fables and possibilities … you’ll probably need to pick up [this book].”—Miramichi Reader

“A collective masterpiece of literary criticism, insights, observations, perceptions, and appreciation, Ordinary Wonder Tales by Emily Urquhart is an extraordinarily thoughtful and thought-provoking read.”—Midwest Book Review

“Urquhart’s corrobation of legends to day-to-day life offers the same getaway and warmth that indulging in a supernatural world can. So, to all the retired fantasy lovers out there, please do yourself a favor and read this book.”—The Link

“Ordinary Wonder Tales is so well-written, so full of enriching, unexpected connections, so captivating; a reader will be tempted to consume it in gulps, and then go back for seconds.”—The Telegram

“Urquhart draws connections between the experiences of everyday life—love, grief, pride, fear—and the imaginative universes of the stories we tell and retell.”—Quill & Quire

“I am devouring it … It’s incredibly current, even urgent.”—Joan Sullivan, Newfoundland Quarterly

“These essays—beautiful, rich and absorbing—will change the way you see your place in the world, and they’ll leave you noticing all the magic at its fringes.”—Kerry Clare, Pickle Me This

“A highly readable, fascinating collection … The pieces are thoughtful and … enriching. The book is captivating, and as one critic has said, spellbinding.”—TheCommentary

“In this collection of essays, Urquhart seamlessly melds her research with snippets of everyday life on topics including death and dying, the plague, and pregnancy.”—Toronto Life

“With insight, compassion, and skill, Emily Urquhart’s essays delve into the intricate wonders of our lives. This book is magical in every sense of the term—a beautiful ode to both the natural world and the supernatural one, and all of the ways in which our human hearts traverse the space between these shifting places.”—Amanda Leduc, author of The Centaur’s Wife and Disfigured: On Fairy Tales, Disability, and Making Space

Praise for Beyond the Pale

“[Urquhart] isn’t afraid to make the personal political, to delve into her particular experience while also acknowledging its limits and investigating what lies beyond them. Urquhart’s as interested in championing individuality as she is in embracing our shared humanity. But she never shies away from the fact that cherishing both can be a knotty, contradictory affair.”
—Globe & Mail

“A courageous and ambitious book. Beyond the Pale offers an intimate account about raising a daughter with albinism, a lucid portrait of related genetic, medical and social issues, and a disturbing reminder of the brutal violence that many people with albinism continue to face today.”
—Lawrence Hill, author of The Book of Negroes and Blood: The Stuff of Life

“A brave, thoughtful, clear, and always graceful journey through the terrifying randomness of genetics and the unexpected ways genetic anomalies can mark not just children, but all the lives around them.”
—Ian Brown, author of The Boy in the Moon: A Father’s Search for his Disabled Son

“A graceful, perceptive rendering of a misunderstood condition.”
—Kirkus Reviews

“Folklorist Urquhart writes poetically and movingly about her daughter … readers will weep and smile.”
—Booklist

The inspiring story of an ordinary man who, from humble beginnings and against the odds of a devastating illness, has led—is leading—an extraordinary life.

To many people, Walter Gretzky is the ultimate dad, the father of the Great One, Wayne Gretzky, and the first inspired coach to a talented young boy. Walter’s major insight into hockey—that a player should “go where the puck is going”—guided Wayne’s brilliant style, and Wayne himself has said about his talent: “It’s God-given. It’s Wally-given.” It's safe to say that no other famous hockey player’s father is held in such high esteem, and that Walter Gretzky has carved out this singular niche in his own right.

Now, for the first time, Walter tells at length the story of his life, about growing up on a small family farm, about meeting and marrying Phyllis, about raising four boys and a girl in a modest home in Brantford on the salary of a telephone repairman, about hanging onto his modesty and values when the comet of talent and celebrity hit.

Walter also talks about the process of recovering from a stroke that came close to killing him ten years ago. Through his own grit and determination, and with the help of dedicated therapists and doctors, his family and friends, Walter battled back from an aneurysm that left him with many cognitive difficulties and destroyed a decade of memories—including his recollection of the death of his mother and almost all of Wayne’s NHL triumphs of the eighties.

As many of the people who have encountered Walter even briefly will testify, he is very charismatic, and it’s his extraordinary compassion, which has flourished since his stroke, that makes him so compelling. Yes, he struggles with some limitations, but he has also discovered a calling in helping others. All of his many public speaking engagements are for charity, and this book would not exist were it not for Walter’s role as the official spokesperson for Canada’s Heart and Stroke Foundation. The only way he would ever agree to talk about himself at such length was in the hope that his experience with stroke would be useful to other people. “Every second of every day is important to me,” he writes, “and I only hope that if telling my story can help even one person, then all of this will be worth it. And remember, there is life after stroke…look at me!”

From practical to playful, inspired recipes that reveal the hidden potential of plants

At the award-winning restaurant, The Acorn, plants are celebrated: explored, enhanced, coaxed with creativity, and dressed for a night of being the center of attention and the phenomenal focus of every plate. In their first cookbook, Shira Blustein and Brian Luptak—The Acorn’s owner and chef—share their truly unique recipes, highlighting the endless possibilities that come when cooking with the seasonal and wild-crafted ingredients gifted to us by nature. Defying categorization, with dishes that are anything but predictable, this cookbook will leave even the staunchest of meat eaters satisfied.
 
The recipe chapters are structured by season, with an Essentials chapter at the start of the book—full of pickles, vinegars, oils, and plant-based alternatives—and a Cocktails chapter at the back. All the recipes are broken into components, and range from the simple but sublime Spring Radishes with Ashed Spring Onion Almond Sauce, Fried Garlic Scapes or Stinging Nettle Soup, to the intriguing Fried Zucchini Blossoms with Fermented Zucchini Purée and Apricot Chili Sauce, Smoked Caramelized Parsnip and Potato Pâté, or Squash and Chanterelle Gnocchi. And the recipes focus on minimizing waste and maximizing the potential of each plant—as the stems of one recipe become the pickled star of another.
 
Encouraging us all to be adventurous with our vegetables, Acorn offers a year’s worth of seasonal recipes, infused with brilliant creativity. Visually compelling, and masterfully thought through, Acorn takes vegetarian cooking to the next level, and is a cookbook to read, admire, and inspire.

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DANNY RAMADAN (he/him) is a Syrian-Canadian author, public speaker, and advocate for LGBTQ+ refugees. His debut novel, The Clothesline Swing, was shortlisted for the Lambda Literary Award, longlisted for Canada Reads, and named a Best Book of the Year by The Globe and Mail and Toronto Star. He has an MFA in Creative Writing from UBC and currently lives in Vancouver with his husband.

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Tsering Yangzom Lama holds a BA in creative writing and international relations from the University of British Columbia, and an MFA from Columbia University. Born and raised in Nepal, Tsering has lived in Toronto, New York City, and Vancouver, where she now resides. We Measure the Earth with Our Bodies is her first novel. 

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

NEW YORK TIMES EDITORS’ CHOICE • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

“This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity.”—Library Journal (starred review)

“The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.

Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.

The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.

All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction.

For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.

The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

Imagine a world in which people see themselves as embedded in the natural order, with ethical responsibilities not only toward each other, but also toward rocks, trees, water and all nature. Imagine seeing yourself not as a master of Creation, but as the most humble, dependent and vulnerable part.  
 
Rupert Ross explores this indigenous world view and the determination of indigenous thinkers to restore it to full prominence today. He comes to understand that an appreciation of this perspective is vital to understanding the destructive forces of colonization. As a former Crown Attorney in northern Ontario, Ross witnessed many of these forces. He examines them here with a special focus on residential schools and their power to destabilize entire communities long after the last school has closed. With help from many indigenous authors, he explores their emerging conviction that healing is now better described as “decolonization therapy.” And the key to healing, they assert, is a return to the traditional indigenous world view.
 
The author of two previous bestsellers on indigenous themes, Dancing with a Ghost and Returning to the Teachings, Ross shares his continuing personal journey into traditional understanding with all of the confusion, delight and exhilaration of learning to see the world in a different way. 
 
Ross sees the beginning of a vibrant future for indigenous people across Canada as they begin to restore their own definition of a “healthy person” and bring that indigenous wellness into being once again. Indigenous Healing is a hopeful book, not only for indigenous people, but for all others open to accepting some of their ancient lessons about who we might choose to be.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

A Siskiyou Prize Semi-Finalist

A Miramichi Reader Best Fiction Title of 2021

Oil-soaked and swamp-born, the bruised optimism of Huebert’s stories offer sincere appreciation of the beauty of our wilted, wheezing world.

From refinery operators to long term care nurses, dishwashers to preppers to hockey enforcers, Chemical Valley’s compassionate and carefully wrought stories cultivate rich emotional worlds in and through the dankness of our bio-chemical animacy. Full-hearted, laced throughout with bruised optimism and sincere appreciation of the profound beauty of our wilted, wheezing world, Chemical Valley doesn’t shy away from urgent modern questions—the distribution of toxicity, environmental racism, the place of technoculture in this ecological spasm—but grounds these anxieties in the vivid and often humorous intricacies of its characters’ lives. Swamp-wrought and heartfelt, these stories run wild with vital energy, tilt and teeter into crazed and delirious loves.

LONGLISTED FOR THE 2017 SCOTIABANK GILLER PRIZE

Winner of the 2018 Western Canada Jewish Book Awards - Fiction - The Diamond Foundation Prize

Nominated for the 2018 OLA Evergreen Award

Energized, irreverent, novelistic stories full of longing, strange humour, and the complications of human entanglement from Governor General’s Award nominee Deborah Willis


The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humour, these subtle, complex stories—about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter—show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love. 

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Deborah Willis's latest book, The Dark and Other Love Stories, was longlisted for the Scotiabank Giller Prize. Her first book, Vanishing and Other Stories, was named one of The Globe and Mail's Best Books of 2009, and was shortlisted for the Governor General's Award for fiction. Her work has also appeared in The Walrus, The Virginia Quarterly, The Iowa Review, Lucky Peach, The Wall Street Journal, and Zoetrope. She has worked as a bookseller at Munro's Books in Victoria, BC, as a technical writer, and as a writer-in-residence at Joy Kogawa House in Vancouver and at the University of Calgary. Deborah was born and raised in Calgary and is currently the Writer in Residence at MacEwan University in Edmonton.

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents.

On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trailed by crows, a woman far from home struggles to confront an old guilt. As a half-remembered Beach Boys song plays in the background, a daughter recalls the man her father used to be through a tender inventory of their time together. In a community plagued by petrochemical-induced diseases and environmental ruin, a man spends his nights caring for his dying partner and his days navigating a dangerous workplace. An android watches her creators' relationship break down before her eyes. A gang of girls roams the streets of a ravaged city, hunting their would-be predators. In her journey to become a woman and a healer, a Cree girl enters the woods alone to learn the stories and medicines of plants, only to be transformed by an unexpected connection.

The stories included in this volume are contenders for the $10,000 Writers' Trust McClelland & Stewart Journey Prize.

WINNER OF THE 2018 QUEBEC WRITERS' FEDERATION CONCORDIA UNIVERSITY FIRST BOOK PRIZE

LONGLISTED FOR THE 2018 SCOTIABANK GILLER PRIZE

FINALIST FOR THE 2018 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION

A GLOBE AND MAIL BEST BOOK OF 2018

A QUILL & QUIRE BOOK OF THE YEAR

Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.