Biblioasis

“This book is magical in every sense of the term.”—Amanda Leduc, author of The Centaur’s Wife and Disfigured: On Fairy Tales, Disability, and Making Space

A journalist and folklorist explores the truths that underlie the stories we imagine—and reveals the magic in the everyday.

“I’ve always felt that the term fairy tale doesn’t quite capture the essence of these stories,” writes Emily Urquhart. “I prefer the term wonder tale, which is Irish in origin, for its suggestion of awe coupled with narrative. In a way, this is most of our stories.” In this startlingly original essay collection, Urquhart reveals the truths that underlie our imaginings: what we see in our heads when we read, how the sight of a ghost can heal, how the entrance to the underworld can be glimpsed in an oil painting or a winter storm—or the onset of a loved one’s dementia. In essays on death and dying, pregnancy and prenatal genetics, radioactivity, chimeras, cottagers, and plague, Ordinary Wonder Tales reveals the essential truth: if you let yourself look closely, there is magic in the everyday.

Praise for Ordinary Wonder Tales

“The mix of heady and magical will be spellbinding to memoir readers with a ready sense of wonder.”—Publishers Weekly

“Urquhart is a folklorist and, in this book, she explores in essays the truth that underlies the fairy tales we know, and the magic in the everyday.”—Toronto Star

“In Ordinary Wonder Tales, Urquhart stylishly combines her personal experiences with her academic expertise, leading to a reading experience that feels entertaining and casual yet also edifying … It’s a testament to Urquhart’s own formidable storytelling skill that each of her essays inspires a quiet awe.”—LIBER: A Feminist Review

“Ordinary Wonder Tales will have readers conjuring up memories of their first encounters with fairy tales, fables, and storytelling … if you’re compelled to imagine the mysterious forgotten worlds of imagination, of fables and possibilities … you’ll probably need to pick up [this book].”—Miramichi Reader

“A collective masterpiece of literary criticism, insights, observations, perceptions, and appreciation, Ordinary Wonder Tales by Emily Urquhart is an extraordinarily thoughtful and thought-provoking read.”—Midwest Book Review

“Urquhart’s corrobation of legends to day-to-day life offers the same getaway and warmth that indulging in a supernatural world can. So, to all the retired fantasy lovers out there, please do yourself a favor and read this book.”—The Link

“Ordinary Wonder Tales is so well-written, so full of enriching, unexpected connections, so captivating; a reader will be tempted to consume it in gulps, and then go back for seconds.”—The Telegram

“Urquhart draws connections between the experiences of everyday life—love, grief, pride, fear—and the imaginative universes of the stories we tell and retell.”—Quill & Quire

“I am devouring it … It’s incredibly current, even urgent.”—Joan Sullivan, Newfoundland Quarterly

“These essays—beautiful, rich and absorbing—will change the way you see your place in the world, and they’ll leave you noticing all the magic at its fringes.”—Kerry Clare, Pickle Me This

“A highly readable, fascinating collection … The pieces are thoughtful and … enriching. The book is captivating, and as one critic has said, spellbinding.”—TheCommentary

“In this collection of essays, Urquhart seamlessly melds her research with snippets of everyday life on topics including death and dying, the plague, and pregnancy.”—Toronto Life

“With insight, compassion, and skill, Emily Urquhart’s essays delve into the intricate wonders of our lives. This book is magical in every sense of the term—a beautiful ode to both the natural world and the supernatural one, and all of the ways in which our human hearts traverse the space between these shifting places.”—Amanda Leduc, author of The Centaur’s Wife and Disfigured: On Fairy Tales, Disability, and Making Space

Praise for Beyond the Pale

“[Urquhart] isn’t afraid to make the personal political, to delve into her particular experience while also acknowledging its limits and investigating what lies beyond them. Urquhart’s as interested in championing individuality as she is in embracing our shared humanity. But she never shies away from the fact that cherishing both can be a knotty, contradictory affair.”
—Globe & Mail

“A courageous and ambitious book. Beyond the Pale offers an intimate account about raising a daughter with albinism, a lucid portrait of related genetic, medical and social issues, and a disturbing reminder of the brutal violence that many people with albinism continue to face today.”
—Lawrence Hill, author of The Book of Negroes and Blood: The Stuff of Life

“A brave, thoughtful, clear, and always graceful journey through the terrifying randomness of genetics and the unexpected ways genetic anomalies can mark not just children, but all the lives around them.”
—Ian Brown, author of The Boy in the Moon: A Father’s Search for his Disabled Son

“A graceful, perceptive rendering of a misunderstood condition.”
—Kirkus Reviews

“Folklorist Urquhart writes poetically and movingly about her daughter … readers will weep and smile.”
—Booklist

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.

When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic's ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?

Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?

As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.

It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

WINNER OF THE 2018 QUEBEC WRITERS' FEDERATION CONCORDIA UNIVERSITY FIRST BOOK PRIZE

LONGLISTED FOR THE 2018 SCOTIABANK GILLER PRIZE

FINALIST FOR THE 2018 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION

A GLOBE AND MAIL BEST BOOK OF 2018

A QUILL & QUIRE BOOK OF THE YEAR

Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.

Nominated for the 2014 Giller Prize

The rubble of an ancient civilization. A village in a valley from which no one comes or goes. A forest of mother-trees, whispering to each other through their roots; a lakeside lighthouse where a girl slips into human skin as lightly as an otter into water; a desert settlement where there was no conflict, before she came; or the town of Wantwick, ruled by a soothsayer, where tourists lose everything they have. These are the places where things begin.  

New from the author of The Story of My Face and Alphabet, Paradise & Elsewhere is a collection of dark fables at once familiar and entirely strange: join the Orange Prize-nominated Kathy Page as she notches a new path through the wild, lush, half-fantastic and half-real terrain of fairy tale and myth.    

Praise for Paradise & Elsewhere

"Moody, shape-shifting, provocative and always as compelling as a strong light at the end of a road you hesitate to walk down... but will."-Amy Bloom

"This vibrant, startlingly imaginative collection reminded me-as few collections have done in recent years-of both where stories come from, and why we need to tell them.  Kathy Page is a massive talent:  wise, smart, very funny and very humane."-Barbara Gowdy

Praise for Kathy Page

"Marvellously well-crafted ... I can't remember the last time I was so compelled, impressed and unsettled."-Sarah Waters  

"One of our most daring writers ... If you don't know Page's work yet, she's a find."-Caroline Adderson  

"Softly painterly, sharply filmic or as murky as those first television images of the moon landing."- Times Literary Supplement

In her first collection of new poems in a decade, Robyn Sarah chronicles the pandemic years with quiet wisdom and her flair for meshing the familiar with the numinous. 

We’re Somewhere Else Now moves with ease from the particular to the abstract. These are poems of grief and unexpected change, of quiet awe at the human experience. Each poem is a window for the reader to look into, “lit room to lit room,” tracking desultory days of isolation and uncertainty, while also highlighting reasons to pay attention: playing with a grandchild, the rarity of a leap year, the calls of birds.

Three poems from the collection, originally published in The New Quarterly, were nominated for a 2025 National Magazine Award in Poetry.

Praise for We’re Somewhere Else Now

“We’re Somewhere Else Now is a gravely beautiful collection, chronicling days ‘spent and drying.’ No poet has published anything close to it this year, and it confirms Sarah as one of our best.”
—Carmine Starnino, The Walrus

“Robyn Sarah’s work is powerful, visceral, but also elegant and pared down when it needs to be, employing both high formalist rhymes and minimalist beauty. Her poetry collections are consistently lauded, and this one I believe will be no different.”
—Chris Banks, The Woodlot

“Sarah’s verse is an antidote to the soul’s virus . . . Her diction seems so direct, but between the words and lines she meditates in musical nuance and wit to cast doubt on simple and complex truths.”
—Michael Greenstein, The Seaboard Review

“This collection grapples with contemporary life in a way that is both stylized and vulnerable . . . Sarah’s ability to tie scenes of everyday life to highly abstract concepts and ideas results in compelling poems.”
—Anna Roberts, The Tribune

“This is a triumphant return from Robyn Sarah, and her first book of new poems in a decade. With her characteristic quiet wisdom, Sarah turns her attention to the pandemic years, capturing both the strangeness of isolation of that period, and the subtle beauty that persists in daily life.”
—Open Book

Praise for Robyn Sarah

“[Her poems] illuminate the reader’s privacy without destroying the poet’s. And elegant play is going on even in the most acutely painful moments of clarity, a play of pure energy.”
—Margaret Avison, Canadian Women Studies

“[Hers] are the sort of metaphors that poets everywhere dream of conjuring. Metaphors that in their clarity of sense, image, and sound create spaces for meaning to reside—meaning that is elusive or otherwise impossible to articulate, but that leaves the reader with a heightened sense of recognition.”
—Anita Lahey, The Walrus

“In our positive-thinking, smiley-face popular culture, Robyn Sarah looks at the shadows cast by light.  Her poems, with their focus on the passage of time, the emptiness around the presence, the unknowing around the known, are infused with the “black baptismal water” of duende, as they choose the braver joy of life thrown into relief by that dark awareness.”
—Sonnet L’Abbé

“The cool delight of her poetry is to turn those subjects of routine forgetfulness into words that quiver in the heart . . . Sarah knows the language: its pressure points, its traditions, its crevices. Trained as a musician, she also understands flow and timing, when to sing and when to keep silent.”
—Mark Abley, Montreal Gazette

“So assured and musical is the hand that shaped them that these poems tend to memorize themselves, as though they had always formed part of our experience.”
—Eric Ormsby, Books in Canada

“Robyn Sarah’s My Shoes Are Killing Me is a lyrical power. A richly inventive, precise, meditative collection . . . This is a transformative work that continuously surprises the reader.”
—Jury citation, Governor General’s Award for Poetry 2015

Shortlisted for the 2025 J.W. Dafoe Book Prize • A Globe 100 Best Book of 2024

From the bestselling author of Bush Runner: The Adventures of Pierre Esprit-Radisson

This is the story of the collision of two worlds. In the early 1600s, the Jesuits—the Catholic Church’s most ferocious warriors for Christ—tried to create their own nation on the Great Lakes and turn the Huron (Wendat) Confederacy into a model Jesuit state. At the centre of their campaign was missionary Jean de Brébeuf, a mystic who sought to die a martyr’s death. He lived among a proud people who valued kindness and rights for all, especially women. In the end, Huronia was destroyed. Brébeuf became a Catholic saint, and the Jesuit’s “martyrdom” became one of the founding myths of Canada.

In this first secular biography of Brébeuf, historian Mark Bourrie, bestselling author of Bush Runner: The Adventures of Pierre-Esprit Radisson, recounts the missionary’s fascinating life and tells the tragic story of the remarkable people he lived among. Drawing on the letters and documents of the time—including Brébeuf’s accounts of his bizarre spirituality—and modern studies of the Jesuits, Bourrie shows how Huron leaders tried to navigate this new world and the people struggled to cope as their nation came apart. Riveting, clearly told, and deeply researched, Crosses in the Sky is an essential addition to—and expansion of—Canadian history.

Praise for Crosses in the Sky

“Crosses in the Sky is dramatic and enthralling . . . Bourrie has done more than any other Canadian historian writing for a general audience to disinter the root causes of degenerating settler-Indigenous relations and disrupted Indigenous societies in the 400 years since Brébeuf’s death. And he has done it with attention-grabbing panache.”
—Charlotte Gray, Globe and Mail

“Bourrie’s colloquial writing style and storytelling skill make Crosses in the Sky . . . an interesting and accessible retelling of an important chapter in Canadian history.”
—Kate Jaimet, Canada’s History

“Bourrie’s latest, like its Charles Taylor Prize-winning predecessor, Bush Runner, focuses on the clash between European and Indigenous cultures in 17th-century colonial North America. Here, it’s the events leading to the violent ruin of Huronia, traditional home of the Huron-Wendat people, as they were experienced by the French Jesuit missionary and mystic Jean de Brébeuf.”
—Emily Donaldson, Globe and Mail

“[Mark Bourrie] writes meticulous history in bracing style.”
—National Post

“In 2019, Mark Bourrie published Bush Runner, a biography of the adventurer Pierre-Esprit Radisson that was ‘compelling, authoritative, not a little disturbing—and a significant contribution to the history of 17th-century North America,’ as I wrote at the time. The same can be said about Bourrie’s latest, Crosses in the Sky: Jean de Brébeuf and the Destruction of Huronia . . . In reinterpreting the Jesuit’s martyrdom against the backdrop of Huronia’s destruction, Bourrie presents a revisionist history.”
—Ken McGoogan, Toronto Star

“Canada’s greatest historian has done it for a third time, stripping the carcass of Canadian history and leaving readers horrified, riveted, in shock . . . A triumph.”
—Heather Mallick, Toronto Star

“Gripping stuff, grippingly told.”
—Literary Review of Canada

“Bourrie is fast becoming the dean of Canadian literary non-fiction . . . Bourrie also manages to be panoramic in his historical descriptions of Huronia while concurrently focusing on biographical details of Brébeuf’s missionary work. This treatment of the problematic legacy of both the cleric and his religious order is top drawer.”
—Winnipeg Free Press

“Crosses in the Sky paints a detailed and nuanced portrait of that destruction, enriching our modern understanding of a time and people who have been stereotyped or simply ignored for too long.”
—Ottawa Review of Books

“In Crosses, the first secular biography of Brébeuf, Bourrie takes the accepted Sunday school version and ‘humanizes’ it. Here, the Jesuits aren’t quite so noble, the Hurons are not so pure, and the Iroquois are no longer one-dimensional villains . . . This is a ripping yarn in the classic sense, with plenty of action—epic canoe voyages, battles, and of course, martyrdom—and it marks Bourrie’s second foray into the early history of the French in Canada.”
—Ian Coutts, Zoomer

“Crosses in the Sky provides a detailed account of the giant-framed missionary who walked among the Hurons . . . This patron saint of Canada has long been given plenty of attention by Jesuits, whether for his missionary spirit or for his extreme suffering. It is good to see his legend now given serious historical treatment.”
—Michael Taube, Washington Examiner

“[A] fascinating and engrossing tale . . . a meticulously researched book . . . It told me, on nearly every page, something I did not know about the history of this province, of the lives lived here in the 17th century.”
—Edith Cody-Rice, Millstone News

“Bourrie looks at how such early encounters between French colonists and missionaries and Indigenous Peoples continue to resonate in those same relationships.”
—Quill & Quire

Shortlisted for the 2025 J.W. Dafoe Book Prize • A Globe 100 Best Book of 2024

From the bestselling author of Bush Runner: The Adventures of Pierre Esprit-Radisson

This is the story of the collision of two worlds. In the early 1600s, the Jesuits—the Catholic Church’s most ferocious warriors for Christ—tried to create their own nation on the Great Lakes and turn the Huron (Wendat) Confederacy into a model Jesuit state. At the centre of their campaign was missionary Jean de Brébeuf, a mystic who sought to die a martyr’s death. He lived among a proud people who valued kindness and rights for all, especially women. In the end, Huronia was destroyed. Brébeuf became a Catholic saint, and the Jesuit’s “martyrdom” became one of the founding myths of Canada.

In this first secular biography of Brébeuf, historian Mark Bourrie, bestselling author of Bush Runner: The Adventures of Pierre-Esprit Radisson, recounts the missionary’s fascinating life and tells the tragic story of the remarkable people he lived among. Drawing on the letters and documents of the time—including Brébeuf’s accounts of his bizarre spirituality—and modern studies of the Jesuits, Bourrie shows how Huron leaders tried to navigate this new world and the people struggled to cope as their nation came apart. Riveting, clearly told, and deeply researched, Crosses in the Sky is an essential addition to—and expansion of—Canadian history.

Praise for Crosses in the Sky

“Crosses in the Sky is dramatic and enthralling . . . Bourrie has done more than any other Canadian historian writing for a general audience to disinter the root causes of degenerating settler-Indigenous relations and disrupted Indigenous societies in the 400 years since Brébeuf’s death. And he has done it with attention-grabbing panache.”
—Charlotte Gray, Globe and Mail

“Bourrie’s colloquial writing style and storytelling skill make Crosses in the Sky . . . an interesting and accessible retelling of an important chapter in Canadian history.”
—Kate Jaimet, Canada’s History

“Bourrie’s latest, like its Charles Taylor Prize-winning predecessor, Bush Runner, focuses on the clash between European and Indigenous cultures in 17th-century colonial North America. Here, it’s the events leading to the violent ruin of Huronia, traditional home of the Huron-Wendat people, as they were experienced by the French Jesuit missionary and mystic Jean de Brébeuf.”
—Emily Donaldson, Globe and Mail

“[Mark Bourrie] writes meticulous history in bracing style.”
—National Post

“In 2019, Mark Bourrie published Bush Runner, a biography of the adventurer Pierre-Esprit Radisson that was ‘compelling, authoritative, not a little disturbing—and a significant contribution to the history of 17th-century North America,’ as I wrote at the time. The same can be said about Bourrie’s latest, Crosses in the Sky: Jean de Brébeuf and the Destruction of Huronia . . . In reinterpreting the Jesuit’s martyrdom against the backdrop of Huronia’s destruction, Bourrie presents a revisionist history.”
—Ken McGoogan, Toronto Star

“Canada’s greatest historian has done it for a third time, stripping the carcass of Canadian history and leaving readers horrified, riveted, in shock . . . A triumph.”
—Heather Mallick, Toronto Star

“Gripping stuff, grippingly told.”
—Literary Review of Canada

“Bourrie is fast becoming the dean of Canadian literary non-fiction . . . Bourrie also manages to be panoramic in his historical descriptions of Huronia while concurrently focusing on biographical details of Brébeuf’s missionary work. This treatment of the problematic legacy of both the cleric and his religious order is top drawer.”
—Winnipeg Free Press

“Crosses in the Sky paints a detailed and nuanced portrait of that destruction, enriching our modern understanding of a time and people who have been stereotyped or simply ignored for too long.”
—Ottawa Review of Books

“In Crosses, the first secular biography of Brébeuf, Bourrie takes the accepted Sunday school version and ‘humanizes’ it. Here, the Jesuits aren’t quite so noble, the Hurons are not so pure, and the Iroquois are no longer one-dimensional villains . . . This is a ripping yarn in the classic sense, with plenty of action—epic canoe voyages, battles, and of course, martyrdom—and it marks Bourrie’s second foray into the early history of the French in Canada.”
—Ian Coutts, Zoomer

“Crosses in the Sky provides a detailed account of the giant-framed missionary who walked among the Hurons . . . This patron saint of Canada has long been given plenty of attention by Jesuits, whether for his missionary spirit or for his extreme suffering. It is good to see his legend now given serious historical treatment.”
—Michael Taube, Washington Examiner

“[A] fascinating and engrossing tale . . . a meticulously researched book . . . It told me, on nearly every page, something I did not know about the history of this province, of the lives lived here in the 17th century.”
—Edith Cody-Rice, Millstone News

“Bourrie looks at how such early encounters between French colonists and missionaries and Indigenous Peoples continue to resonate in those same relationships.”
—Quill & Quire

As Canada heads towards a pivotal election, bestselling author Mark Bourrie charts the rise of Opposition leader Pierre Poilievre and considers the history and potential cost of the politics of division.

Six weeks into the Covid pandemic, New York Times columnist David Brooks identified two types of Western politicians: rippers and weavers. Rippers, whether on the right or the left, see politics as war. They don’t care about the destruction that’s caused as they fight for power. Weavers are their opposite: people who try to fix things, who want to bring people together and try to build consensus. At the beginning of the pandemic, weavers seemed to be winning. Five years later, as Canada heads towards a pivotal election, that’s no longer the case. Across the border, a ripper is remaking the American government. And for the first time in its history, Canada has its own ripper poised to assume power.

Pierre Poilievre has enjoyed most of the advantages of the mainstream Canadian middle class. Yet he’s long been the angriest man on the political stage. In Ripper: The Making of Pierre Poilievre, bestselling author Mark Bourrie, winner of the Charles Taylor Prize, charts Poilievre’s rise through the political system, from teenage volunteer to outspoken Opposition leader known for cutting soundbites and theatrics. Bourrie shows how we arrived at this divisive moment in our history, one in which rippers are poised to capitalize on conflict. He shows how Poilievre and this new style of politics have gained so much ground—and warns of what it will cost us if they succeed.

Praise for Ripper

“Mark Bourrie has produced a searing but convincing critique of the Conservative Leader’s shortcomings that will give pause to anyone outside the diehard Poilievre base.”
—Charlotte Gray, Globe and Mail

“In his pull-no-punches book, Mr. Bourrie portrays Mr. Poilievre as one serious ripper: mean, sneering, insulting, truth-evading, skilled at whipping up mass anger.”
—Marsha Lederman, Globe and Mail

“If Pierre Poilievre is going to win, shake [the comparison to Trump] he must. This book, with all its pungent reminders of his record, will make it harder to do.”
—Lawrence Martin, Globe and Mail

“Every Liberal in their war room, every journalist covering the campaign and—should he win—every stakeholder doing business with an eventual Poilievre government owes it to themselves to read Bourrie’s Ripper so that they can have a clear picture of who Poilievre is, how he came to be, and how that past is almost certain to shape his decision-making going forward.”
—Jamie Carroll, The Hill Times

“Former political journalist Mark Bourrie’s new book, Ripper, is a bracing reminder of some of the reputations Poilievre has ruined, the malicious fictions he has promoted, [and] the tiresome slogans he stitches into every utterance.”
—Susan Riley, The Hill Times

“This book is a phenomenal effort, carefully researched and nicely written. Ripper should be widely read by everyone who cares about the value of casting an informed vote on April 28.”
—Michael Harris, The Tyee

“Despite [the rush to print], the work never seems rushed. It is lengthy and historically detailed while relying on media, secondary sources and parliamentary debates.”
—Winnipeg Free Press

“Ripper is a must-read for all who are concerned about the path Canada is on.”
—Timothy Niedermann, Ottawa Review of Books

“By positioning Poilievre in the context of the global social and economic cleavages that permitted him him to attain power, Bourrie transcends a simple biography and creates a snapshot of our riven historical moment, one that should prove illuminating for anyone looking around in abject confusion and wondering how we got to this particular point.”
—Steven Beattie, That Shakespearean Rag

“The page-turner is crack for political junkies.”
—Cult MTL

“Mark Bourrie’s new book is a detailed and surgical examination of the man who could be Canada’s next prime minister.”
—NB Media Co-op

“Ripper has no business being so detailed and wide-ranging, so authoritative and convincing, so brilliantly analytical and colourfully entertaining.”
—Ken McGoogan

“[Mark Bourrie’s] latest book Ripper isn’t just a biography—it’s a field guide to fascism wrapped in a Canadian flag soaked in Axe body spray.”
—Dean Blundell

“If it weren’t for Mark and a small number of others willing to make sacrifices, popular Canadian history would have vanished entirely from book stores.”
—Dan Gardner

“[Ripper] is far from a hatchet job. Bourrie appreciates Poilievre’s cunning and instinct for the jugular—he just doesn’t like him too much.”
—Ethan Phillips, Oversight

“In a scathing but comprehensive recent biography, Ripper: The Making of Pierre Poilievre, the historian Mark Bourrie points out that his [Poilievre’s] thinking on most subjects has not advanced much since adolescence.”
—Michael Ledger-Lomas, UnHerd

“Bourrie’s style is accessible, the prose is clear and sparse . . . Bourrie’s dry wit brings a chuckle now and then.”
—Margaret Shkimba

“[Bourrie] helpfully puts the past twenty years of federal politics into a single reference book. Even his endnotes are engaging.”
—Nora Loreto

Praise for Mark Bourrie

“Bourrie’s book positively sings . . . [Big Men Fear Me] is thoroughly researched and the prose is clean and engaging . . . [McCullagh] made The Globe the dominant voice in English Canadian journalism. Bourrie’s biography does him full justice.”
—Globe and Mail

“Canada’s greatest historian has done it for a third time, stripping the carcass of Canadian history and leaving readers horrified, riveted, in shock . . . A triumph.”
—Heather Mallick, Toronto Star

“Bourrie is fast becoming the dean of Canadian literary non-fiction . . . Bourrie also manages to be panoramic in his historical descriptions of Huronia while concurrently focusing on biographical details of Brébeuf’s missionary work. This treatment of the problematic legacy of both the cleric and his religious order is top drawer.”
—Winnipeg Free Press

“Crosses in the Sky is dramatic and enthralling . . . Bourrie has done more than any other Canadian historian writing for a general audience to disinter the root causes of degenerating settler-Indigenous relations and disrupted Indigenous societies in the 400 years since Brébeuf’s death. And he has done it with attention-grabbing panache.”
—Charlotte Gray, Globe and Mail

“A remarkable biography of an even more remarkable 17th-century individual . . . Beautifully written and endlessly thought-provoking.”
—Maclean’s

“Gripping stuff, grippingly told.”
—Literary Review of Canada

In these nine stories, Elise Levine illuminates the aspirations of women and men (and one sassy millennia-old being) as they sift through the midden of their regrets, friendships, and marriages, and seek fresher ways of inhabiting older selves.

Two young women hitchhike around Europe, a lurid secret between them. A team in space is left reeling after a colleague’s unexpected death. Ambitious brothers take to the skies in an aerostat in 19th-century Paris. Big of You contains stories of real and fantastical life, each with its own distinctive voice and wild vocabulary.

At turns playful, blistering, unabashed, these stories examine the nuanced, kaleidoscopic dimensions of character, of people driven by ambition yet contending with the hauntings of the past. Spanning various settings and time periods, Big of You captures the everyday and the extraordinary in collisions soaring and earthy, exuberant and visceral.

Praise for Big of You

“Playful hilarity on some pages is matched by striking loss on others. Levine is a maestro of pacing and a magpie of mesmeric diction.”
—Literary Review of Canada

“Throughout, the writing is like a Modernist poem . . . filled with startling images, but also half-thoughts and half-sentences, leaving the reader, like the characters, on the tenterhooks of understanding. Fiction that makes artful demands, and in return, offers substantial rewards.”
—Kirkus Reviews

“The stories in Elise Levine’s latest collection, Big of You, are great travellers. They move through time, scene, and setting like water, seamless and fluid, burbling with questions of personal identity and what it takes to change one’s present or put to bed one’s past.”
—Katherine Abbass, The Ex-Puritan

“In Elise Levine’s high-voltage collection, she transports us everywhere from a casino to Europe to outer space. These stories crackle with restlessness, longing, and mischief, as characters peel away layers of identity to glimpse what’s underneath. Fraught, honest and hilarious, Big of You stretches our imaginations and delightfully capsizes our expectations of selfhood, story, and reality.”
—Erika Krouse, author of Save Me, Stranger

“In Big of You, Elise Levine is expert at conveying confusion and dislocation in a magic shorthand that is all hers. Each ingenious sentence blends beauty and sorrow in an intimate voice close to your ear. The writing is whip-smart with heart, it’s nutritious, it’s everything you need.”
—Mark Anthony Jarman, author of Burn Man

“Big of You moves through the contours of grief, the gradients of memory, and the foils of artistic ambition, all in honor of the shattered human heart. These stories are both painfully funny and refreshingly earnest, a feat so striking it feels almost impossible that one writer can have such electrifying breadth. When I read Elise Levine, I lose and find myself anew in her lucid prose. That’s the power of an Elise Levine sentence—she is singular.”
—Alejandro Heredia, author of Loca

Praise for Elise Levine

“Levine uses raw, hallucinatory prose to tell this curious story of a woman becoming undone . . . [Blue Field‘s] visceral wordplay, rough sexuality, and anguished depiction of survivor’s guilt are bound to captivate its audience. A transgressive, gut-wrenching portrayal of grief that asks what it’s like to drown.”
—Kirkus Reviews

“Reading [Blue Field] is a sensation akin to drifting weightlessly beneath the surface of the text . . . dazzling, textured, tightly woven.”
—Music and Literature

“Elise Levine writes with a new and exciting type of lyric rhythm. These are stories with the beating heart of poems.”
—Rion Amilcar Scott, winner of the 2017 PEN/Robert W. Bingham Prize for Debut Fiction

“Elise Levine’s startling sentences alternate between serrated sentiment and lyrical reverie, offering readers that rarest commodity—genuine surprise.”
—Jeff Jackson, author of Destroy All Monsters

“Levine addresses questions of identity and the impact of violence as well as addiction, consent, and society’s exploitation of trauma, and does so in gorgeous, surprising, and utterly gripping prose.”
—Elizabeth Hazen, Baltimore Fishbowl

An electric examination of women and men, sex and love, self-loathing and twenty-first century loneliness.

Between writing a weekly column for The Hype Report and managing her mood stabilizers, Gloria navigates a series of quasi-relationships while commiserating with her best friend about dating apps and dick pics, married men and questionable boundaries. But when she makes a glib pass at Daryn, a stranger on a subway platform crowded with young anti-immigration protesters, and finds him waiting for her outside her health club a couple of days later, a surprising curiosity leads her not to consider a restraining order, but to talk to him.

Claiming she wants to interview him for an article on the incel movement, Gloria meets Daryn for coffee and soon invites him back to her apartment—where his earnestness and painfully restrained desire inspire her to dominate him sexually. As their physical relationship intensifies, so does their emotional connection, and Gloria can’t shake the sense that she’s headed in a dangerous direction.

An electric examination of sex and love, self-loathing, and twenty-first century loneliness, Self Care is a devastating novel about women and men, what they want and what they say they want, and the violent tension between the two.

Praise for Self Care

“You can always count on Russell Smith for a straightforward technique that hits you in the solar plexus . . . The novel’s title proves piercingly ironic: this is a book about people whose absolute inability to care for themselves is the product of social alienation and a world in which everything—from proscribed gender roles to the ravages of unfettered capitalism—is stacked against them. That the only escape from this cycle of despondency appears to be violent is the ultimate indictment in this bleak, acerbic fable of our benighted time.”
—Steven W. Beattie, That Shakespearean Rag

“Smith’s writing is at its best when he’s skewering the often performative nature of sex, dating, and politics, as well as the solipsistic delusion of 21st-century life. [Self Care is] an uncomfortable, disturbing, and timely examination of relationships between men and women.”
—Kirkus Reviews

“A searing indictment of shallow, self-obsessed online culture and the deep disconnects in society, Canadian writer Smith’s latest examines trauma and tragedy and delves into the difference between performing care and actually caring.”
—Booklist

“A perverse, bleak, often hilarious Romeo-and-Juliet tale for our cultural moment. Smith renders the self-obsessed urban landscape with absolute precision.”
—Mark Kingwell, author of Question Authority: A Polemic About Trust in Five Meditations

“A gripping, unforgettable story about a young journalist and her secret incel lover that explodes the fairy tale of the frog prince. It had me sitting on the edge of my seat.”
—Susan Swan, author of Big Girls Don’t Cry

“A millennial tragedy that is also smart, funny, and mercifully free of piety and exculpation. Self Care is a book and an attitude adjustment that CanLit could really use.”
—Timothy Taylor, author of The Rule of Stephens

“With Self Care, Smith writes with the exacting and intimate observation for which he is known and loved, offering an unflinching play-by-play of protagonist Gloria’s murky interiority as she navigates an insidious but intimate relationship with incel Daryn. Think sharp psychological realism of Kristen Roupenian’s “Cat Person” or Graham and Thorne’s Adolescence. Smith’s ability to bravely take readers to the very edge of tenderness in the face of danger leaves one with something more profound than a lesson and more encompassing than a fact. Self Care is a story as hard to look at as it is well-observed. It haunted me and I couldn’t put it down.”
—Aley Waterman, author of Mudflowers

“Consumed this jewel of a novel in a single sitting . . . Upsetting and hilarious by turns, it is a sort of updated comedy of manners, really, about a wellness blogger who dominates an incel. By one of Canada’s closest social observers.”
—Stephen Marche, author of On Writing and Failure

Praise for Russell Smith

“For me at least, Canada’s most fascinating writer, the author whose new books and stories I most eagerly anticipate, whose fiction I approach with a hopeful curiosity.”
—Jeet Heer

“Russell Smith is one of the best stylists of my generation. His prose is exact, surprising, and written by a man with a fine ear.”
—Andre Alexis, author of Fifteen Dogs

“Smith writes some of the most luminous prose in Canadian fiction . . . He mines and refines the best of what has come before on the way to making it his own.”
—Montreal Gazette 

“[Confidence is] a poisonously funny portrait of the so-hip-it-hurts fashion, food, and bar scene.”
—Maclean’s

“Smith . . . is a gifted anthropologist of the urbane. Those gifts are on full display throughout Confidence.”
—Globe and Mail

Selected by editor Steven W. Beattie, the 2025 edition of Best Canadian Stories showcases the best Canadian fiction writing published in 2023.

Featuring:

Chris Bailey • Christine Birbalsingh • Cody Caetano • Kate Cayley • Lynn Coady • Caitlin Galway • Marcel Goh • Beth Goobie • Mark Anthony Jarman • Saad Omar Khan • Chelsea Peters • Kawai Shen • Liz Stewart • Glenna Turnbull • Catriona Wright • Clea Young

Selected by editor Aislinn Hunter, the 2025 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2023.

Featuring:

Hollie Adams • George Amabile • Erin Bedford • Billy-Ray Belcourt • Bertrand Bickersteth • Elisabeth Blair • Ronna Bloom • Alison Braid-Fernandez • Robert Bringhurst • Emily Cann • Anne Carson • Molly Cross-Blanchard • Lorna Crozier • Kayla Czaga • Evelyna Ekoko-Kay • Kate Genevieve • Susan Gillis • Sue Goyette • Catherine Graham • Henry Heavyshield • Gerald Hill • Alexander Hollenberg • Kim June Johnson • Eve Joseph • Evelyn Lau • Y. S. Lee • D. A. Lockhart • Fareh Malik • David Martin • Domenica Martinello • Cassidy McFadzean • Carmelita McGrath • Erín Moure • Tolu Oloruntoba • Catherine Owen • Molly Peacock • Miranda Pearson • Pauline Peters • Amanda Proctor • Shannon Quinn • Armand Garnet Ruffo • Anne Simpson • Carolyn Smart • Karen Solie • Catherine St. Denis • Owen Torrey • Michael Trussler • Sara Truuvert • Rob Winger • Jaeyun Yoo

Selected by editor Emily Urquhart, the 2025 edition of Best Canadian Essays showcases the best Canadian nonfiction writing published in 2023.

Featuring:

Katherine Ashenburg • James Cairns • Mitchell Consky • Michelle Cyca • Sadiqa de Meijer • Ariel Gordon • Lana Hall • Helen Humphreys • Rebecca Kempe • Jiin Kim • Christine Lai • Jessica Moore • Tom Rachman • Leanne Betasamosake Simpson • Vance Wright

In ten vividly told stories, Shimmer follows characters through relationships, within social norms, and across boundaries of all kinds as they shimmer into and out of each other’s lives.

Outside a 7-Eleven, teen boys Veeper and Wendell try to decide what to do with their night, though the thought of the rest of their lives doesn’t seem to have occurred to them. In Laurel Canyon, two movie stars try to decide if the affair they’re having might mean they like each other. When Byron, trying to figure out the chords of a song he likes, posts a question on a guitar website, he ends up meeting Jessica as well, a woman with her own difficult music. And when the snide and sharp-tongued Twyla agrees to try therapy, not even she would have imagined the results.

Praise for Shimmer

“Looking at Shimmer as a whole, one is struck by Pugsley’s mastery of the short-story form, his ability to distil entire lives’ worth of meaning into a few short pages. He’s not just a writer to watch: he’s a writer to savour.”—Robert Wiersema, Toronto Star

“His greatest gift as a writer is, I believe, his ability to carry dialogue … a brave departure from the highly-praised Aubrey McKee.”—Miramichi Reader

“Pugsley brings out the confusion of life well. No one is in control. Everyone has doubts about themselves and others. His ability to show the twists and turns of our constant, anxious questioning of ourselves makes each story revelatory in a different way. A truly impressive collection!”—Ottawa Review of Books

“[Pugsley’s] story proves that the digital mode of communication, while frequently castigated as impersonal and dehumanizing, can, in the right hands, carry with it strong emotional resonance.”—Steven Beattie, That Shakespearean Rag

“Pugsley excels at putting life on the page, mainly because he uses a profusion of concrete details. He out-Dickens Dickens. And it works.”—Maple Tree Literary Supplement

“Alex Pugsley’s Shimmer (2022) offers a character for every reading mood…poignant and moving.”—Buried in Print

Praise for Alex Pugsley

“Aubrey McKee is no austere, white-walled art gallery of a novel. It’s abundant, highly decorated, and unafraid of extravagance, of stylistic excess … From ordinary incidents — a childhood acquaintance, marital strife, a wedding — as well as a few extraordinary ones, Aubrey McKee builds a dazzling and complicated world, a childhood in Halifax as a vibrant universe in itself. While Pugsley’s literary performance is an immediate delight, the portrait of the early days of a ‘wayward oddity’ lingers long after.”—Toronto Star

“Evoking comparisons in both style and substance to the work of John Irving and Robertson Davies in its assemblage of perceptive, richly detailed character studies … The life of a Canadian city is revealed with verve and insight.”—Kirkus

“Although many peoples’ stories comprise the whole of Aubrey McKee, the city of Halifax is also a feature character … the reverence Pugsley provides about Halifax will resonate with anyone thinking about their own hometown, no matter its size or location … The richly defined personalities in Aubrey McKee are void of pretense or judgment and are, at once, knowable. Like a favourite song, it’s the hook that makes the adventures of Aubrey McKee and those he cares about so memorable.”—Winnipeg Free Press

“Pugsley, equal parts poet and meticulous historian of his own private Halifax, has accomplished, with “Aubrey McKee,” a work of high literary art, remaking and claiming the city as his own once again in a sustained performance that pulses with that deep, radical love.”—John Delacourt, The Ottawa Review of Books

“The mesmerizing, kaleidoscopic Halifax depicted in Aubrey McKee is as enchanted as it is benighted, an adolescent fever-dream. This is a rollicking, strange and unforgettable coming of age novel unlike anything you’ve ever read.”—Lynn Coady, Scotiabank Giller Prize-winning author of Hellgoing

“His prose style is among the finest anywhere: humorous, economical, deft without sacrificing accessibility, capable of laying bare the complicated depths, the tenderness, and the strangeness of personal relationships.”—Roo Borson, Griffin Poetry Prize-winning author of Short Journey Upriver Toward Oishida

“Alex Pugsley’s novel, Aubrey McKee, is a whip-smart portrait of the artist at the end of the twentieth century. Funny and wildly intelligent, it captures a somewhat tragic cohort of young, ambitious Haligonians trying to become themselves, all seen through the eyes of the narrator, a young man of incomplete wisdom. In quicksilver prose, Pugsley shows us a whole generation, some of whom are lost, some found, but all viewed with a profound, comic humanity.”—Michael Redhill, Scotiabank Giller Prize-winning author of Bellevue Square

“A wonderful book, it absolutely floored me. It’s been a very long time since I’ve read anything like it … I found Aubrey McKee to be more reminiscent of Dubliners by James Joyce, not only because the sense of place is so strong, but because the narrative in this book is told through interconnected stories.”—Bookin’

Profound, perceptive, and wryly observed, Estates Large and Small is the story of one man’s reckoning and an ardent defense of the shape books make in a life.

What decades of rent increases and declining readership couldn’t do, a pandemic finally did: Phil Cooper has reluctantly closed his secondhand bookstore and moved his business online. Smoking too much pot and listening to too much Grateful Dead, he suspects that he’s overdue when it comes to understanding the bigger picture of who he is and what we’re all doing here. So he’s made another decision: to teach himself 2,500 years of Western philosophy.

Thankfully, he meets Caroline, a fellow book lover who agrees to join him on his trek through the best of what’s been thought and said. But Caroline is on her own path, one that compels Phil to rethink what it means to be alive in the twenty-first century. In Estates Large and Small Ray Robertson renders one man’s reckoning with both wry humour and tender joy, reminding us of what it means to live, love, and, when the time comes, say goodbye.

Praise for Estates Large and Small

“This wry novel follows a struggling used bookstore owner and Grateful Dead fan as he grudgingly moves his store online, decides to teach himself two millenniums of Western philosophy, falls in love and attempts to pin down the point of life.”—New York Times

“Ray Robertson asks us to think about life as a rental, and to make the best out of it before our lease runs out.”—Literary Review of Canada

“Estates Large and Small is a thoughtful book that manages to make its serious existential themes both entertaining and, yes, hopeful.”—Ottawa Review of Books

“The issues, relationships and real-life collisions in the novel keep reminding the reader that an intellectual exercise by itself doesn’t offer much beyond intellectual satisfaction. Estates Large and Small offers so much more if you can handle the trepidation it shares.”—Winnipeg Free Press

“With the publication of Estates Large and Small, novelist Ray Robertson succeeds in reminding his readers just what it means to live, love, and (when the time comes) to say goodbye. Deftly crafted and memorable characters, a narrative storyline laced with humor and acute observation.”—Midwest Book Review

“Chatham-born author Ray Robertson likes to tell a story in his novels that makes his readers ponder their own lives. He’s hit the mark again with Estates Large and Small.”—Chatham Daily News

“Ray Robertson’s novel Estates Large and Small is both poignant and heartwarming.”—Largehearted Boy

“A warmhearted and unconventional love story that’s also an opportunity for a gentle encounter with some of life’s fundamental questions … With Phil’s droll humor and world-weary cynicism, and Caroline’s clear-eyed determination to live her final days on her own terms, the two make for an appealing couple. Like the philosophers they encounter, Estates Large and Small only hints at answers to life’s deepest mysteries, but it’s a wise reminder that the journey is really the point.”—Harvey Freedenberg, Shelf Awareness

Praise for Ray Robertson

“While How to Die is a slim book, it offers some hefty insights, leavened with frequent, self-effacing humour. There are numerous passages here which, while quick to read (the book is very accessible, despite its philosophical bona fides), nonetheless take hours to fully internalize … Brilliant.” —Toronto Star

“Robertson is a moral writer and a bitingly intelligent one, a man who writes with penetrating insight of what needs to be written about: beauty, truth and goodness.”—Globe and Mail

“Heartfelt, funny, rigorous, practical without ever being preachy … a book that feels like a friend.”—Montreal Gazette

“Sharp-tongued … as Robertson ponders family and home as well as ‘what it means to love someone and to lose someone and to have to go on living anyway,’ he presents an intriguing character whose very real troubles are offset by bright flashes of hope.”—Publishers Weekly

“One of the country’s finest literary voices.”—National Post

“Many of us sense that the world has too many moving parts and can become utterly defeated. Ray Robertson has found a road back in this splendid and intriguing book [Why Not: Fifteen Reasons to Live].”—Jim Harrison

Award-winning Indigenous author Harold R. Johnson discusses the promise and potential of storytelling.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share. Companionable, clear-eyed, and, above all, optimistic, Johnson’s message is both a dire warning and a direct invitation to each of us to imagine and create, together, the world we want to live in.

Praise for The Power of Story

“Johnson’s idea is a powerful one: that a person is not only the ‘author’ but also the ‘editor’ of his or her life, that reframing a narrative is enough to change it.”
—Literary Review of Canada

“By examining Indigenous stories, ways of living, dying, and—yes—laughing, Johnson … offer[s] powerful alternatives to hierarchical structures of society that insist on consuming the Earth’s natural resources at an unsustainable pace.”
—Steven Beattie, That Shakespearean Rag

“Recently in conversation with a friend I remarked that the whole world is a story. Harold Johnson fills that phrase with profound meaning in The Power of Story as he takes ancient figures and modernizes their storied wit and role in creating the worlds we perceive and the boundaries we need. Harold blessed us one last time with a profound conversation on the role of story in every aspect of our lives.”
—Michelle Good, author of Five Little Indians

“The Power of Story begins where all great stories begin: around a fire. Harold Johnson gives us a seat at the fire to listen and take into ourselves some spellbinding, bracing, and provocative stories told with a view to healing and transforming. As Harold writes ‘It’s starting to get darker now, and a bright fire will help.’ The Power of Story is that bright fire. And it will help. His final book is a balm for our times.”
—Shelagh Rogers

Praise for Harold R. Johnson

“An extraordinary memoir by a Cree writer who understands the damage alcohol does when used to kill the pain caused by white Canadians stealing and torturing Indigenous children throughout this nation’s history. I know many white alcoholics but it’s always ‘the drunk Indian.’ Why? Firewater is a great book; it burns in the hand.”
—Toronto Star

“A natural storyteller, Johnson seeks imagined pasts and futurity with equal parts longing and care. This work allows readers and writers the possibility of new and ancient modes of storytelling.”
—Tracey Lindberg, author of Birdie

“A luminous, genre-bending memoir. Heartache and hardship are no match for the disarming whimsy, the layered storytelling shot through with love. The power of land, the pull of family, the turbulence of poverty are threads woven together with explorations of reality, tackling truth with a trickster slant.”
—Eden Robinson, author of Son of a Trickster

“Written in the style of a kitchen-table conversation, Johnson’s personal anecdotes and perceptive analysis are a call to return to a traditional culture of sobriety … [a] well-argued case.”
—Publishers Weekly

A defense of the dying art of losing an afternoon—and gaining new appreciation—amidst the bins and shelves of bricks-and-mortar shops.

Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing’s essays chronicle what we’ve lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacks.

A Globe and Mail Book of the Year

A CBC Books Best Canadian Nonfiction of 2021

From plantation rebellion to prison labour's super-exploitation, Walcott examines the relationship between policing and property.

That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.