Canadian Books

From the author of the beloved and bestselling Canada ABC and Canada 123 comes this wonderful addition to the Canada board book series. Come explore some of the many special sports, games, activities and festivals that are a special part of how we love to have fun!

For readers of Lawrence Hill and George Elliott Clarke, a ferociously talented writer makes his stunning debut with this richly woven tapestry. Set in the small Nova Scotia town of Africville, settled by former slaves, Jeffrey Colvin depicts several generations of one family bound together and torn apart by blood, faith, time and fate.

A richly woven story, structured as a triptych, Africville chronicles the lives of three generations of the Sebolt family—Kath Ella, her son, Omar/Etienne, and her grandson Warner—whose lives unfold against the tumultuous events of the twentieth century, from the Great Depression of the 1930s, through the social protests of the 1960s, to the economic upheavals of the 1980s.

A century earlier, Kath Ella’s ancestors established a new home in Nova Scotia. Like the lives of her ancestors, Kath Ella’s is shaped by hardship as she struggles to conceive and to provide for her family during the long, bitter Canadian winters. She must also contend with the locals’ lingering suspicions about the dark-skinned “outsiders” who live in their midst.

Kath Ella’s fierce love for her son, Omar, cannot help her overcome the racial prejudices that linger in this remote, tight-knit place. As he grows up, the rebellious Omar refutes the past and decides to break from the family, threatening to upend all that Kath Ella and her people have tried to build. Over the decades, each successive generation drifts farther from Africville, yet they take a piece of this indelible place with them as they make their way to Montreal, Vermont and beyond, to the deep South of America.

As it explores notions of identity, passing, cross-racial relationships, the importance of place and the meaning of home, Africville tells the larger story of the black experience in parts of Canada and the United States. Vibrant and lyrical, filled with colourful details and told in a powerful, haunting voice, this extraordinary novel—as atmospheric and steeped in history as Any Known Blood, The Known World, George & Rue, The Underground Railroad, Homegoing and The Book of Negroes—is a landmark work from a sure-to-be major literary talent.

Harness the power of lunar magic with 13 essential practices for the modern witch—one for each New Moon of the year.

Fresh, fierce, and unapologetically feminist, this is both guidebook and rallying cry: an intersectional and inclusive magical praxis that resists, disrupts, and opens the door to nourishment, abundance, and transformation—for readers of Psychic Witch and The Spell Book for New Witches

In New Moon Magic, Missing Witches authors Risa Dickens and Amy Torok offer Witchy practices to change your life and reshape the world, without falling prey to the commercialization that belies the true heart—and power—of magic.

Witchcraft is praxis: how we do what we believe, and how we make those beliefs manifest. New Moon Magic is an offering to all witches, honoring the Craft’s roots in centuries of empowerment, survival, and resistance—despite capitalism’s attempts to co-opt and dilute its practice.

Here, Dickens and Torok reclaim tools of witchcraft as the ways and means of enchantment, imbued with magic that resists commodification and capitalism. The authors introduce 13 New Moon practices, each paired with a Witch who embodies the Craft:

• Potions with Cerridwen and St. Hildegard von Bingen

• Divination with Lozen and Harriet Tubman

• The Garden with Mayumi Oda

• Ritual & Ceremony with Genesis P-Orridge

• The Circle with Audre Lorde

Through historical research, interviews, and the authors’ own raw personal stories, New Moon Magic offers wisdom and guidance from real Witches past and present. It shows you how to take up tools and practices, discover (or rediscover) your own magic, and nurture a Witchcraft that creates instead of consumes.

From the award-winning author of On the Trapline comes a cinematic fantasy-adventure story inspired by Indigenous legends.

One summer day, Lauren and her little brother, James, go on a trip to the land with their Moshom (grandfather). After they've arrived, the children decide to fish for dinner while Moshom naps. They are in their canoe in the middle of the lake when the water around them begins to swirl and crash. They are thrown overboard and when Lauren surfaces she sees her brother being pulled away by the Memekwesewak — creatures who live in and around water and like to interfere with humans. Lauren must follow the Memekwesewak through a portal and along a watery path to find and bring back James. But when she finally comes upon her brother, she too feels the lure of the Memekwesewak’s song. Something even stronger must pull them back home. 

When grandma moves in, a precocious child shares her tips for making her feel at home in this funny picture book, for fans of How to Babysit a Grandma.

It can be discombobulating for all involved when a grandma moves in permanently. Fortunately, our narrator has gone through it and has LOTS of tips on how to make your grandma feel at home.

In a story filled with humour, confusion and moments of sweetness, Jennifer Mook-Sang introduces us to a delightful family dynamic and a grandma who doesn’t really need the help settling in but appreciates it anyway. As Grandma goes about her days, her well-meaning granddaughter sees her caring for her plants, and makes sure that Grandma is getting the proper care too.

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JENNIFER MOOK-SANG was born in Guyana, South America, and moved to Canada at the age of fourteen, where she eventually got two degrees in psychology. Reading picture books to her two sons, Matt and Ben, inspired her to become a writer. When she isn't writing, Jennifer likes to read recipe books and cook things like biryani, cassava pone and guacamole. She can also twist a mean balloon animal. Jennifer lives in Burlington, Ontario.

YONG LING KANG is a freelance illustrator raised in Singapore and currently living in Toronto. She has worked in animation studios and a publishing company and has illustrated picture books including Rodney Was a Tortoise, Tanna's Owl and This House Is Home.

Rarely accessible beyond the limits of its people, Ojibway mythology is as rich in meaning and mystery, as broad, as deep, and as innately appealing as the mythologies of Greece, Rome, Egypt, and other civilizations. In Ojibway Heritage, Basil Johnston sets forth the broad spectrum of his people’s life, legends, and beliefs. Stories to be read, enjoyed, dwelt on, and freely interpreted, their authorship is perhaps most properly attributed to the tribal storytellers who have carried on the oral tradition which Basil Johnston records and preserves in this book.

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss.

In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

We’re baaaaack . . .! From the sisters behind the bestselling cookbook Mandy's Gourmet Salads—and the Montreal salad bars of the same name—comes More Mandy's.

This second sensational cookbook, following the runaway bestseller Mandy's Gourmet Salads, is packed with even more salads, more smoothies, more sweets—and now morning fuel and soups too! Indulge in and be inspired by these heartwarming recipes for cold-weather meals, plus plenty of year-round favorites. Even in wintertime, there's nothing a Mandy's salad can't fix.

It wouldn't be Mandy's without recipes exploding with color, texture and taste! Inside you will discover salads like the Feel Good Fall, Rainbow and Roasted Leek; and sweets like Salted Caramel Pecan Brownies and Lazy Pumpkin Pies. AND now also soups, like Roasted Garlic and Butternut Squash, and Chicken with Lemon and Orzo, and breakfast and brunch favorites like Buttery Challah French Toast and Chia Seed Parfait. With recipes inspired by Mandy and Rebecca's travels, and the vibrant international communities of Montreal, you'll find plenty of new flavors to try at home, as well as Canadiana classics.

More is always more with Mandy's, and this book is overflowing with delectable recipes, gorgeous photography and beautiful illustrations. With More Mandy's there's just more of everything to love.

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Tsering Yangzom Lama holds a BA in creative writing and international relations from the University of British Columbia, and an MFA from Columbia University. Born and raised in Nepal, Tsering has lived in Toronto, New York City, and Vancouver, where she now resides. We Measure the Earth with Our Bodies is her first novel. 

A warm story of the bond between young and old that evokes the wild, windswept banks of Newfoundland—and the joys of a traditional way of life.

In a picture book as cozy as wool socks and as sweeping as a lighthouse beam, a little girl takes a ferry to an island to spend time with her Poppy. After fresh-baked bread for breakfast, the two tidy up, garden, and set out to explore together. They pass docks and green hills specked with puffins, counting their favorite things along the way: masts, animal tracks, silvery waves. At the end of each day, they snuggle on Poppy’s worn velvet armchair to read by lantern light. When it’s time to travel home, the little girl begins counting the days until she and Poppy will be together again. A patchwork of exquisitely patterned and textured art evokes a traditional quilt in this ode to coastal Canada and to the days spent with an attentive, caring older person.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present.

In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle.

By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

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Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novelsinclude Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize;The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature.

“You have taken our civil rights—we want our human rights.”

On April 14, 1971, a handful of prisoners attacked the guards at Kingston Penitentiary and seized control, making headlines around the world. For four intense days, the prisoners held the guards hostage while their leaders negotiated with a citizens’ committee of journalists and lawyers, drawing attention to the dehumanizing realities of their incarceration, including overcrowding, harsh punishment and extreme isolation. But when another group of convicts turned their pent-up rage towards some of the weakest prisoners, tensions inside the old stone walls erupted, with tragic consequences. As heavily armed soldiers prepared to regain control of the prison through a full military assault, the inmates were finally forced to surrender.

Murder on the Inside tells the harrowing story of a prison in crisis against the backdrop of a pivotal moment in the history of human rights. Occurring just months before the uprising at Attica Prison, the Kingston riot has remained largely undocumented, and few have known the details—yet the tense drama chronicled here is more relevant today than ever. A gripping account of the standoff and the efforts for justice and reform it inspired, Murder on the Inside is essential reading for our times.

Includes 24 pages of photographs.