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Joshua Whitehead is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018), longlisted for the Scotiabank Giller Prize, and the poetry collection full-metal indigiqueer (Talonbooks, 2017) and the winner of the Governor General's History Award for the Indigenous Arts and Stories Challenge in 2016. He is also the editor of Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (Arsenal Pulp Press, 2020). Currently he is working on a PhD in Indigenous Literatures and Cultures in the University of Calgary's English department (Treaty 7).

From Scotiabank Giller Prize finalist Alix Ohlin comes an intimate and compelling novel of motherhood, love, a search for belonging, and what it means to be a sister.

All her life, Lark Brossard felt invisible, overshadowed by the people around her: first by her temperamental mother; then by her sister, Robin, a brilliant pianist as wild as the animals she loves; and finally by Lawrence Wheelock, a filmmaker who is both Lark’s employer and her occasional lover. When Wheelock denies her what she longs for most — a child — Lark is forced to re-examine a life marked by unrealized ambitions and thwarted desires. As she takes charge of her destiny, Lark comes to rely on Robin in ways she never could have imagined.

In this meditation on motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and as a human being.

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ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. 

In the grand finale of Elise Gravel's graphic chapter book series that Kirkus called "a charming treasure," Arlo the crow is going to be a dad! The third book in this quirky series from acclaimed author Elise Gravel is perfect for fans of Narwhal and Jelly and Castronauts.

Parenting is tough—even for a genius like Arlo—but luckily he isn’t alone: his partner Marla and Uncle Pips are there to help! From building a new nest and taking care of Marla while she incubates the eggs to teaching the chicks everything they need to know, Arlo has his wings full. Join Arlo, Pips, Marla, and the new chicks as they explore this next big chapter in their lives.

Snappy dialogue paired with a limited color scheme that's perfect for newly independent readers, this final story has tons of amazing "kid-pleasing" bird facts.

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

Everyone's crowing about Arlo & Pips, with Kirkus praising book 1 as "a perfect match for newly independent readers"! 

Arlo is lonely and is looking for more friends in the city. This second book in the quirky graphic chapter book series from acclaimed author Elise Gravel is perfect for fans of Narwhal and Jelly and Castronauts.

Crows are very social birds, and even with Pips as company, Arlo misses hanging out with other crows. One day, he and his pal Pips meet a very special crow who knows how to do all kinds of cool stuff. Despite being super-smart himself, Arlo realizes that he might still have things to learn!

Has Arlo finally met his match? Elise Gravel presents a sequel full of her signature witty humor and more fascinating crow facts. 

More praise for Arlo & Pips #1: King of the Crows: A New York Public Library Best Book * A Chicago Public Library Best of the Best * A Junior Library Guild Selection * "An unexpected friendship story! In three short graphic chapters marked by [Gravel’s] signature sly humor, facts about crows are sprinkled throughout, making the reader believe that maybe crows are truly as amazing as Arlo says.” —The Horn Book (starred review)

FINALIST FOR THE GOVERNOR GENERAL'S LITERARY AWARD

FINALIST FOR THE OLA SILVER BIRCH AWARD

The literary scavenger hunt of a lifetime, starring an endlessly endearing non-binary tween

Zed Watson loves a few things: their name (which they chose themself!), their big rambunctious family, and—oh yeah—monsters. When Zed discovered the mystery surrounding an unpublished novel called The Monster’s Castle, they were completely hooked. Now Zed is a member of a small but dedicated legion devoted to finding the long-buried text.

When a breakthrough discovery leads Zed to the route that they are sure will take them to the treasure, they know it’s time for a road trip. And with the help of their shy, flora-loving neighbour, Gabe, and his sister, Sam, a geologist who is driving back to college in Arizona, Zed and company are soon off on a wild adventure following cryptic clues.

But it’s not all fun and games. Gabe doesn’t like Zed’s snacks, Sam is a bossy driver with total command of the ancient Impreza’s stereo, and Zed is often misgendered. It’s a good thing they also encounter kind strangers, potato-themed dance-offs and lots and lots of ice cream along the way. If Zed and Gabe can combine their strengths, survive Sam’s wrath and best the greedy historian who’s also hot on the book’s trail, they just might find the greatest treasure of all.

Co-authored by child-parent duo Basil Sylvester and Kevin Sylvester, this is a vibrant and enormous-hearted story about friendship, identity and belonging. It features illustrations by celebrated author and illustrator Kevin Sylvester, and an Own Voices perspective based on Basil’s experience.

 When Marilla Cuthbert and her brother, Matthew, decide to adopt a child from a distant orphanage, they don't get quite what they bargained for. The child who awaits them at the tiny Bright River train station is not the strapping young boy they'd imagined--someone to help Matthew work the fields of their small farm--but rather a freckle-faced, redheaded girl named Anne (with an e, if you please).
     Matthew and Marilla may not be sure about Anne, but Anne takes one look at Prince Edward Island's red clay roads and the Cuthberts' snug white farmhouse with its distinctive green gables and decides that she's home at last. But will she be able to convince Marilla and Matthew to let her stay?
   Armed with only a battered carpetbag and a boundless imagination, Anne charms her way into the Cuthberts' hearts--and into the hearts of readers as well. She truly is, in the words of Mark Twain, "the dearest and most lovable child in fiction since the immortal Alice."

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), was a Canadian author best known for her series of novels beginning with Anne of Green Gables, which was an immediate success. The first novel was followed by a series of sequels with Anne as the central character. Montgomery went on to publish 20 novels as well as 500 short stories and poems. She was born on Prince Edward Island, Canada.

As a Crown Attorney working with First Nations in remote northwestern Ontario, Rupert Ross learned that he was routinely misinterpreting the behaviour of Aboriginal victims, witnesses, and offenders, both in and out of court. He discovered that he regularly drew wrong conclusions when he encountered witnesses who wouldn’t make eye contact, victims who wouldn’t testify in the presence of the accused, and parents who showed great reluctance to interfere in their children’s offending behaviour. With the assistance of Aboriginal teachers, he began to see that behind such behaviour lay a complex web of coherent cultural commandments that he had never suspected, much less understood.

As his awareness of traditional Native teachings grew, he found that the areas of miscommunication extended well beyond the courtroom, causing cross-cultural misunderstanding—and ill-informed condemnation.

Dancing with a Ghost is Ross’s attempt to give some definition to the cultural gap that bedevils the relationships and distorts the communications between Native peoples and the dominant white Canadian society—and to encourage others to begin their own respectful cross-cultural explorations. As Ross discovered, traditional perspectives have a great deal to offer modern-day Canada, not only in the context of justice but also in terms of the broader concepts of peaceful social organization and personal fulfilment.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

In his bestselling book Dancing with a Ghost, Rupert Ross began his exploration of Aboriginal approaches to justice and the visions of life that shape them. Returning to the Teachings takes this exploration further still.

During a three-year secondment with Justice Canada, Ross travelled from the Yukon to Cape Breton Island, examining—and experiencing—the widespread Aboriginal preference for “peacemaker justice.” In this remarkable book, he invites us to accompany him as he moves past the pain and suffering that grip so many communities and into the exceptional promise of individual, family and community healing that traditional teachings are now restoring to Aboriginal Canada. He shares his confusion, frustrations and delights as Elders and other teachers guide him, in their unique and often puzzling ways, into ancient visions of Creation and our role with it.

Returning to the Teachings is about Aboriginal justice and much more, speaking not only to our minds, but also to our hearts and spirits. Above all, it stands as a search for the values and visions that give life its significance and that any justice system, Aboriginal or otherwise, must serve and respect.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

Imagine a world in which people see themselves as embedded in the natural order, with ethical responsibilities not only toward each other, but also toward rocks, trees, water and all nature. Imagine seeing yourself not as a master of Creation, but as the most humble, dependent and vulnerable part.  
 
Rupert Ross explores this indigenous world view and the determination of indigenous thinkers to restore it to full prominence today. He comes to understand that an appreciation of this perspective is vital to understanding the destructive forces of colonization. As a former Crown Attorney in northern Ontario, Ross witnessed many of these forces. He examines them here with a special focus on residential schools and their power to destabilize entire communities long after the last school has closed. With help from many indigenous authors, he explores their emerging conviction that healing is now better described as “decolonization therapy.” And the key to healing, they assert, is a return to the traditional indigenous world view.
 
The author of two previous bestsellers on indigenous themes, Dancing with a Ghost and Returning to the Teachings, Ross shares his continuing personal journey into traditional understanding with all of the confusion, delight and exhilaration of learning to see the world in a different way. 
 
Ross sees the beginning of a vibrant future for indigenous people across Canada as they begin to restore their own definition of a “healthy person” and bring that indigenous wellness into being once again. Indigenous Healing is a hopeful book, not only for indigenous people, but for all others open to accepting some of their ancient lessons about who we might choose to be.

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RUPERT ROSS is a retired assistant Crown Attorney for the District of Kenora, Ontario. Starting in 1985, he conducted criminal prosecutions for more than twenty remote Ojibway and Cree First Nations communities in northwestern Ontario. His first book, Dancing with a Ghost, started his exploration of aboriginal visions of existence and became a bestseller. His second book, Returning to the Teachings, was also a bestseller and examined the aboriginal preference for the “peacemaker justice” he observed during a three-year secondment with Justice Canada. Both books were shortlisted for the Gordon Montour Award for the best Canadian non-fiction book on social issues, and are presently used in universities and colleges across North America. Following his retirement, Ross was awarded the prestigious 2011 National Prosecution Award for Humanitarianism, and the Ontario Crown Attorneys Association has created an award named after him. He continues to live just north of Kenora with his wife, Val.

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.

When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic's ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?

Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

LONGLISTED FOR THE 2017 SCOTIABANK GILLER PRIZE

Winner of the 2018 Western Canada Jewish Book Awards - Fiction - The Diamond Foundation Prize

Nominated for the 2018 OLA Evergreen Award

Energized, irreverent, novelistic stories full of longing, strange humour, and the complications of human entanglement from Governor General’s Award nominee Deborah Willis


The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humour, these subtle, complex stories—about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter—show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love. 

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Deborah Willis's latest book, The Dark and Other Love Stories, was longlisted for the Scotiabank Giller Prize. Her first book, Vanishing and Other Stories, was named one of The Globe and Mail's Best Books of 2009, and was shortlisted for the Governor General's Award for fiction. Her work has also appeared in The Walrus, The Virginia Quarterly, The Iowa Review, Lucky Peach, The Wall Street Journal, and Zoetrope. She has worked as a bookseller at Munro's Books in Victoria, BC, as a technical writer, and as a writer-in-residence at Joy Kogawa House in Vancouver and at the University of Calgary. Deborah was born and raised in Calgary and is currently the Writer in Residence at MacEwan University in Edmonton.

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?

As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents.

On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trailed by crows, a woman far from home struggles to confront an old guilt. As a half-remembered Beach Boys song plays in the background, a daughter recalls the man her father used to be through a tender inventory of their time together. In a community plagued by petrochemical-induced diseases and environmental ruin, a man spends his nights caring for his dying partner and his days navigating a dangerous workplace. An android watches her creators' relationship break down before her eyes. A gang of girls roams the streets of a ravaged city, hunting their would-be predators. In her journey to become a woman and a healer, a Cree girl enters the woods alone to learn the stories and medicines of plants, only to be transformed by an unexpected connection.

The stories included in this volume are contenders for the $10,000 Writers' Trust McClelland & Stewart Journey Prize.